The Midnight Warning

Someone is firing a gun into a hotel suite to frighten guests. But who, and why? You'll never guess the "why" part. Set almost entirely indoors, "Midnight Warning" could easily be a stage play. Which isn't altogether bad. Though the script is indeed somewhat talky, there is a secondary mystery that gives the story thematic depth.

The script is not well written. An inspector that can read suspects' lips expedites the plot but his talent isn't believable as used here. The good guys always manage to be at the right place at the right time, a time-worn cliché. And as the plot proceeds, some of the male characters blend together, so they don't stand out well as unique or interesting. The morgue sequence near the end is just downright tacky.

Yet despite the script's overall poor quality, the story's underlying premise is effective, as the ending dialogue communicates a twist that puts the entire story into perspective. I had never before seen such a plot twist.

The worst element is the film's production. B&W cinematography is awful. The visuals are so dark there were scenes that I couldn't distinguish characters from a solid black background; all I could see were their white shirts. Annoying splotches appear in a few scenes, suggesting inferior film stock. And the crackling and static that overlaid the dialogue rendered poor sound quality. Of course one needs to take into account the inferior technology that existed in those early days of film-making. Production design, film direction, and acting are below average.

The underlying premise of "Midnight Warning" is thought provoking and interesting. But viewers will need to lower their expectations due to a substandard plot and dreadful production values.

The Midnight Warning (1932)

* (out of 4)

Really bland mix of mystery and horror has a group staying in a hotel shocked when a member dies. It appears to be murder so a detective tries to figure out what's going on before more people turn up dead.

THE MIDNIGHT WARNING was just one of hundreds of films to deal with murders in a trapped setting. They took place in hotels, cabins, lodges, houses and various other settings and more often than not they were rather forgettable. Sometimes you'd get lucky with an interesting movie but sadly this here isn't that and in fact it's really one of the worst that I've seen from the genre.

Even at just 62 minutes the film seems to run three times as long. The biggest problem is that the acting and dialogue are just so poor that it's really hard to keep interest in anything going on. Even worse is the fact that the low-budget makes for some pretty boring scenes of people just standing around with this bad dialogue going back and forth. I will admit that the twist ending manages to throw you off and there's one good sequence where a woman is surrounded by dead bodies and hears them "speaking" to her. Still, THE MIDNIGHT WARNING is a film you can easily skip.

Supposedly based on a real incident which occurred at the 1893 Chicago World's Fair. This film fits into the "Pre-Code" genre, only because the "baddies" are not brought to "justice" at the end. The acting is pretty good, although I have to smile when I remember that William "Stage" Boyd was shortly afterwards involved in a famous Hollywood sex scandal, which temporarily ruined the career of William "Hopalong Cassidy" Boyd when his photograph was erroneously printed in a newspaper along with the scandal story; I can understand why reporters thought it was the "Hoppy" Boyd & not the "Stage" Boyd! A bit too talky at times, but an interesting film nonetheless.

"Eyes of Mystery" is actually a rerelease title for 1932's "Midnight Warning," from Mayfair Pictures Corporation, an independent outfit that produced or distributed nearly 40 titles in seven years. William 'Stage' Boyd is back in detective form ("Murder by the Clock"), supported by Poverty Row stalwarts Huntley Gordon, Hooper Atchley, and Henry Hall ("gosh all fish hooks!"). While the plot clearly echoes the true events depicted in Terence Fisher's "So Long at the Fair," this was perhaps the only period in early Hollywood that they could produce a conclusion in this vein, some two years prior to the notorious Hays Code. Claudia Dell was used to midnight mysteries, with future roles in 1935's "Midnight Phantom" and 1944's "Meeting at Midnight" (aka "Black Magic"), a Monogram Charlie Chan and, sadly, her final film.

It all starts with detective William 'Stage' Boyd and Doctor Hooper Atchley looking at a human tympanus bone discovered in a hotel room. Atchley collapses. When the hotel doctor comes in, he suggests something wrong with Atchley's liver. In actuality, Atchley has been shot through a window.

Although the editing by Byron Robinson avoids the endless shots that director Spencer Gordon Bennett was so fond of, this is a poor movie. It's 35 minutes into this 61-minute movie before anything approaching the actual mystery is even discussed, because every time a new character enters the scene, everything that has gone before has to be recapitulated to him or her. It's dialogue heavy as a result, with some good performers standing around speaking in emphatic tones. The cast includes Claudia Dell, Phillips Smalley, and Lloyd Ingraham. None of them succeed in making this short second feature moving at any speed.