Chandu le magicien

If you like old-fashioned cliffhanger thrills, you'll enjoy CHANDU THE MAGICIAN. It has everything you could want in a serial adventure- a dashing hero, a megalomaniacal villain, an exotic setting, and a series of hair-raising perils that keeps the scenario rolling until the end. CHANDU's plot which concerns the title character's supernatural efforts to prevent the fiendish Roxor from taking over the world is trite and simplistic. However, the story's very triteness and simplicity is part of CHANDU's corny charm.

CHANDU boasts dazzling set design and fluid cinematography that create a fascinating, mysterious Egyptian milieu with majestic temple sets and an atmospheric desert locale. CHANDU's sense of adventure and mystique is further enhanced by special effects illustrating the powers of both Chandu and a death ray Roxor plans to employ in his world-domination plot. Even by today's Industrial Light and Magic standards, these effects look impressive.

Edmund Lowe is acceptable in the title role of Chandu but Bela Lugosi in the role of Roxor steals the film. Lugosi tackles his part with a demonic zeal, displaying odious glee over his scheme in both his facial expressions and line deliveries. There is little restraint or subtlety in his performance, but Lugosi projects such persuasive charisma that one can forgive his indulgences. Overall, CHANDU is no classic, but it's fun escapist entertainment.

Willian Cameron Menzies does a more than adequate job creating suspense in this early serial-style thriller about a yogi mystic named Chandu protecting the world, his sister and her family, and his Egyptian princess love from the evil megalomaniacal ways of Roxor. Roxor has built a death ray to make himself master of the world. Only trouble is that the inventor will not give him the secret of the ray and Chandu is on to his dastardly scheme. Edmund Lowe makes a dashing, affable hero with his ready wit and his theatrical gestures conjuring magic. Roxor is played with aplomb by heavy Bela Lugosi. Lugosi steals all of his scenes and gives a first-rate performance. Irene Ware as the Princess Nadja makes an attractive, bright leading lady, and the rest of the cast fares well too. A thoroughly nice comedic turn is performed by Herbert Mundin as Mr. Miggles. He is a drunken friend/servant of Chandu and sees himself in miniature every time he takes a drink. The film boasts what must have been relatively high production values for the day. It plays well considering it was made in 1932. There are some great scenes in the film. Menzies, best known for directing Invaders From Mars, uses a very fluid camera. A scene where Chandu looks into a crystal is most impressive as the camera zigs and zags through a Egyptian tomb. Another memorable scene depicts the scientist's daughter, clad only in a tight slip, offered on the slave trading block. The scene was risque for its time to be sure. While Chandu is certainly not a great film, it is definitely a cut above many films made in its time.

Leave your brain at the door, because Chandu the Magician (utilizing his Powers from the Mysterious East) is about to enchant you into believing that trash is pure gold!

This pre-code potboiler from Fox Films introduces Edmund Lowe as Chandu the Magician, an American who has learned almost supernatural powers from the Yogi of the East. He can control men's minds, he possesses powerful protective powers of divination, he can walk on fire or astrally project or perform any number of other miraculous feats.

For reasons that defy logic, Chandu's brother(?) Robert, a Scientist, has been working on developing a Death Ray which can take out an entire city. Just as Robert has finally perfected this project, the evil Roxor (the fabulous Bela Lugosi as "That Monster in Human Form") and his Arabic henchmen kidnap Robert in an attempt to wrest the Secret of the Death Ray from its creator.

In the meantime, Chandu has fallen in with the beautiful Egyptian Princess Nadji, with whom he has been in love for 3 years... Princess Nadji is also in love with Chandu, but has been sacrificing herself Most Nobly for her People. Will these unusual interracial lovers find happiness at last? (Since miscegenation was illegal in many parts of the U.S. during this period in history, this is actually a genuine question!)

Of course, Princess Nadji falls into the clutches of the evil Roxor, and a great deal of deranged soliloquizing follows in the villain's Super-Scientific Laboratory (filled with the requisite Bride of Frankenstein-like crackling electrical apparatus). Will Robert have the strength to keep his Secret of the Death Ray before Roxor has tortured or destroyed all of his loved ones? Will Chandu be able to find Roxor's secret lair in time to Save the World and rescue Robert and the Princess?

In the directorial hands of Marcel Varnel and the brilliant William Cameron Menzies, this unpromising material becomes a stylish-looking, stunningly photographed and beautifully paced bonbon of pulp-y goodness.

If you are in the mood for a campy, beautifully designed, fast-moving melodramatic kiddie-matinée "thriller", I highly recommend this movie. Yummy, stupid, enchanting... and surprisingly progressive about miscegenation for a 1930's film that otherwise wallows in racial stereotypes!

I have to agree with other reviewers on this film: Bela Lugosi steals the show. He's good a usual in this underrated fantasy film.

The sets and costuming are lavish, elegant and beautiful eye candy. Loved the Egyptian setting. The special effects are great for it's time era.

The story is good, it has quite a bit of romance and comedy in it. The film does have some action and it's fun adventure to watch. It's simply a worthwhile film classic to view.

Simply worded: If you like film surrounding magic, mysticism, fantasy, Egyptian-themes, and/or Bela Lugosi then I'm sure you will enjoy Chandu the Magician.

7.5/10

... I almost expect somebody in this film to say those tired old lines. This is one of the few precode Fox films that has managed to survive. So many were lost to vault fires or just nitrate deterioration from neglect. Odd how this obscurity survived and is on DVD even!

Chandu (Edmund Lowe) is a magician who seems to just be "graduating" as the film begins with a ceremony full of mumbo jumbo that I cannot make sense of even when I rewind and replay it several times. Chandu finds out that his brother-in-law, who was working on a death ray invention, has been kidnapped by Roxor (Bela Lugosi), and so he rushes to his sister's side to protect her and her daughter and try to save his brother-in-law before Roxor can learn the secret of the death ray. And what does Roxor want? Power? RIches? Fame? no he wants to destroy society so mankind will revert to beasts and he can be the smartest guy in the world. Weird. I guess this is what happens when a sociopath is forced to wear a dunce cap as a kid.

If this sounds like something out of silent film, that is how it plays out too. The romance scenes, the action scenes, everything plays out with silent film technique in direction and acting. I generally really like Edmund Lowe and his roles, so I have to lay this at the feet of the director. I could take this in stride in 1929 and 1930 during the transition to sound, but that time is long over.

Probably the most tiresome character, though, is Albert, Chandu's loyal companion. He is cowardly, a drunk, and always having to be rescued by Chandu even though saving Albert from himself is NOT his primary mission. Prohibition was still in force, so maybe all of these unfunny drunks I encounter in these Prohibition era films are supposed to be knocks at an unpopular law. But today, it's just not funny.

Mildly recommended for fans of Edmund Lowe and Bela Lugosi.