Le trésor des mers

The film opens with a sea battle, and a submarine going down, and for a large part of the remainder of the movie, we follow captain Schlemmer(Fred Vogeding) and Steve McCreary (Ralph Bellamy) as they try to bring its contents back up years later. Our female lead Diane Templeton is the lovely (and in this one, also educated and wealthy) Fay Wray. She will provide the ship and the money for her undersea research, or so she thinks. She had been making movies for 10 years by this time, although it was only Bellamy's second year. In 1933, Wray would make eleven films (wow!) Writer Jo Swerling had written numerous adventures from the 1920s to the 1970s, including portions of Gone With the Wind, and It's a Wonderful Life. Good strong script, mostly good acting; A couple scenes are a little fuzzy and out of focus, but it was 1933. Also a little naughty for its time, especially in the photography dark-room. Interesting discussion of evolution from Diane Templeton, as she shows McCreary around some laboratory. Good action film. Per IMDb, it appears to have been re-released in 2005, but I was not able to find it available on barnes & noble, ebay, or amazon.com in any format. The web page for "nothings new video" says they are no longer in operation.

Expert deep sea diver Ralph Bellamy is hired by German sailor Fredrik Vogeding and shady seaside hotel proprietor Esther Howard to help locate and bring up a cache of WWI gold bars from the bottom of the sea. Vogeding has the map; Howard finances the plan; and Bellamy will do the diving.

Ralph Bellamy scowls his way through most of this watery adventure. As the "best diver there is," he is marginally more honest than his two partners, who immediately begin making plans to double cross him and each other. The partnership grows darker and bleaker the longer the two men work together: "I used to figure all the things I'd do with that gold," Bellamy tells Vogeding. "But now it only means one thing to me, Schlemmer. Gettin' rid of you."

The plot thickens when the trio wind up on a scientific expedition financed by rich girl Fay Wray. Noticing that Bellamy never smiles, Wray of course is smitten with him, and the sparring between this pair begins. Finally he embraces her and kisses her, then is shocked when she likes it. Wray: "I suppose you would have liked it better if I'd slapped your face." Bellamy: "Yeah, I would." She slaps his face. He smiles. Wray: "Good heavens! You do know how to smile!"

Some of this dialog is kind of nauseating but it doesn't seem necessary to take it too seriously. Fay Wray looks beautiful but out of place on a heavy duty marine expedition; Ralph Bellamy looks good too but isn't completely convincing as a hard boiled sailor. However, if the dramatic bits are shaky, the adventure scenes really are exciting: a big ocean storm early in the picture is impressively loud and wet, and the climactic rescue attempt at the bottom of the sea is exactly where the whole picture was headed but thrilling just the same.

Pretty silly but lots of fun. And the moment right near the end when Bellamy grabs the binoculars and has a look--that is a brilliant twist.

Having made it a point to see all the available Fay Wray films that have survived, I can tell you with certainty that you will never see her looking more beautiful than in her role, here. A radiant presence in a world of dangerous characters, she plays a moneyed adventuress bankrolling a 'scientific' expedition to document marine life. Unknown to her is the real purpose of her crews' intentions. Surprises abound in this 'A' title from Columbia Pictures. I had a hard time telling the full scale from the miniature set. And for humor, Fay lectures Ralph Bellamy about becoming a gentleman, as he descends a ladder, and she'll lean WAAYY over to make sure she has his attention. Another delight from the pre-code era. Highly recommended.

And what it is is a cheap Columbia B, off the Harry Cohn assembly line, but diverting and exciting in spots. Greedy, amoral Fredrik Vogeding knows where a million dollars' worth of gold bars are hidden below the sea, and he engages heiress Fay Wray and engineer Ralph Bellamy to find it. Bellamy, playing wildly against type (though his milquetoast type hadn't really been established yet), is surly and hard-bitten, yet eventually falls for Wray, in one of those I'm-kissing-you-whether-you-want-it-or-not sequences that happened from time to time in the '30s. There's a tense blown-up-sub sequence, and a tense fight with an octopus, and some underwater photography that's perfectly decent for 1933. And I was impressed with the nastiness of Vogeding, whom I wasn't familiar with at all.

Somewhere, somehow, somebody decided that Ralph Bellamy was perfect to play the sort of role that would have suited Humphrey Bogart or maybe Robert Mitchum in a later era. So there he is, trying to come off as a cynical tough guy, a professional diver, who signs on for an undersea expedition financed by society playgirl Fay Wray. What he doesn't know is that the captain of their ship isn't searching for exotic marine life but a cache of gold from a sunken U-boat. It's a standard grade-B actioner, down to a fight to the death with a prop octopus. But watching the easy-going, erudite Bellamy desperately trying to play a hard-boiled adventurer is worth tuning in for.