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7,2/10
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MA NOTE
Ajouter une intrigue dans votre langueA jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.A jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.A jealous stump threatens two trees that are in love by starting a forest fire. When the rain comes and puts out the fire the forest revives and celebrates the wedding.
- Récompensé par 1 Oscar
- 2 victoires au total
Esther Campbell
- Birds
- (non crédité)
Pinto Colvig
- Evil Hollow Tree
- (non crédité)
Marion Darlington
- Birds
- (non crédité)
Walt Disney
- Owl Sirens
- (non crédité)
Purv Pullen
- Birds
- (non crédité)
Avis à la une
This is a beautifully done award-winning animation short, with cleverly done sequences such as the trees and flowers waking up to the day and the characters sounding off the alarm after an old, grumpy tree stump starts a forest fire in a fit of jealous rage.
Wonderful serene music, including some recognizable tunes, as well.
Grade A
Wonderful serene music, including some recognizable tunes, as well.
Grade A
A Walt Disney SILLY SYMPHONY Cartoon Short.
One beautiful Spring morning, the FLOWERS AND TREES awake to rise & shine. Two young trees, swept away by leafy bliss, carry on an arboreal romance which is threatened by the arrival of an evil-hearted old stump...
This cartoon has a cute little story, but its significance lies in the fact that it was the first cartoon produced in Technicolor. Walt had cannily entered into an exclusive contract for the use of the procedure, only the latest of a string of risky innovations he would brave. Technicolor proved to be a sensation, and FLOWERS AND TREES pointed the way to the future. It would be three more years before Mickey Mouse took the Technicolor plunge - his films were so profitable he didn't need to abandon black & white just yet - but eventually virtually all cartoons would appear in one of a handful of competing color processes.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
One beautiful Spring morning, the FLOWERS AND TREES awake to rise & shine. Two young trees, swept away by leafy bliss, carry on an arboreal romance which is threatened by the arrival of an evil-hearted old stump...
This cartoon has a cute little story, but its significance lies in the fact that it was the first cartoon produced in Technicolor. Walt had cannily entered into an exclusive contract for the use of the procedure, only the latest of a string of risky innovations he would brave. Technicolor proved to be a sensation, and FLOWERS AND TREES pointed the way to the future. It would be three more years before Mickey Mouse took the Technicolor plunge - his films were so profitable he didn't need to abandon black & white just yet - but eventually virtually all cartoons would appear in one of a handful of competing color processes.
The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.
10llltdesq
This won the very first Academy Award given for animated short and even after close to 69 years, it is still a marvel to behold. It quite justifiably won its praise at the time and is one of Disney's high points. Everything about this is excellent: story, music, characterization, plot, layout, visuals-everything! Periodically, this is run on the Ink and Paint Club on the Disney Channel and should be out on video. Apparently the powers that make the decisions for The Mouse don't see a point in releasing shorts on home video. Such a shame to have such remarkable material out of circulation. *sigh* The winner, on points. Most highly recommended.
This is one of many so-called "Silly Symphonies" that Walt Disney Pictures made in the 30s and they were very, very popular. Given how much cartoons have changed, this film wouldn't play nearly as well today as it did then. Cartoons in the 30s tended to be rather schmaltzy and lacked the insane humor and pacing of classic cartoons of the 40s and 50s. Remember that at the time this film was made, Bugs Bunny, Tom & Jerry (the MGM ones--not the earlier series by the same name) and Tex Avery's shenanigans were still in the future. So, while audiences in later years might have been a bit put off by the style of film that FLOWERS AND TREES represent, in its time it was big...real big. Big enough to earn an Oscar as Best Animated Short.
The film consists of classical style music accompanying scenes of anthropomorphic (people-like) trees and flowers dancing, frolicking and eventually being attacked by the dreaded fire. As I said, most of it very sappy but I did like the adorable mushrooms (Disney seemed to have a knack for this--see FANTASIA for more great mushrooms). However, the artwork is tops for the time and it is diverting. It's also the first three-color Technicolor short to win the Oscar--but it's also very old fashioned and will probably bore many viewers.
The film consists of classical style music accompanying scenes of anthropomorphic (people-like) trees and flowers dancing, frolicking and eventually being attacked by the dreaded fire. As I said, most of it very sappy but I did like the adorable mushrooms (Disney seemed to have a knack for this--see FANTASIA for more great mushrooms). However, the artwork is tops for the time and it is diverting. It's also the first three-color Technicolor short to win the Oscar--but it's also very old fashioned and will probably bore many viewers.
The first Silly Symphony to to be made in Technicolour, Flowers and Trees remains my favourite of the Silly Symphonies. It has a certain charm that is almost irresistible. Flowers and Trees is beautifully animated, with vibrant colours, and considering when it was made, I was most impressed. The characters, although they never speak, are very lovable, especially the Mushrooms. Even the evil tree stump was an engaging character in his own right. The music was wonderfully lyrical, and reminded me of the sort of music you'll find in a ballet. It was so charming and pleasant, it plays a significant role in justifying the undeniable charm of this gem. The story is very simple, and is fairly unrealistic, but everything else that is so good, more than compensate, and it is meant to be silly. The result is a beautiful and imaginative short, with a 10/10. Bethany Cox.
Le saviez-vous
- AnecdotesThe first animated short in full color and the first one to win an Academy Award - Walt Disney's first of twenty-two. Also the first film (animated or otherwise) to use the three-strip Technicolor process.
- GaffesWhile playing the makeshift harp, the shorter "strings" should produce the higher-pitched tones, while the longer "strings" should produce the lower-pitched tones. However, when the tree plays, the opposite is true.
- ConnexionsEdited into Les Chefs-d'oeuvre de Walt Disney (1937)
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Détails
- Durée
- 8min
- Mixage
- Rapport de forme
- 1.37 : 1
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