Jewel Robbery

This is one of the raciest films of the 1930's. A married woman is having affairs all over the place, and then is willingly seduced by a gallant jewel thief. The movie just drips with illicit sex - you've got to see this one to believe it. Damn the Production Code for stopping films like this! Wavising Kay Fwancis has never been better!

This is a wonderful companion to TROUBLE IN PARADISE, also featuring the immortal and neglected Kay Francis; it features the great William Powell in one of his most unrivaled moments on screen. Another great one from Dieterle who also directed the American classic DEVIL AND DANIEL WEBSTER, which was recently released on DVD. Be nice to see this other classic of his become available. I viewed this on TCM and was entranced by the sparkling dialog; I wondered again why this effect seems impossible to achieve nowadays - was it that so many of these early actors had honed their talents on the stage? I would like to see this released on a disc with HIGH PRESSURE, another early Powell.

This film has to be on the short list of films-that-epitomize-pre-code-Hollywood. Adultery, drugs, crime, flaunting of morals and convention, free-spirit thumbing their nose, all done with humour and glamour. One can understand why the church was upset! Problem was that there were many films that played on these themes so it must have seemed that Hollywood was really out to corrupt the world. This one has the full package but with a wink and smoothness that today's garbage film-makers would never have the patience to pull-off. Too bad the code swung the pendulum way too far in the other direction. A must-see for Francis and Powell fans.

"Jewel Robbery" reflects the comic virtuosity of actors and actresses - and directors - in an eclectic Hollywood too soon to be stifled by THE Code. Kay Francis, little known to most movie buffs today, sparkles as a liberated, adventuresome and bored wife of a doting, not doddering exactly, but boring rich hubby. Apparently only his largess keeps her hitched and she seems quite open about looking for some exciting liaisons and she ain't talking about platonic ones either. The sexual innuendos aren't subtle. Neither are they serious.

William Powell is a suave and quick-witted gentleman jewel thief. In one sentence he dismisses the violence of his American counterparts, asserting the urbane civility of the European high class criminal.

"Reefer Madness," one of Hollywood's all-time great comedies, came out in 1937. In 1932 Powell, the jewel thief, dispenses marijuana cigarettes left and right and although the name is never used, the goofy behavior of the smokers prefigures the exaggerated and demonic grass-induced St. Vitus dance of the later documentary.

A short, sprightly comedy where crime is neither dangerous nor particularly even objectionable, "Jewel Robbery" is a small gem from a long bygone Hollywood. If you can rent it, do so. You won't be disappointed.

William Powell is a smooth jewel thief who captivates Kay Francis in "Jewel Robbery," a 1932 film made before the dreaded code kicked in.

Set in Vienna, Francis plays a baroness who, like her friends, has married a dull man for money and takes lovers. While her husband is buying her a 28-carat diamond and she's arguing with her boyfriend, William Powell and his team enter to rob the store. It's love at first sight.

This is a slight but very amusing film, interesting for the racy story line, the outfits, and Kay Francis herself. A very unusual-looking woman, Francis' heyday was in the '30s, and everything about her screamed '30s, of course - her hair, her fashions, and the kind of films she made. She's somewhat frozen in time there.

Powell is his usual dashing, delightful self, and the two work very well together. The scene at Powell's place is particularly interesting, as she demands not to be asked to do anything, but to be forced, at which point, he picks her up and throws her onto his huge bed. "But there are so many pleasant in between steps," she objects.

A delightful movie, not terribly long, but fascinating given the era in film in which it was made.