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IMDbPro

Gosses de Tokyo

Titre original : Otona no miru ehon - Umarete wa mita keredo
  • 1932
  • Tous publics
  • 1h 30min
NOTE IMDb
7,8/10
6,6 k
MA NOTE
Gosses de Tokyo (1932)
ComédieDrame

Ajouter une intrigue dans votre langueTwo young brothers throw a tantrum when they discover that their father isn't the most important man in his workplace.Two young brothers throw a tantrum when they discover that their father isn't the most important man in his workplace.Two young brothers throw a tantrum when they discover that their father isn't the most important man in his workplace.

  • Réalisation
    • Yasujirô Ozu
  • Scénario
    • Akira Fushimi
    • Geibei Ibushiya
    • Yasujirô Ozu
  • Casting principal
    • Tatsuo Saitô
    • Tomio Aoki
    • Mitsuko Yoshikawa
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,8/10
    6,6 k
    MA NOTE
    • Réalisation
      • Yasujirô Ozu
    • Scénario
      • Akira Fushimi
      • Geibei Ibushiya
      • Yasujirô Ozu
    • Casting principal
      • Tatsuo Saitô
      • Tomio Aoki
      • Mitsuko Yoshikawa
    • 45avis d'utilisateurs
    • 43avis des critiques
    • 91Métascore
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos14

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    + 7
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    Rôles principaux17

    Modifier
    Tatsuo Saitô
    Tatsuo Saitô
    • Yoshi (Chichi)
    Tomio Aoki
    Tomio Aoki
    • Keiji
    • (as Tokkan Kozô)
    Mitsuko Yoshikawa
    Mitsuko Yoshikawa
    • Haha (Yoshi's Wife)
    Hideo Sugawara
    • Ryoichi
    Takeshi Sakamoto
    Takeshi Sakamoto
    • Juuyaku (Iwasaki, Executive)
    Teruyo Hayami
    • Fujin (Iwasaki's wife)
    Seiichi Katô
    • Kodomo (Taro)
    • (as Seiichi Kato)
    Shôichi Kofujita
    • Kozou (Delivery boy)
    Seiji Nishimura
    • Sensei (Teacher)
    Zentarô Iijima
    • Asobi nakama (Friend)
    • (as Zentaro Iijima)
    Shôtarô Fujimatsu
    • Asobi nakama (Friend)
    Masao Hayama
    Masao Hayama
    • Asobi nakama (Friend)
    Michio Sato
    • Asobi nakama (Friend)
    Kuniyasu Hayashi
    • Asobi nakama (Friend)
    Akio Nomura
    • Asobi nakama (Friend)
    Teruaki Ishiwatari
    • Asobi nakama (Friend)
    Chishû Ryû
    Chishû Ryû
    • Home Movies Projectionist
    • (non crédité)
    • Réalisation
      • Yasujirô Ozu
    • Scénario
      • Akira Fushimi
      • Geibei Ibushiya
      • Yasujirô Ozu
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs45

    7,86.5K
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    Avis à la une

    9crossbow0106

    Brothers In Arms

    I saw this film at a special screening at the Museum Of Modern Art in New York City with live piano accompaniment. I'm not sure we needed the piano, this is a really great comedy about two young brothers trying to fit in in a new place. They are faced with two things: Bullies and that they feel their father is a nobody since he works for one of the other neighborhood boy's father. The two brothers are great. The audience, which was a refreshingly large one, laughed freely through the film, as I did.This is my first Ozu film, and I thoroughly enjoyed it. It depicts a child's world, what matters to them. It is a great silent film, the pace is good, it never drags. Not to be missed.
    8caspian1978

    Amazing

    One of the very few silent films where you can hear the magic. Ozu directs I WAS BORN....BUT, the story of 2 brothers growing up in a small town Japan. Beautifully filmed with a wonderful, down to earth story of childhood joys and sorrows. Keep in mind, although sad, this was filmed in 1932. Just about every child in this film would grow up and fight (and most likely die) in World War 2. With this in mind, the film with hope and innocence. Still, knowing the possible future, you can't help but see the ending as somewhat sad.
    alsolikelife

    one of the all-time greats

    Put in simple terms, this is one of the greatest silent movies ever made. Though the film was intended to be screened with live voice-over by a benshi narrator, this masterpiece works stunningly well without sound, because Ozu's

    unparalleled sense of visual rhythm, choreographed movement, and humor

    keep one's eyes dancing in delight. The story concerns two boys who fight their way to gain status and respect among the local bullies, only to realize that their father is a bottom-feeder among the adults. As such it's loaded with acute

    observations of Japanese society, and not without Ozu's penchant for subtle but potent criticism. For people who are used to the "slow" Ozu of the 50s, this film will be a revelation, inspiring speculation as to how and why he changed a style that already was exceptional.
    8pruthvishrathod

    Sweet family drama

    An earlier silent gem from Yasujiro Ozu. My first film of him as well. It was a beautiful story of a family moved into suburbs from Tokyo. It mostly focuses on lifestyle and school-life of two small kids. They get rivaled by local kids in the beginning. But soon they become the leaders of the gang. The film is filled with sweet moments, gives a good taste of innocent childhood. They find it hard to accept that an outwitted boy's father is the boss of their father. The parents are beautifully portrayed in the film. How they influence their children and lead them to a better social position in future. It ends with sweet and touching moments, making it difficult for you to forget.
    10zetes

    A Whole New Ozu: The Old Ozu!

    I like Yasujiro Ozu's work, but, even after seeing some of those works that are generally considered best, I was still skeptical of his minimalist style. But then I saw the New Yorker VHS of the silent I Was Born, But...

    Let me just say that it is absolutely amazing. It's a nearly perfect film, with great direction, great writing, great jokes, and great acting. This is easily one of the best film about children ever made. The story revolves around two young boys whose dad has just moved to the suburbs near his boss. The kids have some trouble fitting in, and a gang of bullies accost them at first. But soon they conquer the leader of the gang and supplant him.

    Later in the film, the kids are challenged with their perception of their father. They think he's everything, of course, but they soon find out that he is only a salaryman. They watch his boss' movies, which include shots of the father fooling around for the entertainment of his employer. The children are flabberghasted, and rebel against their father. I have said it is a great film about childhood; it is also a great film about parenting, as the father and mother have to deal with their sons' disappointment.

    Please, please watch this film, especially if you have been disappointed with other works such as Tokyo Story. In my opinion, I Was Born, But... is a much better film. 10/10.

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    Histoire

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    Le saviez-vous

    Modifier
    • Anecdotes
      The film's release was delayed by many months when Shochiku Studio's Shirô Kido felt the movie's story was too dark in tone. The film would go on to win Kinema Jumpo's first prize that year.
    • Citations

      Yoshi (Chichi): All young boys should have a little mischief in them.

    • Connexions
      Featured in Dimanche Martin: Épisode #1.1 (1980)

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    FAQ15

    • How long is I Was Born, But...?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 3 juin 1932 (Japon)
    • Pays d’origine
      • Japon
    • Langues
      • Aucun
      • Japonais
    • Aussi connu sous le nom de
      • Et pourtant nous sommes nés
    • Société de production
      • Shochiku
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 30min(90 min)
    • Couleur
      • Black and White
    • Mixage
      • Silent
    • Rapport de forme
      • 1.37 : 1

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