Rome Express

"Rome Express" is a familiar sort of film...a murder mystery aboard a train going from Paris to Rome. And, like these sorts of films, there is a cast of many folks who are passengers on this journey.

It all begins with the theft of a valuable Van Dyck painting. Someone aboard likely has the painting. However, the killings don't start until much later...when you realize that the man with the painting has cheated his partners and they will stop at NOTHING to get that painting.

The best reason to watch this movie is to watch Conrad Veidt. This German actor is chilling and simply superb here as the baddest of the bad guys in the movie. Apart from that, there are a few decent performances here and there, though Gordon Harker's performance as a really annoying guy is perhaps too good! You can certainly see why the other folks aboard find him tiresome!! Overall, a very good film that is worth your time.

This is the great granddaddy of train portmanteau thrillers and Walter Forde,like Hitchcock, had a thing for trains - he even remade his now lost 1931 "The Ghost Train" and became a serious leading British Director. The production of Rome Express opened the large new Lime Grove(Gainsborough)studios in W London using two huge sets to accommodate both terminii & the impressive express. Conrad Veidt was a comparative newcomer to London from Germany escaping a future under the Nazis and stayed to make a number of other acclaimed 30s films like "Jew Suss" "Passing of the Third Floor Back" "Dark Journey" & "Under The Red Robe" until ending up at Denham with the Kordas. He loved Britain and loathed Hitler but this didn't stop his 40s performances as an assortment of nazi officials - "Escape" "Spy In Black" and,of course,"Casablanca". The popular Scottish actor,Finlay Currie played the same part in this and its almost shot-for-shot remake 15 years later at 70.He was probably best known as the convict,Magwitch, in the superb 1946 remake of "Great Expectations".

This highly entertaining trainbound comedy-thriller predates Alfred Hitchcock's "The Lady Vanishes" (also co-written by Sidney Gilliat) by several years, and is almost as good - in fact, it is better-paced, as it plunges us straight into the action faster, although the overall plot is not equally ingenious. The film boasts fluid, inquisitive camerawork, some imaginative montages, colorful characters (Conrad Veidt is excellent), and two steamy women (no pun intended). Only the villain's demise, or rather how it happens, is a letdown. Best line (during a poker game): "I ought to know you have one more picture". *** out of 4.

For a Brit flick of '32, this is surprisingly cinematic and stylish (and the granddaddy of train films) with excellent performances from Conrad Veidt, Cedric Hardwick, Finlay Currie and especially Donald Calthrop (best known as the squirming chiseller in "Blackmail") here an art thief on the run from partners Veidt and Williams.

Directed by the underrated Walter Forde this is a smart Hitchcockian piece with a good deal of suspense and humour, distinguished by stylishly nimble camerawork and excellent production design. As other reviewers have pointed out it does show it's age at times, with slightly muffled sound quality but provided you have patience with this it's good entertainment, and an interesting glimpse of the how the British acted abroad in those days.

Sidney Gilliat (of "the Lady Vanishes") had a hand in the writing and I could see themes and situations that would be developed further in future train movies.

The suspense builds throughout as Calthrop contrives to avoid his former partners one of whom, Veidt (in fine clipped form), has vowed to kill him. The sequence where Calthrop is literally presented to them, to be part of five in a round of poker, is a study in forced smiles and friendliness. Calthrop can't stop winning, much to the amusement of Veidt and the consternation of the others.

This is just the midway point of the film which also provides a great early part for Sir Cedric as a business magnet who appears philanthropic but in private is a stingy, deeply unpleasant individual, with little to differentiate him from the crooks. He is caught out though when his much abused underling discovers his dishonesty.

All in all an excellent vintage thriller

Although this film has dated somewhat it remains a classic in it's genre, and surely is the inspiration for other such train based thrillers as Murder on the Orient Express and the Lady Vanishes. Conrad Veidt was never better and is well supported by an illustrious cast. Technically the sound quality in 1932 leaves a little to be desired but this should not detract from a little seen gem of a movie