Night Court

Odd what one sees in these old crime dramas. This one is pretty good, with star Walter Huston in particularly villianous form as a corrupt judge and the long- forgotten Phillips Holmes as the cab driver who brings the hammer of justice down on the jurist. But what sticks in my mind now is the harrowing situation of an innocent young family torn apart by the judge's efforts to elude a special prosecutor, resulting in mom Anita Page framed for prostitution and their baby wailing in an orphanage. Still watchable. We should all look this good at seventy-plus.

After concealing his mistress in the office closet, corrupt New York "Night Court" Judge Walter Huston (as Andrew J. Moffett) answers a reporter's questions regarding an investigation led by fellow jurist Lewis Stone (as William "Will" Osgood). Denying all irregularities, Mr. Huston carries on his tough sentencing of prostitutes and petty thieves while letting hardened criminals off the hook. Later, Mr. Huston orders mistress Noel Francis (as Lillian "Lil" Baker) to lay low in a poor section of town, to avoid being questioned. She has some incriminating evidence in her purse, which is seen by pretty apartment neighbor Anita Page (as Mary)...

The young wife and mother decides to say noting about "Mrs. Moffett's" bank book, but Huston is taking no chances. He has Ms. Page railroaded. When her husband, handsome cab-driver Phillips Holmes (as Mike Thomas), shows up in court wondering what happened to his wife, the dirty judge takes the couple's baby away. The plot thickens with murder as Mr. Holmes endeavors to untangle the mess. This early "talkie" is nicely handled by all. An unusual pacing works to the film's advantage, making a series of shocking events engrossing. Holmes is an appealing "working class hero" and receives an outstanding cast of co-stars.

******* Night Court (4/23/32) W.S. Van Dyke ~ Phillips Holmes, Walter Huston, Anita Page, Noel Francis

You will watch this with increasing horror as the lives of a poor, lovely couple is destroyed by the selfish actions of Walter Huston's corrupt judge. You can literally feel the ground being pulled away from beneath their feet as their world is inexplicably obliterated - they have no idea what is happening to them. You can't believe this is happening - it's terrible and it feels so real.

Walter Huston's character is one of the most despicable people you will ever have seen. He's not evil; he doesn't kill people, he doesn't even carry a gun. Neither is he a vampire or even a psychopath but he is more terrifying than any gangster or Universal monster or even the Devil from THE EXORCIST. He is terrifying because he is just so normal. He's nothing more than a selfish ordinary man who just happens to be in a position of power and is able to ruin people's lives. Why this film is so shocking and scary is because you can believe that what happens to these poor unfortunates who's lives he casually ruins, could happen to you. It's not an easy watch but you cannot look away.

Phillips Holmes who plays one of the simple, naïve victims was never the greatest actor and in this he certainly doesn't disprove that poor reputation. Similarly, Anita Page never really made it to the top rank of actresses and although she's OK in this, it is hardly an Oscar winning performance. It's possibly those unpolished performances however which adds to the realism which is so perfectly conveyed.

This film is so natural, believable and realistic but on paper it shouldn't be. If you think about it, the story has so many Grand Canyon sized holes in it that it should have no credibility whatsoever. You are however so completely pulled in to this shocking story and so completely engrossed when you're watching this, it's the most realistic thing you'll ever see! Walter Huston as usual delivers a totally mesmerising performance but what makes this picture so absolutely riveting besides the story is the energetic direction. Action man, Woody Van Dyke brilliantly builds the energy so that each scene seems to have twice as much tension and emotion as the previous one. Despite his reputation for speed, he certainly doesn't rush this and there is plenty of time for reflection to get to know the characters. It's a remarkably good film.

Walter Huston is as always excellent, here as a bad guy. He's a corrupt judge. He moves his girlfriend out of her tony digs and into a working class building. There, she lives next-door to a young cab driver, his wife, and infant. The wife happens to glance at a bankbook of the judge's that the baby took and next thing we know, the adoring young mother is set up on a charge of prostitution.

Phillips Holmes, the cabdriver, at first is devastated hat the young girl he married has turned to the streets. Then he starts to realize that she was framed.

He is tortured by hoods of the judge and other bad guys and then he gets the judge and tortures him till he tells the truth.

This was very shocking for its time. So was "Scarface," made at around the same time. Everyone knows about "Scarface" but "Night Court" is undeservedly unknown. Both are precursors t the very best of film noir.

(The only wrong note -- irrelevant to the plot but somewhat amusing -- is when the always fragile looking Holmes is given line describing himself as a big Palooka.)

"Night Court" is a delightful programmer released by MGM and featuring Phillips Holmes, who apparently was somewhat popular during the early talkies Era, mainly as a Paramount contract player. This was the first time I saw him on screen in a full-fledged-starring role (not counting his brief appearance in the all-star "Dinner at Eight", which I almost did not notice) and I must say I was favorably impressed by his performance and screen personae. I had read tidbits about his personal life and his films, and had another idea about him; he's nothing of what I expected. In my opinion, at least in this film, he has a strong screen presence, good acting ability, even when performing in scenes with seasoned pros such as Walter Huston (one of the finest actors of the American Cinema). He really makes his character likable and believable.

Holmes impersonates a cab driver who is extremely happily married to Anita Page's character, who plays very well a naive housewife, completely in love with her husband and utterly devoted to their only child (a cute little baby), who's unaware of her unexpected & tangent involvement with a corrupt judge's (played perfectly by the great Walter Huston) shenanigans & shady doings, who uses his unscrupulous lover (Noel Francis) for his evil purposes.

I wonder why Mary Carlisle (playing Lewis Stone's (a good Judge who's investigating Huston's corrupt Court) daughter) was billed fourth or fifth in the cast and Noel Francis the last, if the latter has much more time on screen and a meatier role.

John Miljan plays a villainous lawyer, skillfully as usual.

An interesting, seldom seen and highly entertaining Pre-Code (Check the Huston's Court hearings).

I quite don't understand why Maltin gives this film only two stars in his Guide; it at least deserves three and a half!