Make Me a Star

"Make me a Star" is a heartrending film, one that superbly demonstrates the sincerity, honesty, and versatility of Stuart Erwin. Although many of the early scenes are farcical and satirize slapstick comedy, specifically the kind directed by Mack Sennett, the movie turns serious when it delves into the boorish behavior of the Hollywood studio system moguls, who prey upon starstruck acting hopefuls. And Stuart Erwin, as one of these unworldly hopefuls, handles both the farce and the drama equally adroitly. The final scene between Erwin and Joan Blondell is heartbreaking. In fact, I was so impressed with the movie that I decided to devote much of one chapter to this remarkable film in my book on Stuart Erwin.

Here I am, in 2007, and I'm a huge Joan Blondell fan. Yes, Zasu Pitts appears in MAKE ME A STAR – daffy and confounding – but only for a bit. I think it's Joanie's movie.

Stuart Erwin stars as Merton Gill, a.k.a. 'Whoop' Ryder, a kid from a small town who wants to make it in Hollywood as a serious actor in Westerns. He gives it a huge effort, but he's dismissed as the rube he actually is. Flips Montague (Joan) is sympathetic. She gets him a job, with a Mack Sennett-like director whose big star is that "cross-eyed man" Stuart dislikes so much. Merton thinks he's acting in a serious film, but it is edited and spliced, his voice changed to make him sound effeminate, and turned into a farce.

Merton proposes to Joan before the film's big opening, but she feels guilty and fakes sickness. He goes to the opening by himself and is humiliated.

I won't give away the ending, and the film is resolved by the closing scene, but it's nice to imagine his future if he takes the course which involves the girl.

This is a fun film.

Billed as a comedy about a gormless man who becomes a Hollywood star, this is actually a moving drama about the savageness of the film industry. Stuart Erwin is very fine as the young man, an innocent lost in the wilds of Hollywood. His performance is reminiscent of the performances of Charles Ray in silent films, a winning combination of warmth and naivety. The character wants to be a a serious actor, but his attempts at drama cause only laughter. After describing one such incident Blondell responds to "That must have been funny" with "Only if you find coal-mine explosions funny". Blondell, as a fellow actor, understands Erwin's pain - her performance is also excellent.

Finally Erwin is tricked into making a comedy film - which he believes is a drama. His devastation at the preview, as the crowd roar with laughter around him, will move you to tears.

Sadly the film ends too abruptly without resolving these complex issues. And the stars making "guest appearances" actually just walk through - a shame that something more imaginative wasn't done with them - and Zasu Pitts only has a tiny role (still funny though).

Great to see how early talkies were made - look at the size of the camera with all that casing to mask the noise. Make sure you see this moving "comedy" - most worthwhile. And afterwards see "Show People" (1928) to see how the talkies transformed Hollywood so quickly.

This movie is indescribably touching. Stuart Erwin is poignant as the naif who comes to Hollwywood to be a star; but he never overdoes it. Joan Blondell, always a reat, is at her absolute best here, as a girl who's been around but is touched by his innocent.

This movie is indescribably touching. Stuart Erwin is poignant as the naif who comes to Hollywood to be a star; but he never overdoes it. Joan Blondell, always a treat, is at her absolute best here, as a girl who's been around but is touched by his innocent.

The character roles are well cast. The writing carries impeccable names as its creators.

When it becomes comic, even though we are sad for Erwin's character because he is being goofed on, the scenes are absolutely hilarious. The shot of him riding a horse on a tightrope alone is worth watching over and over.

Preston Sturges mixed comedy and seriousness in the later, far better known (and wonderful) "Sullivan's Travels." That is a great movie. Perhaps, as this was made early in the days of talking pictures, it isn't great -- though so was "Scarface," and that I would call great.

Regardless, it is a beautiful movie, to be cherished and shared and watched over and over.

Stu Erwin wants to be a cowboy star. He takes a correspondence school course, and heads to Hollywood, where he can't make it into the front door. He winds up camping in the extras room, until born-in-a-trunk Joan Blondell gets him a background bit..... and he blows that. After he nearly starves to death, she talks comedy director Sam Hardy into making a send-up of cowboy movies starring Erwin.

William Beaudine directed this version of Merton of the Movies as a painful drama, and on those terms it works pretty well. Miss Blondell is excellent, of course, and if I strongly dislike Erwin's countrified dumb bell, his star persona in this period, at least it fits the character.

With a fie cast, including Zasu Pitts, Ben Turpin (always referred to as 'the Cross-Eyed Man), and a wealth of Paramount stars in cameos a themselves, it's an enjoyable picture on those terms.