Miss Pinkerton

Another classic mystery that I watched right after I finished reading the book it was based on, so this review will be more about the comparison of the two and not another one about the story and the actors (that others has done a great job of already).

This one was probably the most faitful of these lesser known mysteries that I watched after reading the books: basically there are only two significant changes and none of those is directly related to the story itself. One of them is right in the beginning: here our heroine is a bored and somewhat ill-tempered hospital nurse who, out-of-the blue, is called to help a police investigation, while in the book she is a professional private nurse who has already worked with the police several times before (actually Miss Pinkerton was Rinehart's second book about the Ms Adams character... published 18 years after the first one, 1914's The Buckled Bag). And the second one is the quite suddenly erupting romance between her and the police detective. This part is completely missing from the book and there it is only hinted at the very end that the detective likes Ms Adams quite one bit.

But other than these minor changes (that does not really add or take anything) the story follows the book rather faithfully... which could be a god thing, but actually it turns out to be the film's only shortcoming. The book itself is a charming little one, well written, featuring loveble characters, but honestly, its story is not its strongest part. It was written in a time when mystery writers already struggled to come up with new twists and ideas and in this case it resulted is an overcomplicated story about a race after an old lady's heritage. The character's motives are not really clear even in the book and when the story is squeezed into the film's hour long running time, it becomes even more messy. The book spent some time introducing everyone, while here, besides the leads, hardly anyone has enough screentime to realy explore the charachters.

But even with its shortcomings, the movie is an entertaining little quicky, Blondell, while seems miscast at first, eventually does a good job and C. Henry Gordon is also a delight to watch. Switch your brains off, do not try to follow the story, just go along with the flow and you will be in for an hour worth of fun.

Love mystery. Love thriller, though this is more of a mystery with splashes of comedy. Also appreciate a lot of comedy, though some styles are more to my taste than others it has to be admitted. It is always interesting when they are combined together and a lot of films do it very well indeed. Have loved a lot the work of Joan Blondell, here in a role she played very well, and Lloyd Bacon (best known for the film that transformed the musical genre '42nd Street') had a lot of talent. George Brent was more hit and miss for me.

'Miss Pinkerton' was from personal opinion one of those above average but not particularly mind-blowing kind of films, not too bad a position to be in but there was potential for it to have been much better. A lot of good things, wonderful in the case of Blondell, the production values and Bacon's direction. But also some big drawbacks, such as the over-stuffed and over-complicated plotting and lack of chemistry between Blondell and Brent (who is not at his best here in 'Miss Pinkerton').

Will start with what was good. 'Miss Pinkerton' looks great. Especially the inventive camera angles and the truly haunting use of shadow. Blondell also wears her beautiful costumes well. Bacon's direction at its best is quite masterly, what he does with the visuals is extraordinary, the film isn't dull and he does allow for some genuinely suspenseful moments. The type of role Blondell has here really suits her and she is immensely engaging in it, playing the part with keen humour, intensity, charm and easy charisma.

John Wray and Elizabeth Patterson have fun too in their roles, Bacon's direction also shines in his direction of Patterson. The script is witty and intriguing and enough of the story compels and never feels too obvious.

Did feel though that the story was problematic though. With such a lot going in a film with a quite short length, 'Miss Pinkerton' for my tastes did feel over-stuffed and with not a lot of breathing space it felt rushed and more complicated than it needed to be. The ending is abrupt and convoluted, even if it was also surprising.

Brent also felt rather dull in his not particularly meaty part and some witty banter aside his chemistry with Blondell never fully fleshes out.

Overall, above average but not great. 6/10

This is an early entry in the comic/romantic mystery genre. Joan Blondell is bemoaning the boring existence of a hospital nurse when wham! She is commandeered by detective George Brent to help solve a murder case. It is he who, at her request gives her a title. The title is Miss Pinkerton.

It's an old mansion with creepy servants and the whole deal. A young man has died. Suicide, it's thought; but we know better. The plot is a trifle complicated but not too far-fetched. And Blondell is as (almost) always a real joy.

Brent is in it blessedly little and the supporting players all do what the need to do.

By the time MISS PINKERTON was made, Hollywood was starting to repeat themselves in their treatments of Mary Roberts Rinehart (first purveyor of the "little old lady detective" that Agatha Christie would perfect with her Miss Marple and Angela Lansbury would do to a fare thee well in her Jessica Fletcher character) and the stage based sets for their "old dark house" mysteries. From the very first shots of MISS PINKERTON, with long shadows cast on the facade of the house in question where murder is to be done (and done again?), we're back in the territory of THE BAT (aka The Spiral Staircase), Ms. Rinehart's most successful stage and film excursion.

As before, we have Ms. Rinehart's feisty "little old lady," Elizabeth Patterson as Juliet Mitchell, accompanied by a comic companion (in this case Nurse Adams played by Joan Blondell) and a host of potential suspects in her mysterious (and enormous) old house, but as film making technique has progressed in only a few years of sound (and Ms. Rinehart knew when to vary a successful template), this time we have a fun twist in casting the young comedienne as the lead and assistant to the fresh faced detective (George Brent as Inspector Patten on his "first case"), and the old lady as one of the potential suspects, thought to pass off a suicide as murder for the insurance money . . . or was it murder after all?

Blondell is at her youthful best, and the studio cast is crammed full of first class talent on their way up from C. Henry Gordon as Dr. Stuart to the briefest of shots of a young Walter Brennan as a Police Dispatcher at the beginning.

Modern action buffs may sniff that the atmospheric tale seems at times to be more about the enormous, detailed sets than the mystery itself, with unidentified characters sneaking in and up long back staircases, women screaming and the odd comic set piece (is the dog a clue?), but director Lloyd Bacon (the silent film actor turned director who had shepherded Cole Porter's 50 MILLION FRENCHMAN to the screen the year before with members of the Broadway cast but without Porter's songs and would mount the classic 42ND STREET *with* songs the next year, continuing to work into the 1950's!) keeps the action spinning for the barely hour (six minutes over) running time.

Bask in the details of life in the early depression era (before the details of life outside got too depressing) and have the good time this nicely layered film offers, seeing if you can keep the suspects and motivations straight even when murder is committed right in front of your eyes - and remember "it ain't over 'till it's over," and that isn't when it first appears!

Nurse Joan Blondell is bored with the humdrum goings-on at the hospital where she works. So when offered a little excitement by helping the police with a murder investigation, she jumps at the chance. Pleasant old dark house mystery with a little bit of comedy added to the mix. Joan's wonderful, as she always was in the '30s. Pretty, funny, immensely likable. Very fetching in that nurse uniform. She's one of the most underrated stars of her era. She's got nice support here from George Brent in an early role and many fine character actors like Holmes Herbert and C. Henry Gordon. Also Elizabeth Patterson (Miss Trumbull from I Love Lucy) plays the old lady Blondell is assigned to take care of. Well-directed by Lloyd Bacon with some nicely-framed shots and some spooky use of wind and shadows. The film ends in such a way one might think this was the first of a series. Unfortunately, that's not the case and there were no sequels.