Des arbres et des fleurs

A bunch of sentient trees, who you might sort of recognize from Toontown, and some flowers awaken on a sunny meadow and begin their daily ritual. As with most Silly Symphonies is all set to the timing of the music, but as an animation showcase it is still rather impressive by modern standards. The world the plants inhabit is very pretty and bright, and the characterization is amusing.

I was hoping that the fire effects might lead to something like the Bald Mountain segment of Fantasia but it never really gets that far. Still one of the better Silly Symphonies and notable for a bizarre scene in which two trees get married (they fade out before the tree love-making).

Disney's first Silly Symphonies cartoon made with three-strip Technicolor is a trippy bit of business that won the first Oscar for animated short. Basically the plot to the cartoon is that the trees, flowers, mushrooms, and forest creatures are all exercising and dancing and whatever when a fight breaks out between two male trees over a female tree. Yeah I just typed that. From there things get even weirder as we get arson, bird rainmakers, and a character burning to death! It's bizarre but in an awesome way. The animation is excellent for its time. The Technicolor pops as much today as I would imagine it did when it was first released. Disney has really done a marvelous job at maintaining and restoring their old cartoons. The music is upbeat and cheerful. It's a charming old short that's just offbeat enough to appeal even to today's audiences, I think. By the way, early in the short when the mushrooms first pop up through the ground, take notice of what they look like and tell me the animators didn't slide a little dirty joke in there.

This is a beautifully done award-winning animation short, with cleverly done sequences such as the trees and flowers waking up to the day and the characters sounding off the alarm after an old, grumpy tree stump starts a forest fire in a fit of jealous rage.

Wonderful serene music, including some recognizable tunes, as well.

Grade A

This won the very first Academy Award given for animated short and even after close to 69 years, it is still a marvel to behold. It quite justifiably won its praise at the time and is one of Disney's high points. Everything about this is excellent: story, music, characterization, plot, layout, visuals-everything! Periodically, this is run on the Ink and Paint Club on the Disney Channel and should be out on video. Apparently the powers that make the decisions for The Mouse don't see a point in releasing shorts on home video. Such a shame to have such remarkable material out of circulation. *sigh* The winner, on points. Most highly recommended.

A Walt Disney SILLY SYMPHONY Cartoon Short.

One beautiful Spring morning, the FLOWERS AND TREES awake to rise & shine. Two young trees, swept away by leafy bliss, carry on an arboreal romance which is threatened by the arrival of an evil-hearted old stump...

This cartoon has a cute little story, but its significance lies in the fact that it was the first cartoon produced in Technicolor. Walt had cannily entered into an exclusive contract for the use of the procedure, only the latest of a string of risky innovations he would brave. Technicolor proved to be a sensation, and FLOWERS AND TREES pointed the way to the future. It would be three more years before Mickey Mouse took the Technicolor plunge - his films were so profitable he didn't need to abandon black & white just yet - but eventually virtually all cartoons would appear in one of a handful of competing color processes.

The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.