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Cynara

  • 1932
  • 1h 15min
NOTE IMDb
6,4/10
916
MA NOTE
Phyllis Barry and Ronald Colman in Cynara (1932)
DramaRomance

Ajouter une intrigue dans votre langueLondon barrister's marriage is under strain after his affair with a shop-girl who is out to have him. Told in flashback.London barrister's marriage is under strain after his affair with a shop-girl who is out to have him. Told in flashback.London barrister's marriage is under strain after his affair with a shop-girl who is out to have him. Told in flashback.

  • Réalisation
    • King Vidor
  • Scénario
    • R. Gore Brown
    • Frances Marion
    • Lynn Starling
  • Casting principal
    • Ronald Colman
    • Kay Francis
    • Phyllis Barry
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    916
    MA NOTE
    • Réalisation
      • King Vidor
    • Scénario
      • R. Gore Brown
      • Frances Marion
      • Lynn Starling
    • Casting principal
      • Ronald Colman
      • Kay Francis
      • Phyllis Barry
    • 22avis d'utilisateurs
    • 7avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 4 victoires au total

    Photos29

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    + 22
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    Rôles principaux24

    Modifier
    Ronald Colman
    Ronald Colman
    • Jim Warlock
    Kay Francis
    Kay Francis
    • Clemency Warlock
    Phyllis Barry
    Phyllis Barry
    • Doris Emily Lea
    Henry Stephenson
    Henry Stephenson
    • John Tring
    Viva Tattersall
    Viva Tattersall
    • Milly Miles
    Florine McKinney
    Florine McKinney
    • Garla
    Clarissa Selwynne
    Clarissa Selwynne
    • Onslow
    Paul Porcasi
    Paul Porcasi
    • Joseph, Maitre D'
    George Kirby
    • Mr. Boots
    Donald Stuart
    Donald Stuart
    • Henry
    Wilson Benge
    Wilson Benge
    • Merton, Jim's Valet
    Halliwell Hobbes
    Halliwell Hobbes
    • Coroner at Inquest
    Rafael Alcayde
    Rafael Alcayde
    • Mario
    • (non crédité)
    Erville Alderson
    Erville Alderson
    • Jason, Jim's Secretary
    • (non crédité)
    Ted Billings
    • Laughing Man in Movie House
    • (non crédité)
    Charles Chaplin
    Charles Chaplin
    • Self (in film clip from "A Dog's Life")
    • (images d'archives)
    • (non crédité)
    Elspeth Dudgeon
    Elspeth Dudgeon
    • Mrs. Weeks
    • (non crédité)
    Blanche Friderici
    Blanche Friderici
    • Concerned Mother in Courtroom
    • (non crédité)
    • Réalisation
      • King Vidor
    • Scénario
      • R. Gore Brown
      • Frances Marion
      • Lynn Starling
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs22

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    Avis à la une

    8MOscarbradley

    Colman may never have been better than here.

    Ronald Colman may never have been better than as the happily married barrister who foolishly embarks on an extramarital affair with a young shopgirl, (Phyllis Barry), in King Vidor's now totally forgotten "Cynara". Made pre-Hays Code this is one of Vidor's best and certainly least known films that treats the subject of adultery with surprising frankness as well as a considerable degree of tenderness. Excellent work, too, from that very fine and underrated actress Kay Francis as the wronged wife and Henry Stephenson as Colman's older friend who is largely responsible for driving Colman into the younger woman's arms. Seek this one out.
    5bkoganbing

    Preserving Appearances

    According to the Citadel Film Series book The Films of Ronald Colman, the movie-going public did not take to Colman in Cynara playing an adulterous husband. His image as the ultimate civilized man of the English speaking world did not jibe with infidelity. Still Colman does give a decent performance in a rather dated melodrama.

    Colman when we meet him is one happily married if somewhat bored man to Kay Francis. He's a successful barrister. But when Francis is on a girl's holiday, Colman rather casually drifts into an affair with young Phyllis Barry.

    Of course it ends in tragedy as these things do, especially back in the day. It does resolve in the best tradition of stiff upper lip English dignity which I think today's audience will not understand. But that would also be in the Ronald Colman tradition as well.

    King Vidor got good performances out of his cast. Kay Francis as the wronged wife has little to do here, but look martyred. A favorite character actor of mine Henry Stephenson lends his worldly wisdom to the proceedings. And there is a nice performance by Viva Tattersall as Barry's friend and Colman's accuser.

    Cynara is a nice, but terribly dated film. Audiences back then were put off by this digression from the Colman image. Audiences today will be thrown by all those rather silly romantic notions and the idea that we must preserve appearances at all costs.
    6SnoopyStyle

    romantic melodrama

    London barrister Jim Warlock (Ronald Colman) is packing to leave his loving wife Clemency (Kay Francis). They discuss how he met Doris Emily Lea (Phyllis Barry) and the start of his troubles.

    This pre-Code early talkie is a romantic melodrama mystery. I'm not always in love with these male characters who are 'ruined' by aggressive females. They feint innocence a little too easily and are rarely that at all. I do like the mystery of his downfall. At least, there is no boiled rabbit at the end of this "obsessed female" drama and he does accept some responsibility. I still don't like him, but I do accept his journey.
    6blanche-2

    Early King Vidor

    King Vidor directed "Cynara," an early talkie starring Ronald Colman and Kay Francis, in 1932. The title is based on a poem by Ernest Dowson that contains the line: "I have been faithful to thee, Cynara, in my fashion."

    Colman plays a barrister who is faithful to his wife of 7 years, Clemency (Francis) but succumbs to the carnal temptation of a young girl (Phyllis Barry) while his wife and her sister are in Venice.

    As others commented, there are some lovely effects, including the film within a film, and a piece of paper that Colman rips up that dissolves into flying pigeons in Venice.

    And there are very good performances by Colman, Francis and Barry, who has the difficult role of the young girl who, because of a mistake, is not considered quite respectable, and falls for Colman.

    The problem I have with the story is that the Colman character is such a devoted husband in the beginning and so happy about being married 7 years. In practically the next scene, with the encouragement of his friend (Henry Stevenson) he has taken up with this girl. If some of that had been left out of the script, it would have been much more believable.

    At any rate, well worth seeing for the director, the precode aspects, and the stars.
    drednm

    Ronald Colman and Kay Francis

    Sad pre-Code film about adultery and its effects on the people involved has Ronald Colman starring as a British barrister happily married to Kay Francis. She goes off to Italy to save her silly sister from getting involved with the wrong man. Ironically, that leaves Colman easy prey for a conniving shop girl (Phyllis Barry) he meets by chance.

    Although she knows he's married and nothing can come of their affair, she relentlessly pursues him and he falls for her. She loses her job and becomes totally dependent on him. He tries to break if off just as Francis returns from Italy but with tragic results.

    Colman is excellent as the intelligent man who falls prey to temptation. Francis is wonderful as the wounded wife, and Barry is good as the conniving Doris. Co-stars include Henry Stephenson as the randy friend who starts all the trouble, Florine McKinney as Garla the silly sister, Viva Tattersall as Millie, Paul Porcasi as the restaurant owner, Halliwell Hobbes as the official, and Elspeth Dudgeon as Mrs. Weeks.

    There's also a clip from a Charlie Chaplin movie.

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      When Jim and John are in the restaurant, John tells Doris and Molly that Jim was trying to enjoy his "grass widowerhood". A grass widower (or widow) is a man (or woman) whose spouse is away.
    • Citations

      John Tring: Call no woman respectable until she's dead.

    • Connexions
      Features Une vie de chien (1918)
    • Bandes originales
      In the Moonlight
      (uncredited)

      Written by Bert Kalmar and Harry Ruby

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    FAQ15

    • How long is Cynara?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 24 décembre 1932 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Site officiel
      • Instagram
    • Langues
      • Anglais
      • Italien
    • Aussi connu sous le nom de
      • I Have Been Faithful
    • Lieux de tournage
      • Samuel Goldwyn Studios - 7200 Santa Monica Boulevard, West Hollywood, Californie, États-Unis
    • Sociétés de production
      • The Samuel Goldwyn Company
      • Samuel Goldwyn Productions
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 15 minutes
    • Couleur
      • Black and White
    • Rapport de forme
      • 1.37 : 1

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    Phyllis Barry and Ronald Colman in Cynara (1932)
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    By what name was Cynara (1932) officially released in Canada in English?
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