Diplomaniacs

"Diplomaniacs" is a funny, uneven and very politically incorrect film. It also happens to be one of Wheeler & Woolsey's better movies. It's also very, very unusual in many ways. There's even more singing than usual, cute Dorothy Lee (who is in nearly every one of the boys' films) isn't in this one, and it has a very, very dark ending...surprisingly dark for a comedy.

The story begins with the pair lamenting their opening up a barber shop on American Indian land. The natives don't have beards and don't need their services...but they do, for some inexplicable reason, want Willy and Hercules (Wheeler & Woolsey) to represent them at the Geneva peace conference. After all, they wonder why the Indian nation isn't being represented and they want peace. However, a baddie (Louis Calhern) is bent on preventing the pair from addressing the conference, as he wants war...though they never really say why!

The film is, like "Duck Soup" from the Marx Brothers (which debuted a few months later), a film that is actually deadly serious. It makes fun of the peace conferences of the day because they pointed out that these conferences really achieved nothing to protect mankind...and the film even ends on a very, very dark note. In many ways, it's very intelligent in addressing this YET it also is very dopey and filled with tons of jokes...many of which fall a bit bit flat. It's also very unusual in that the film's dialog is often sung. Overall, a good film that occasionally misses the mark...but also often succeeds.

By the way, I need to address the proverbial elephant in the room with this film. It is filled with politically incorrect stuff that will horrify some viewers. Hugh Herbert plays a Chinese man, the American Indian tribesmen are walking stereotypes and are ridiculous...and the final scene at the peace conference is a giant black-face number!! It is offensive....a product of its times, of course! But, all in all, I still enjoyed it in spite of everything....but you should be forewarned.

DIPLOMANIACS is a really really funny 1933 film drawing happy comparison to Marx Bros and Euro-operetta farces of the Depression era. Deliberately as silly as possible with every race stereotype copping a hilarious racist pre code raspberry... even the squadron of French maids who un dress W&W out of their nighties and into hideous check streetwear and stovepipe hats. Everyone cops it and every character is playing unrestrained lunacy to the hilt. Instead of me carrying on about it, make sure you read the 'moviediva' link in the external comments panel along with the very informative other comments here. There is a wealth of information and insight into this forgotten but genuinely hilarious comedy team who seemed to toss very camp humor, cross dressing, insults, demented songs and skirt chasing into every conceivable mix in all their films. I have managed to see about 7 of their films and this so far is the best, fastest and outrageous. They often screen on late night TV in Australia where one channel seems to have almost every RKO pic from 1929-1946. DIPLOMANIACS has a terrific cast and a strong music score. I also love the Monogram pic of 1934 KING KELLY OF THE USA which joins this and DUCK SOUP with MILLION DOLLAR LEGS which you can read all about in other comments and the moviediva link. Enjoy!

Wheeler & Woolsey have been about as ill-used & forgotten as Shakespeare's Rosencrantz & Guildenstern from the play Hamlet. In the abyss of the Great Depression our country turned to its clowns for solace and distraction from calamity. They did not disappoint us, keeping us howling with mirth lest we howl with despair. In return a grateful nation has given most of them an icon sheen, reviving their films, putting their visage on posters & t-shirts, and encouraging savants, pedants, and just plain journalists, to turn their histories into myths, and their myths into history. All of them, it seems, but Wheeler & Woolsey. These two fine cuckoos have been relegated to the basement of the Museum of Comedy. Their movie Diplomaniacs shows them to be sassy, musical and self-aware comics of the first water. So why is their memory as dead as the Firestone tire? Because the American public and its media minions insist on a simplistic & single view of our great clowns. No ambiguity need apply, seems to be the sign posted on the windows of our souls. Con man & boozer? Why that's W.C. Fields, only. Wisecracker? Groucho! Silly silent girl chaser? Harpo! Wistful vagabond? Only Chaplin. We have forgotten, or never knew, that there is a common gene pool for all great clowns and their comedy. Stan Laurel chased girls in early L & H ventures. Harold Lloyd portrayed a homeless stumblebum before inventing his glass character. And so it goes. Wheeler & Woolsey practised well and wisely the common foibles of the great-hearted boobies -- they drank to excess, warbled irreverent ditties, ogled the girls, and cracked wise at the drop of a pun. But they never got a RESERVED spot in the Hollywood parking lot. Groucho, Buster, each of you can make a little room for 'em, can't you? Your brother fools? Maybe Hollywood can even make amends by filming THE WHEELER & WOOLSEY STORY, with Jim Carrey & Steve Martin. I'd pony up the bucks for that!

"Diplomaniacs" is a funny, uneven and very politically incorrect film. It also happens to be one of Wheeler & Woolsey's better movies. It's also very, very unusual in many ways. There's even more singing than usual, cute Dorothy Lee (who is in nearly every one of the boys' films) isn't in this one, and it has a very, very dark ending...surprisingly dark for a comedy.

The story begins with the pair lamenting their opening up a barber shop on American Indian land. The natives don't have beards and don't need their services...but they do, for some inexplicable reason, want Willy and Hercules (Wheeler & Woolsey) to represent them at the Geneva peace conference. After all, they wonder why the Indian nation isn't being represented and they want peace. However, a baddie (Louis Calhern) is bent on preventing the pair from addressing the conference, as he wants war...though they never really say why!

The film is, like "Duck Soup" from the Marx Brothers (which debuted a few months later), a film that is actually deadly serious. It makes fun of the peace conferences of the day because they pointed out that these conferences really achieved nothing to protect mankind...and the film even ends on a very, very dark note. In many ways, it's very intelligent in addressing this YET it also is very dopey and filled with tons of jokes...many of which fall a bit bit flat. It's also very unusual in that the film's dialog is often sung. Overall, a good film that occasionally misses the mark...but also often succeeds.

By the way, I need to address the proverbial elephant in the room with this film. It is filled with politically incorrect stuff that will horrify some viewers. Hugh Herbert plays a Chinese man, the American Indian tribesmen and sexy tribeswomen are ridiculous and the final scene at the peace conference is a giant black-face number!! It is offensive....a product of its times, of course! But, all in all, I still enjoyed it in spite of everything.

Also, do NOT freak out at the swastikas in the opening credits. American Indians (as well as Asians) used the symbol for many, many, many years before the Nazis ever began in Germany....and it's not meant as a Nazi reference.

This riotous, politically incorrect classic has a lot in common with the Marx Brother's film "Duck Soup". Consider: (1) Both films were released in 1933. (2) Both films had a strong anti-war message to them. (3) Both films starred Louis Calhern and Edgar Kennedy. (4) Both films had hilarious musical numbers in them. A film that is unjustly forgotten today, it has a lot of bizarre, but wonderful moments in it. The film opens with Wheeler & Woolsey as barbers on an Indian reservation. The Indians recruit the boys to attend the Geneva Peace Conference and convince all of the other countries to pledge to end war. However, the owners of an ammunition company sets out to stop them. A delight!