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IMDbPro

L'aigle et le vautour

Titre original : The Eagle and the Hawk
  • 1933
  • TV-PG
  • 1h 13min
NOTE IMDb
7,0/10
1,5 k
MA NOTE
Cary Grant and Fredric March in L'aigle et le vautour (1933)
ActionDrameGuerre

Ajouter une intrigue dans votre langueThe pilots of a Royal Air Force squadron in World War I face not only physical but mental dangers in their struggle to survive while fighting the enemy.The pilots of a Royal Air Force squadron in World War I face not only physical but mental dangers in their struggle to survive while fighting the enemy.The pilots of a Royal Air Force squadron in World War I face not only physical but mental dangers in their struggle to survive while fighting the enemy.

  • Réalisation
    • Stuart Walker
    • Mitchell Leisen
  • Scénario
    • Seton I. Miller
    • Bogart Rogers
    • John Monk Saunders
  • Casting principal
    • Fredric March
    • Cary Grant
    • Jack Oakie
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    1,5 k
    MA NOTE
    • Réalisation
      • Stuart Walker
      • Mitchell Leisen
    • Scénario
      • Seton I. Miller
      • Bogart Rogers
      • John Monk Saunders
    • Casting principal
      • Fredric March
      • Cary Grant
      • Jack Oakie
    • 41avis d'utilisateurs
    • 22avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires au total

    Photos37

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    Rôles principaux25

    Modifier
    Fredric March
    Fredric March
    • Jerry Young
    Cary Grant
    Cary Grant
    • Henry Crocker
    Jack Oakie
    Jack Oakie
    • Mike Richards
    Carole Lombard
    Carole Lombard
    • The Beautiful Lady
    Guy Standing
    Guy Standing
    • Major Dunham
    • (as Sir Guy Standing)
    Forrester Harvey
    Forrester Harvey
    • Hogan
    Kenneth Howell
    Kenneth Howell
    • John Stevens
    Leyland Hodgson
    Leyland Hodgson
    • Kingsford
    Virginia Hammond
    Virginia Hammond
    • Lady Erskine
    Douglas Scott
    Douglas Scott
    • Tommy
    Robert Seiter
    Robert Seiter
    • Arnold Voss
    • (as Robert Manning)
    Adrienne D'Ambricourt
    Adrienne D'Ambricourt
    • Fifi aka Fanny
    Ted Billings
    • Cockney Soldier
    • (non crédité)
    Lane Chandler
    Lane Chandler
    • Flier
    • (non crédité)
    Paul Cremonesi
    • French General
    • (non crédité)
    Olaf Hytten
    Olaf Hytten
    • Story-Telling Officer at Party
    • (non crédité)
    Jacques Jou-Jerville
    • French General's Aide
    • (non crédité)
    Crauford Kent
    Crauford Kent
    • General
    • (non crédité)
    • Réalisation
      • Stuart Walker
      • Mitchell Leisen
    • Scénario
      • Seton I. Miller
      • Bogart Rogers
      • John Monk Saunders
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs41

    7,01.4K
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    Avis à la une

    8utgard14

    "I'm a chauffeur for a graveyard, driving men to their deaths day after day."

    Powerful WWI film about the horrors of war, with an exceptional performance by Fredric March as an American pilot flying with the RAF who grows increasingly disturbed by all the death he sees. Cary Grant has an important supporting role as another pilot who clashes with March. This is one of the earliest dramatic roles for Cary that showed what he was capable of. Carole Lombard has only one scene as the appropriately-titled Beautiful Lady. Jack Oakie is March's sidekick, the closest thing to comic relief in the film. About midway through the film, look for a brief scene with Kenneth Howell playing a young pilot. He walks into the scene wearing eye shadow, lipstick, and penciled-on eyebrows!

    Terrific aviation action scenes and short runtime are pluses. Sincere, believable antiwar film that gets its message across more powerfully than a hundred preachier movies of its type. Not as well-remembered as some of its contemporaries but it should be.
    Michael_Elliott

    Great

    Eagle and the Hawk, The (1933)

    **** (out of 4)

    Extremely hard-hitting and emotional anti-war film from Paramount features Fredric March, Cary Grant and Carole Lombard but for some reason it seems that history has forgotten this movie. March and Jack Oakie play pilots who are sent to France to lead up a group who, with gunners as protection, fly over hot zones to take pictures of the enemy. March quickly becomes a hero but his soul begins to hurt as he feels responsible for the gunners who are being killed on his mission. Soon the third pilot of the group (Grant) shows up to be a gunner for March but by this time the veteran pilot finds himself questioning the war and his missions. I had never heard of this film or even heard a mention of it when early war films were discussed and that's a real shame because this film deserves to be known by more people. I was really shocked at how brutally honest and at times heart breaking this film was and it's wasn't afraid to show it's feelings towards war. Most war films from this era always ended with a strong victory but this one here isn't about the victories but instead the deaths that it takes to get a win in battle. The film is also rather graphic in some of the death scenes with one of the biggest scenes coming when March must wipe blood off his hands. I've always called March one of the greatest actors in the history of film but this might very well be the best I've seen him. There are two sequences in the film, which the actor just really amazed me and surpassed the greatness he delivered to countless other films. One sequence is where he's having a nightmare about seeing pilots on fire and falling through the air. The second comes when he is being toasted for killing an ace pilot and March finally lets his feelings known. Grant is pretty good in his role as is Oakie. Carole Lombard has a brief, two scene role as a woman who helps March. As with many war films from this era, the aerial scenery is quite breathtaking with some beautiful stunts. These stunts are very good but they never take away from the main goal of the film, which is to show what costs there are to victories. I had never heard of this film but I'm so glad I watched it because it's certainly one of the best of the decade.
    7blanche-2

    anti-war and depressing

    Fredric March and Cary Grant star in "The Eagle and the Hawk," a 1933 film about World War I.

    March plays Jerry Young, a Flying Corps pilot responsible for filming documentary positions. It's extremely difficult for him; a sensitive man, seeing all the tragedy devastates him.

    Crocker (Cary Grant) is an ambitious gunner, anxious to get in the air, and loves killing Germans.

    The film has wonderful aviation scenes (and Mitchell Leisen is rumored to have been the actual director of this film) which are very impressive.

    A powerful antiwar statement, and very unusual for its time. The ending is quite stunning and partially unexpected.

    Both men give excellent performances - in today's world, March may seem a bit over the top, but it was the style in those days. Carole Lombard has brief scenes as someone who tries to be helpful to him.

    The overall atmosphere of this film is depressing, so don't watch it if you want to be entertained by something light. However, it's ahead of its time and definitely worth seeing.
    8allans-7

    Powerful anti war movie

    Powerful anti war movie - the scenes with Frederic March in particular and Cary Grant are quite intense and grim, but there is some relief to counter balance this aspect of the movie in the characters played by Jack Oakie (comic) and Carole Lombard (sympathy).

    As another person has noted this was really directed by Mitchell Leisen. who is credited as assistant director. This was his second movie (after Tonight is Ours, also with March in it) and he does a fine job. It shows what a versatile director he was, considering he made him his name later with romance / comedy type movies like Midnight.

    It was done pre code but re-released in 1939 with some editing that apparently lessens its impact (I have only seen the edited version). These are referred to in the book Mitchell Leisen Hollywood Director. The scenes with Carole Lombard are longer and imply a sexual relationship afterwards. Cary Grant survives the war but is a broken man.

    Would love to see the original (please let me know if anyone has it). If the edited parts are still available this movie would warrant a restoration to its original vision. A DVD release along these lines would be most welcome.
    9mlamar-3

    great performances

    As the others have said, this surprisingly turned out to be a realistic, antiwar movie. Frederick March gives an Academy-Award-worthy performance as the jaded fighter pilot, and Cary Grant gives a good performance as his rival. Since Hollywood made more pro-war movies than isolationist movies up to Pearl Harbor, this one was a bit startling, judging from its era and its title. Perhaps that is why it has not received its due rewards. Those who have experienced war usually try to prevent its recurrence, and the grim reality of its death and destruction are shown in this film about as graphically as they were allowed at that time. I have heard that even Germany's greatest ace in WWI, the "Red Baron," was very disillusioned when he went home the last time before his death. When his mother asked him who his friends were in a photo, he told her sadly when each of them had been killed. War is only glamorous from a great distance and in games. "The Eagle And The Hawk" captures the real essence of so many wasted lives in the Lost Generation and the destruction of prewar civilization.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      When interviewed by David Chierichetti, for the book "Mitchell Leisen: Hollywood Director", Leisen confirmed that, although credited as "associate director" , he had in fact directed the vast majority of the film: "One day the script for the Eagle and the Hawk came through for us to start work on the sets. I read it and was dying to direct it. It was the only time in my career where I felt I just *had* to direct anything... I burst into Bayard Veiller's office and told him I wanted to make it. He said, "William A. Wellman's on his way over here and I don't even want him to see you here so get out!" I was very discouraged and I said, "Well, I think I'll splurge and have lunch at the Ambassador Hotel." While I was down there I got a call to come back to the studio. It seemed that Mr Wellman didn't like the script at all and wanted to change the whole thing. Veiller said "If you want to do it, go ahead", but the studio was a little leery that I might not know enough about dialogue, so they put Stuart Walker on it to assist me with that end of it. I stuck Stuart in the sound booth again, and he didn't say a word through the whole thing... From the beginning it was clearly understood on all sides that I was the director of The Eagle and the Hawk, and it was Stuart Walker who was assisting me. When we finished, however, Stuart pointed out a clause in his contract that stated he would always get full directorial credit no matter what, and since I didn't have any contract at all, there was nothing I could do about it. The studio was just as furious as I was. Now I happened to know that Stuart had his heart set on Le chant du berceau (1933) and Trois jours chez les vivants (1934). I didn't know anything about Cradle Song but when the studio asked me what I wanted to do next, I said Cradle Song just to get back at Stuart. After I'd been shooting that a couple of weeks, they asked me what I wanted next and I said Death Takes a Holiday. Those turned out to be two of my favorite pictures, so at least Mr Walker had good taste, even though he couldn't direct a picture." Fredric March was interviewed for the book and verified this also. When Paramount reissued "The Eagle and The Hawk" in 1939, after Leisen had already become a renowned director, they rewrote the advertising to say "Directed by Stuart Walker and Mitchell Leisen."
    • Gaffes
      At end, Jerry is referred to as a captain, but throughout the film he had two pips on his uniform which is the insignia for a first lieutenant. A captain is three pips and a major is a crown.
    • Citations

      Jerry H. Young: I didn't expect to be a chauffeur for a graveyard, driving men to their deaths day after day.

      Major Dunham: And yet, that's just exactly what it is.

    • Versions alternatives
      Current prints of "The Eagle and the Hawk" run 68 minutes. Several scenes were cut for a 1939 re-issue to comply with the Production Code.
    • Connexions
      Edited from Les ailes (1927)

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    FAQ15

    • How long is The Eagle and the Hawk?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 18 mai 1934 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
    • Aussi connu sous le nom de
      • The Eagle and the Hawk
    • Lieux de tournage
      • Paramount Studios - 5555 Melrose Avenue, Hollywood, Los Angeles, Californie, États-Unis(Studio)
    • Société de production
      • Paramount Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 13min(73 min)
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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