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Ajouter une intrigue dans votre langueBetty Boop and Bimbo run away from home, but that night they are scared by a chorus of ghosts singing the title song.Betty Boop and Bimbo run away from home, but that night they are scared by a chorus of ghosts singing the title song.Betty Boop and Bimbo run away from home, but that night they are scared by a chorus of ghosts singing the title song.
- Réalisation
- Casting principal
Cab Calloway and His Cotton Club Orchestra
- Themselves
- (as Cab Calloway and His Orchestra)
Cab Calloway
- Self - Bandleader
- (non crédité)
Billy Murray
- Bimbo
- (voix)
- (non crédité)
William Pennell
- Father
- (non crédité)
Mae Questel
- Betty Boop
- (voix)
- (non crédité)
Avis à la une
Fleischer Studios and Disney Studios had a sort of friendly rivalry in animated cartoon shorts in the early 1930s. Headed by Max Fleischer, his company was releasing more daring animation that bordered on the surreal. But Fleischer Studios didn't have Mickey as its star attraction. The studio did, however, contain in its repertoire the flapper female character Betty Boop. Introduced on the screen in 1930 as the human version of a dog to her canine boyfriend, Bimbo, Betty took on a full human appearance in January 1932 in "Any Rags?" Her most famous cartoon for the year, though, was released a month later in February 1932's "Minnie the Moocher," featuring the first film appearance of singer Cab Calloway and his Orchestra. Deep into the cartoon, the ghosts dancing before Betty and her friend Bimbo mimic Calloway's movements in the opening credits. The Fleischer's used the tracing technique of rotoscoping to accurately draw a parallel between Calloway's movements and those of Bimbo's. Calloway had sold over one million copies of his 1931 jazz song, 'Minnie the Moocher.' The Betty Boop cartoon is named after the Calloway hit, with its scat ad-libbed lyrics providing a unique listening and viewing experience.
Betty Boop, the "Jazz Baby" flapper, was the ideal character to introduce to national audiences African-American musicians performing their jazz numbers. Musicians Louis Armstrong and Don Redman followed in Calloway's footsteps in later Betty Boop cartoons. Showcasing black musicians was a gamble for Max and his younger brother Dave Fleischer, knowing those cartoons wouldn't be shown in the Deep South theaters. In "Minnie the Moocher," the studio played homage to its very first cartoon character the brothers introduced in 1924, Ko-Ko the Clown, kicking off their 'Out of the Inkwell Films' series. The clown appears, of all places, in an inkwell. Betty is writing a 'good-bye' note to her parents before she runs away with Bimbo, and pulls out Ko-Ko when she dips her pen into the ink container.
The poll by 1,000 animators who voted for 50 of the Greatest ever Cartoons ranked "Minnie the Moocher" as number 20, proving the popularity and ingeniousness of Betty Boop was unique in cartoon land and as an historic figure in animation.
Betty Boop, the "Jazz Baby" flapper, was the ideal character to introduce to national audiences African-American musicians performing their jazz numbers. Musicians Louis Armstrong and Don Redman followed in Calloway's footsteps in later Betty Boop cartoons. Showcasing black musicians was a gamble for Max and his younger brother Dave Fleischer, knowing those cartoons wouldn't be shown in the Deep South theaters. In "Minnie the Moocher," the studio played homage to its very first cartoon character the brothers introduced in 1924, Ko-Ko the Clown, kicking off their 'Out of the Inkwell Films' series. The clown appears, of all places, in an inkwell. Betty is writing a 'good-bye' note to her parents before she runs away with Bimbo, and pulls out Ko-Ko when she dips her pen into the ink container.
The poll by 1,000 animators who voted for 50 of the Greatest ever Cartoons ranked "Minnie the Moocher" as number 20, proving the popularity and ingeniousness of Betty Boop was unique in cartoon land and as an historic figure in animation.
Fleischer were responsible for some brilliant cartoons, some of them still among my favourites. Their visual style was often stunning and some of the most imaginative and ahead of its time in animation.
The character of Betty Boop, one of their most famous and prolific characters, may not be for all tastes and sadly not as popular now, but her sex appeal was quite daring for the time and to me there is an adorable sensual charm about her. That charm, sensuality and adorable factor is not lost anywhere here, nor her comic timing and she is very well supported by the ever fun Bimbo, the two have great chemistry together too.
'Minnie the Moocher' (title taken from the famous Cab Calloway song) is quintessential Betty Boop. If anybody is a fan, 'Minnie the Moocher' is a must watch, and perhaps even people not so hot on her might get a lot of value out of it.
As always, the animation is outstanding, everything is beautifully and meticulously drawn and the whole cartoon is rich in visual detail and imagination. Every bit as good is the music score, which delivers on the energy, lusciousness and infectiousness, great for putting anybody in a good mood.
Like with pretty much all the early Betty Boop cartoons, meaning before the production code tightened up and everything became tame, 'Minnie the Moocher' certainly does not disappoint when it comes to being risqué, creative or delightfully bizarre. As a pre-code cartoon, a lot of the content here is very daring stuff, very ahead of its time back then and you don't see much like the pre-code Betty Boop cartoons made today. And it's done in a very hugely creative and humorous way, with a very high spirit and spookiness throughout. The voice acting is good as always.
Overall, wonderful cartoon and for Betty Boop fans it's quintessential. 10/10 Bethany Cox
The character of Betty Boop, one of their most famous and prolific characters, may not be for all tastes and sadly not as popular now, but her sex appeal was quite daring for the time and to me there is an adorable sensual charm about her. That charm, sensuality and adorable factor is not lost anywhere here, nor her comic timing and she is very well supported by the ever fun Bimbo, the two have great chemistry together too.
'Minnie the Moocher' (title taken from the famous Cab Calloway song) is quintessential Betty Boop. If anybody is a fan, 'Minnie the Moocher' is a must watch, and perhaps even people not so hot on her might get a lot of value out of it.
As always, the animation is outstanding, everything is beautifully and meticulously drawn and the whole cartoon is rich in visual detail and imagination. Every bit as good is the music score, which delivers on the energy, lusciousness and infectiousness, great for putting anybody in a good mood.
Like with pretty much all the early Betty Boop cartoons, meaning before the production code tightened up and everything became tame, 'Minnie the Moocher' certainly does not disappoint when it comes to being risqué, creative or delightfully bizarre. As a pre-code cartoon, a lot of the content here is very daring stuff, very ahead of its time back then and you don't see much like the pre-code Betty Boop cartoons made today. And it's done in a very hugely creative and humorous way, with a very high spirit and spookiness throughout. The voice acting is good as always.
Overall, wonderful cartoon and for Betty Boop fans it's quintessential. 10/10 Bethany Cox
This is a Betty Boop cartoon, though it starts with a bit of footage of Cab Calloway and his orchestra. Calloway's song "Minnie the Moocher" is set to life using Betty, her friend Bimbo and an odd assortment of ghosts, though I really would have much preferred to actually just watch and listen to Calloway sing this song live--since it is very easy to like and quite funny (and a bit radical with its reference to cocaine). However, as a cartoon, it's a very strange thing indeed as I really don't know who the audience for this Pre-Code nightmare would be! After all, it is really scary and so younger kids would be terrified by it and the drug references, if the parents noticed, would really turn them off as well, as it's NOT good child fare! Interesting, well animated but too bizarre, this one is great for adults who want to see just how subversive Betty could be in her wild Pre-Code days.
Betty Boop has some right to feel a bit persecuted by her parents. They nag and assault her verbally, causing her to run away with Bimbo. Obviously, the cartoonist sided with the parents because once the two get into unfamiliar territory, they are bombarded by ghosts and demons. Horrible visages accost them. The interesting thing is that this film has nothing to do with the character of Minnie the Moocher from the Cab Calloway song. It becomes dance music for the wraiths that inhabit the forbidden place. All of that said, the animation is superb, the characters terrifying, and everything is great fun. One question. Why is this sexy little thing with the garter and the revealing costume living at home with her parents. Running away and being so inexperienced seems the action of a seven year old.
The Betty Boop cartoon 'Minnie the Moocher' has an advantage: at least the second half is entertaining whether you like the cartoon itself or not since Cab Calloway's famous song with the same name plays there. Before the cartoon starts we see the real Calloway doing one of his dance moves, another little thing to make sure you probably will enjoy this. The story deals with Betty's parents being mad at her causing her to run away with Bimbo. After they have left they enter a forest where ghosts and other scary creatures all dance on "Minnie the Moocher".
This cartoon is very nice. The Calloway part is terrific with some inventive animation that fits the music perfectly. I also liked the last moments when Betty and Bimbo have escaped the scary forest where the happy ending is found in quite a funny way. If you like Betty Boop cartoons this one is not to be missed. If you normally don't, this could be a nice surprise.
This cartoon is very nice. The Calloway part is terrific with some inventive animation that fits the music perfectly. I also liked the last moments when Betty and Bimbo have escaped the scary forest where the happy ending is found in quite a funny way. If you like Betty Boop cartoons this one is not to be missed. If you normally don't, this could be a nice surprise.
Le saviez-vous
- AnecdotesThe opening live-action clip of Cab Calloway and his orchestra is said to be the earliest known film footage of Calloway.
- GaffesToutes les informations contiennent des spoilers
- Citations
Betty Boop: [singing] They always, always pick on me They never, never let me be. I'm so very lonely, awfully sad. But I know what I'll do. By and by I'll eat some worms and then I'll die. When I die, you'll wait and see. They will all be sorry they picked on me.
Handkerchief: It's been a long time since you've been glad.
- Versions alternativesAlso available in a re-traced colorized version.
- ConnexionsEdited into Betty Boop Confidential (1998)
- Bandes originalesProhibition Blues
(uncredited)
Written by Walter Thomas
Played during the opening credits
Performed by Cab Calloway and his orchestra
Meilleurs choix
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Détails
- Durée
- 8min
- Couleur
- Rapport de forme
- 1.37 : 1
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