Ajouter une intrigue dans votre langueAn ambitious mechanic is tempted to desert his wonderful girlfriend when a silly but rich debutante falls for him.An ambitious mechanic is tempted to desert his wonderful girlfriend when a silly but rich debutante falls for him.An ambitious mechanic is tempted to desert his wonderful girlfriend when a silly but rich debutante falls for him.
- Réalisation
- Scénario
- Casting principal
Marian Nixon
- Glory Franklyn
- (as Marion Nixon)
Herman Bing
- Franklyn's Chauffeur
- (non crédité)
Harry Bowen
- First Reporter
- (non crédité)
Stephen Chase
- Betty's Escort
- (non crédité)
Helen Freeman
- Franklyn's Guest
- (non crédité)
Betty Furness
- Betty
- (non crédité)
Thelma Hardwick
- Miss Bruce
- (non crédité)
Dennis Morgan
- Party Guest
- (non crédité)
Nancy Shubert
- Girl
- (non crédité)
Avis à la une
Small-town mechanic Joel McCrea keeps putting off marrying his sweetheart Ginger Rogers. Then flighty rich girl Marian Nixon shows up at Joel's gas station and he drops Ginger for her. Disappointing drama about how the grass looks greener on the other side or some such. The characters are poorly written, especially McCrea's. Ginger isn't the right fit for her role. Yes she could play wholesome girl next door types but here she's a doormat. Also, it's hard for me to buy any guy who has Ginger Rogers looking for someone else. On the plus side, one of the little things I love about watching older movies is soaking up all the pieces of history on display. The clothes, the cars, the architecture -- it's all pretty fascinating to me. In this movie, for example, I really enjoyed seeing the old gas station with the pumps and stuff. This isn't a very good movie but it's watchable due to the actors' personalities transcending their crappy parts.
In this charming little film, Joel McCrea plays Blacky Gorman, owner of a service station with big plans for owning more stations. Ginger Rogers plays his girlfriend, Marge Harris, a wonderful young woman without a selfish bone in her body. Blacky does not appreciate what he has and his attention is diverted to a flirtatious girl with social connections and family wealth---Glory Franklyn, played by Marian Nixon.
The acting is worthy of notice, but the story is fairly uncomplicated. As a result, the film is not substantial enough to warrant a higher score than "6".
This precode production offers only a couple concessions to impropriety, but it provides a nostalgic look at life in the thirties, including kitchen operations.
The film wraps up too neatly and too quickly, but it is, nonetheless, endearing. It might have served as a cautionary tale in its day, but it remains a comforting tale of ceaseless fidelity and virtue.
The acting is worthy of notice, but the story is fairly uncomplicated. As a result, the film is not substantial enough to warrant a higher score than "6".
This precode production offers only a couple concessions to impropriety, but it provides a nostalgic look at life in the thirties, including kitchen operations.
The film wraps up too neatly and too quickly, but it is, nonetheless, endearing. It might have served as a cautionary tale in its day, but it remains a comforting tale of ceaseless fidelity and virtue.
Caught this on TCM this morning - a bit disturbing, really, considering the light-hearted tone in the early going. A poor sap mechanic (McCrea) is stolen from his girlfriend (Ginger Rogers) by a wealthy heiress. Can a marriage involving such a gap in class succeed?
Although McCrea and Rogers are charming enough to watch, there are some upsetting elements in this yarn that would be readily discernible by modern audiences: hence, I assume that the screenplay slightly pre-dates the crackdown of the Production Code. However, you might find the movie interesting if you like to delve into the evolution of 'mature subject material' during this era. TCM has championed this pastime. 6/10
Although McCrea and Rogers are charming enough to watch, there are some upsetting elements in this yarn that would be readily discernible by modern audiences: hence, I assume that the screenplay slightly pre-dates the crackdown of the Production Code. However, you might find the movie interesting if you like to delve into the evolution of 'mature subject material' during this era. TCM has championed this pastime. 6/10
A small-town mechanic (Joel McCrea) leaves his girlfriend (Ginger Rogers) for an heiress (Marian Nixon).
An early role for Ginger, Chance at Heaven is an enjoyable little bauble, coming in at just over 70 minutes. Ginger doesn't get much to do, but is very good as always, while Joel McCrea is a competent leading man. Marian Nixon is good as the heiress; however, her character is so scatterbrained it makes Carole Lombard in My Man Godfrey look like Einstein!
The film itself is a little depressing, and it's hard to sympathize with McCrea because his character is such a sap. There's also a thinly veiled reference to abortion, one of the worst screen mothers in history and Andy Devine as McCrea's friend. Overall, it's nothing very memorable, but it's enjoyable.
An early role for Ginger, Chance at Heaven is an enjoyable little bauble, coming in at just over 70 minutes. Ginger doesn't get much to do, but is very good as always, while Joel McCrea is a competent leading man. Marian Nixon is good as the heiress; however, her character is so scatterbrained it makes Carole Lombard in My Man Godfrey look like Einstein!
The film itself is a little depressing, and it's hard to sympathize with McCrea because his character is such a sap. There's also a thinly veiled reference to abortion, one of the worst screen mothers in history and Andy Devine as McCrea's friend. Overall, it's nothing very memorable, but it's enjoyable.
CHANCE AT HEAVEN is a fairly low-key soaper even though near the end it makes some rather startling precode plot turns. Ginger Rogers stars as Marge, a small-town girl who has been a quasi-fiancée to gas station owner Blacky Gorman (Joel McCrea) for two years but he takes her so much for granted you would think they'd been married for decades. Although set in a small town, both of them are quite comfortable financially (Marge's dad owns a store we never see). "Practical" Blacky wants to wait however until he gets a chain of gas stations going before he takes a wife though one has to wonder how much of their engagement is merely Marge's presumption given his rather non-romantic friendship with her. Suddenly another woman enters the picture when New York heiress "Glory" Franklyn (Marian Nixon) and her socialite mother purchase a large estate in the area apparently as a summer home. Blacky is immediately bewitched by this new scenery despite his denials to Marge although this new face is a blatantly shallow and frivolous coquette. Glory awakens a passion in Blacky that true-hearted, sensible Marge really hasn't done and they quickly become an item, with Marge good-naturedly (if incredibly) pulling herself out of the race and wishing them the best.
The couple elopes and Mrs. Franklyn reaches for the smelling salts, horrified that her daughter has married down. Glory attempts to step into the new role as small town wife of a small business owner but she is as dependent on new friend Marge (still hanging in there as a buddy) now as much as she was on her mother in her past life. Eventually Glory becomes pregnant and the news is not especially welcomed by this little shallow flirt who knows Mother will be an even harder role than Wife. Mrs. Franklyn takes her back to New York supposedly for a short rest but as the months past, Blacky begins to wonder just when she is going to return.
Ginger Rogers and Joel McCrea are two very appealing players and do what they can with this story although it's hard to have much sympathy for "nice guy" Blacky when he's been so inconsiderate throughout the picture to Marge, who despite being his "girl" for the first part of the film he treats with little more passion than a buddy. Marge, on the other hand, seems to be a male fantasy of the era, perfect, devoted, and always there no matter what kind of crud you throw at her and it is a bit disheartening to see the delicious spitfire that is Ginger Rogers restrained to this level. Marian Nixon was a fairly popular starlet/second tier star of the era, a minor rival to Janet Gaynor at Fox Films, but here she is miscast as a flighty flirt although she is quite credible in capturing her character's shallowness. Acting honors that are here may belong to character actress Virginia Hammond as Nixon's control freak of a mother.
The couple elopes and Mrs. Franklyn reaches for the smelling salts, horrified that her daughter has married down. Glory attempts to step into the new role as small town wife of a small business owner but she is as dependent on new friend Marge (still hanging in there as a buddy) now as much as she was on her mother in her past life. Eventually Glory becomes pregnant and the news is not especially welcomed by this little shallow flirt who knows Mother will be an even harder role than Wife. Mrs. Franklyn takes her back to New York supposedly for a short rest but as the months past, Blacky begins to wonder just when she is going to return.
Ginger Rogers and Joel McCrea are two very appealing players and do what they can with this story although it's hard to have much sympathy for "nice guy" Blacky when he's been so inconsiderate throughout the picture to Marge, who despite being his "girl" for the first part of the film he treats with little more passion than a buddy. Marge, on the other hand, seems to be a male fantasy of the era, perfect, devoted, and always there no matter what kind of crud you throw at her and it is a bit disheartening to see the delicious spitfire that is Ginger Rogers restrained to this level. Marian Nixon was a fairly popular starlet/second tier star of the era, a minor rival to Janet Gaynor at Fox Films, but here she is miscast as a flighty flirt although she is quite credible in capturing her character's shallowness. Acting honors that are here may belong to character actress Virginia Hammond as Nixon's control freak of a mother.
Le saviez-vous
- AnecdotesOne joke needs explanation. When Joel McCrea brings his bride to their new house, he says that it's all theirs: "No plaster!" She says, "Oh, that's all right, dear. We can have it put on later." In contemporary slang, a plaster was a mortgage.
- Citations
Blacky Gorman: Funny how a good kick in the pants will make a guy's head work.
- Bandes originalesLondon Bridge is Falling Down
(uncredited)
Traditional
Sung a cappella by Ginger Rogers and Joel McCrea
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Tres corazones en juego
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 11 minutes
- Couleur
- Rapport de forme
- 1.37 : 1
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By what name was Chance at Heaven (1933) officially released in India in English?
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