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IMDbPro

Young Ironsides

  • 1932
  • 20min
NOTE IMDb
6,8/10
98
MA NOTE
Charley Chase in Young Ironsides (1932)
ComedyRomanceShort

Ajouter une intrigue dans votre langueHarry is hired by a rich family to stop their daughter from entering a beauty contest.Harry is hired by a rich family to stop their daughter from entering a beauty contest.Harry is hired by a rich family to stop their daughter from entering a beauty contest.

  • Réalisation
    • James Parrott
  • Scénario
    • H.M. Walker
  • Casting principal
    • Charley Chase
    • Muriel Evans
    • Clarence Wilson
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,8/10
    98
    MA NOTE
    • Réalisation
      • James Parrott
    • Scénario
      • H.M. Walker
    • Casting principal
      • Charley Chase
      • Muriel Evans
      • Clarence Wilson
    • 4avis d'utilisateurs
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos3

    Voir l'affiche
    Voir l'affiche
    Voir l'affiche

    Rôles principaux19

    Modifier
    Charley Chase
    Charley Chase
    • Fearless
    Muriel Evans
    Muriel Evans
    • Muriel Evans
    Clarence Wilson
    Clarence Wilson
    • J. Caldwall Evans
    • (as Clarence H. Wilson)
    Heinie Conklin
    Heinie Conklin
    • House Detective
    Ernie Alexander
    • Elevator Operator
    • (non crédité)
    Harry Bernard
    Harry Bernard
    • Cop
    • (non crédité)
    Baldwin Cooke
    Baldwin Cooke
    • Dining Car Steward
    • (non crédité)
    Edward Dillon
    Edward Dillon
    • Evans' Lawyer
    • (non crédité)
    Almeda Fowler
    Almeda Fowler
    • Woman at the Evans House
    • (non crédité)
    Billy Gilbert
    Billy Gilbert
    • Effeminate Train Passenger
    • (non crédité)
    June Glory
    June Glory
    • June Glory - Miss Philadelphia
    • (non crédité)
    Paulette Goddard
    Paulette Goddard
    • Miss Hollywood
    • (non crédité)
    Charlie Hall
    Charlie Hall
    • Bellhop
    • (non crédité)
    Hope Harper
    • Dock Onlooker
    • (non crédité)
    • …
    Alice Jans
    Alice Jans
    • Alice
    • (non crédité)
    Dorothy Layton
    Dorothy Layton
    • Dorothy Layton - Miss San Francisco
    • (non crédité)
    Jerry Mandy
    • Fisherman
    • (non crédité)
    May Wallace
    May Wallace
    • Mrs. Evans
    • (non crédité)
    • Réalisation
      • James Parrott
    • Scénario
      • H.M. Walker
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs4

    6,898
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    10

    Avis à la une

    9boblipton

    What would the Vanderbilts say?

    Muriel Evans has decided to defy family convention and take part in a beauty contest in Oceanside and her parents have hired "Fearless" who turns out to be timid Charley Chase to find her and stop her.

    This is one of Charley's better sound shorts in which Thelma Todd does not appear. It's strengthened by some nice location shooting in Oceanside, California, some nice supporting physical comedy by Heinie Conklin and most of all, by leading lady, Muriel Evans, who looks to be having a lot of fun -- her reaction shots to Charley's gag with the asparagus are priceless. The entire thing is directed by Charley's brother, James Parrott and it looks to have been a very enjoyable shoot for everyone.
    Michael_Elliott

    Big Laughs from Chase Comedy

    Young Ironsides (1932)

    *** (out of 4)

    Very funny short has a couple of rich parents hiring "Fearless" (Charley Chase) to track down their daughter who is going out to California to enter a beauty contest. The parents fear this will ruin their reputation so Chase goes after the girl and gets some help from someone who he doesn't realize is actually the daughter. This isn't a masterpiece of comedy but there are enough big laughs here to make it worth viewing. THe more Chase films I see, silent or sound, the more I begin to feel he's perhaps the most underrated comedian from this era. Once again he does a masterful job at playing that lovable loser and some of the best moments happen early on as he tries playing tough only to get scared by a mouse as well as a fake tiger. The high pitched scream from Chase is priceless and will certainly have you laughing. The ending has Chase in drag, which was pretty funny as is another sequence aboard a train when Chase goes to whisper some sweet words to the lady only to end up in a dark tunnel. Muriel Evans plays the girl and is incredibly charming and extremely good looking as well. Heinie Conklin has a funny bit as a house detective and Billy Gilbert has a quick role. Paulette Goddard plays one of the beauty pageant entries as well.
    bbhlthph

    The "Fearless" Rabbit at work

    This 20 minute short B/W slapstick comedy featuring Charlie Chase and typical of its period (1932), was revived recently on TCM to fill the gap left when a 93 minute film was allotted a 2 hour time-slot. Charlie was extremely prolific from the time of the first world war until his death in 1940. IMDb lists an almost incredible number of films which he wrote, produced or directed, in addition to over 250 in which he acted; sometimes (as in Tilly's Punctured Romance and Sons of the Desert) with top stars such as Charlie Chaplin or Laurel and Hardy. Probably because his best roles came only in shorts produced after the end of silent era, he never achieved the same public recognition as comedians who rose to the top before talkies were introduced; and it is not easy to purchase copies of any of his films today (although at least two DVD collections released through Kino incorporate some of his work). TCM deserve our thanks when they provide valuable opportunities to see such almost unknown films today. Perhaps we can also ask them to revive Old Ironsides (1926) so that we can all appreciate the irony in the title of this film! Whilst in general I am not a lover of slapstick comedy I certainly enjoyed watching this film - but my main reason for submitting these User Comments is to discuss the problem of how a viewer should approach the problem of rating a film of this type. It is analogous to the problem of rating places for eating out. To apply the same evaluation scale to an epicurean restaurant, a businessmen's lunch place, a family restaurant or a late evening snack bar makes very little sense. All have a role to play but it seems reasonable to recognise that the modest inexpensive establishment should not be eligible for as high a rating as the epicurean restaurant. On the other hand because one may expect to spend $100 at an epicurean restaurant and no more than $10 in a snack bar, it is unreasonable to suggest that whilst the former should be rated on a scale of 1-10, the latter is not eligible for more than 1. To provide useful guidance for readers looking for the best snack bar would require these to be rated at least on a scale of say 1-6.

    With IMDb movie ratings, my rule of thumb is to restrict ratings of more than 7 to major films which would normally have an experienced cast, an extended production schedule and a relatively generous budget. This means that lesser films will very seldom be rated at more than 6 (near perfection for a film of its type). I would always down-rate very short films, films with anti-social elements (this is very hard to assess without becoming censorious, which must always be avoided), films created in digital form that cannot be adequately converted for large screen viewing, films that are clearly exploitive, and films with historical, scientific or documentary inaccuracies that are presented as factual depictions. These principles seem to me to be basic absolutes. Beyond this the film-script, the direction, the acting, the wardrobe and sets, the cinematography and the soundtrack all have to be assessed, but these are all areas where personal judgments come in and wide discrepancies will arise between one viewer and the next. When all these considerations are applied to Young Ironsides I find myself judging it against a potential maximum rating of seven and I am giving it an IMDb rating of four - fully recognising that someone following the same procedure who enjoys slapstick comedy much more than I do would probably rate it at five or six. When I compare this with its current IMDb user rating of 7.1 (based on 23 ratings), it seems clear that most reviewers do not accept my approach of setting a ceiling for the rating that is appropriate for all but the most ambitious productions, and I must also recognise that I have not always followed the principles I have attempted to outline here when I have been particularly impressed by some relatively minor film. But if we rate all films by the same criteria, 20 minute shorts should be as eligible for Oscars as major studio productions. Is this what we want?

    Are these comments helpful and can we please have some more users discussing how they deal with these problems?

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      The items in the laundry parcel thrown to fearless are the collars from shirts. In this era shirts still had detachable collars that were laundered and starched separately from the shirt.
    • Connexions
      Spoofs Vaincre ou mourir (1926)

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    Détails

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    • Date de sortie
      • 3 septembre 1932 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Société de production
      • Hal Roach Studios
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      20 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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