Un marchand et sa fille partent à la recherche du légendaire cimetière des éléphants au plus profond de l'Afrique, pour rencontrer un homme sauvage élevé par des singes.Un marchand et sa fille partent à la recherche du légendaire cimetière des éléphants au plus profond de l'Afrique, pour rencontrer un homme sauvage élevé par des singes.Un marchand et sa fille partent à la recherche du légendaire cimetière des éléphants au plus profond de l'Afrique, pour rencontrer un homme sauvage élevé par des singes.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 2 victoires et 1 nomination au total
- Evil Dwarf
- (non crédité)
- Evil Dwarf
- (non crédité)
- Evil Dwarf
- (non crédité)
- Evil Dwarf
- (non crédité)
- Ape
- (non crédité)
- Evil Dwarf
- (non crédité)
- Bird Creature
- (non crédité)
- Evil Dwarf
- (non crédité)
- Evil Dwarf
- (non crédité)
- Ape
- (non crédité)
Avis à la une
This movie made me feel like a young boy, craving excitement and adventure. This first installment in the MGM Tarzan movies delivers big time. Yes, the special effects and interweaving of the stock footage looks a bit dated, but remember that this film was only made three years after the first "talkie" (i.e. a sound picture, not a silent movie). There are certain techniques that obviously stem from the silent movie days. But to me, this just adds to the charm.
The animal footage is excellent. For the first time in a long time, I was actually on the edge of my seat during a movie. The CGI effects today are amazing, but they're so overdone (most of the time). The thrills and suspense in "Tarzan" are heightened, because you know everything you see is physically tangible, not an actor reacting to a green screen.
I still don't know how they did some of those scenes without anyone getting hurt. Swinging from the treetops, wrestling with lions, wrestling with leopards, being chased by wild animals--all of these things make for great entertainment and adventure.
I should also mention that the relationship between Tarzan and Jane is one of the most captivating I've ever seen in a movie. It's very understated, yet very sexy. Today, they would ruin the story by making the couple have sex after five minutes. But because the sexual chemistry is only hinted at, the entire relationship is one of Jane flirting and Tarzan pursuing. It just builds and builds. This romance actually has excitement to it. Definitely one of the best screen romances of all time.
Despite a few minor shortcomings in the special effects of the time, this is a thrilling movie. Great adventure, great excitement, great entertainment. Don't miss it!
All kidding aside this is a really good adventure film of the sort that they don't make any more. The first of the MGM series, though not the first Tarzan movie, nor the only Tarzan film made during the same period (Edgar Rice Burroughs had deals with several producers) this is the film that broke box office records and spawned ten million "Me Tarzan, you Jane" jokes.
The film was made to cash in the previous years Trader Horn, a jungle picture that MGM had produced. Wanting to feed a public that wanted more as well as to make use of the hours of location footage shot for that film. The ape man was the perfect choice.
The plot has to do with Jane arriving in the jungle to see her father and then going of to find the elephant grave yard. Along the way is carried off by Tarzan and the rest is the movie. Its an exciting ride (especially if you forgive the creaky special effects and ape suits).
A perfect film for a rainy afternoon
The fuss over swimming champion Michael Phelps is nothing compared to what Johnny Weissmuller's celebrity was like. In the Roaring Twenties when each sport seemed to have an icon that became a legend, Weissmuller was that for swimming. The records he set in the Olympics stood for many years, with today's athlete conditioning methods I can only speculate what he could do today if he were alive and in his prime.
Still Louis B. Mayer was nothing if not cautious in protecting an investment in a non-actor to be a lead in a major film. He kept Weissmuller's dialog to grunts, guttural jungle utterings, and a few choice words that Maureen O'Sullivan as Jane teaches her new jungle man toy.
With tons of footage left over from MGM's African location film of Trader Horn, Tarzan The Ape Man had all the background needed to make the film look good. It's fairly obvious that when you see shots of Neil Hamilton and Maureen O'Sullivan they're shot against a background of real natives. They never got further to Africa than Toluca Lake in the shooting.
It's also obvious that Weissmuller couldn't act at all which was why he was only given grunts and dialog of one and two words. Later on he did become a competent enough actor. But quite frankly who cared when they saw him in a loin cloth.
Maureen O'Sullivan as Jane Parker comes to Africa to visit her father C. Aubrey Smith and she finds that Smith and his partner Neil Hamilton are planning an expedition into some unexplored territory in search of the fabled elephant's graveyard. A lot of loose ivory to be picked up there without the danger of actually trying to kill the beasts. Hamilton's interested in her, but when white jungle man Tarzan rescues O'Sullivan, Hamilton doesn't have a prayer.
Tarzan The Ape Man is still an exciting adventure film even to today's more sophisticated eyes. And Weissmuller and O'Sullivan's appeal as a romantic couple is timeless.
All right so they haven't got the dialog from Romeo and Juliet, who cares?
Le saviez-vous
- AnecdotesThe elephants used in the early Weissmuller films were not African but Asian elephants with African sized ears strapped on. This practice is still common because the Asian species is much more docile than the African. In later films the fake ears were abandoned altogether figuring no one would know the difference.
- GaffesWhile swimming across a river, Tarzan gives off his full Tarzan yell while his head is completely submerged under water.
- Citations
Jane Parker: Thank you for protecting me.
Tarzan: Me?
Jane Parker: I said, thank you for protecting me.
Tarzan: [points at Jane] Me?
Jane Parker: No. I'm only "Me" for me.
Tarzan: [points at Jane] Me.
Jane Parker: No. To you, I'm "You."
Tarzan: [points at himself] You.
Jane Parker: No...
[Thinks for a second]
Jane Parker: I'm Jane Parker. Understand? Jane, Jane.
Tarzan: [points at Jane] Jane, Jane.
Jane Parker: Yes, Jane. And you?
[Tarzan stares]
Jane Parker: [points at herself] Jane.
Tarzan: Jane.
Jane Parker: [points at Tarzan] And you?
Tarzan: Tarzan. Tarzan.
Jane Parker: Tarzan...
- Versions alternativesColorized version was available... and shown on TNT
- ConnexionsEdited into Tarzan s'évade (1936)
- Bandes originalesVoo-Doo Dance
(uncredited)
Music by George Richelavie
Arranged by Paul Marquardt & Fritz Stahlberg
Played during main title
Meilleurs choix
Détails
Box-office
- Budget
- 652 675 $US (estimé)
- Montant brut mondial
- 72 $US
- Durée
- 1h 40min(100 min)
- Rapport de forme
- 1.37 : 1