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IMDbPro

Blessed Event

  • 1932
  • Passed
  • 1h 20min
NOTE IMDb
6,9/10
808
MA NOTE
Mary Brian, Ruth Donnelly, Dick Powell, and Lee Tracy in Blessed Event (1932)
Al Roberts writes a gossip column for the Daily Express. He will write about anyone and everyone as long as he gets the credit. He gets into a little difficulty with a hood named Goebel who sends Frankie to talk to Alvin. But Al has the confession of Frankie on cylinders so Frankie becomes his own bodyguard and information line. One person Al is always taking digs at is crooner Bunny Harmon, because he hates crooners. When he writes a story about Dorothy's blessed event, he comes to regret destroying her life. But more importantly to Al and Frankie, her man may end 'Spilling the Dirt' permanently.
Lire trailer2:32
1 Video
11 photos
Workplace DramaComedyDramaRomance

Ajouter une intrigue dans votre langueAl Roberts writes a gossip column for the Daily Express. He will write about anyone and everyone as long as he gets the credit. He gets into a little difficulty with a hood named Goebel who ... Tout lireAl Roberts writes a gossip column for the Daily Express. He will write about anyone and everyone as long as he gets the credit. He gets into a little difficulty with a hood named Goebel who sends Frankie to talk to Alvin. But Al has the confession of Frankie on cylinders so Frank... Tout lireAl Roberts writes a gossip column for the Daily Express. He will write about anyone and everyone as long as he gets the credit. He gets into a little difficulty with a hood named Goebel who sends Frankie to talk to Alvin. But Al has the confession of Frankie on cylinders so Frankie becomes his own bodyguard and information line. One person Al is always taking digs at ... Tout lire

  • Réalisation
    • Roy Del Ruth
  • Scénario
    • Howard J. Green
    • Forrest Wilson
    • Manuel Seff
  • Casting principal
    • Lee Tracy
    • Mary Brian
    • Dick Powell
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,9/10
    808
    MA NOTE
    • Réalisation
      • Roy Del Ruth
    • Scénario
      • Howard J. Green
      • Forrest Wilson
      • Manuel Seff
    • Casting principal
      • Lee Tracy
      • Mary Brian
      • Dick Powell
    • 21avis d'utilisateurs
    • 13avis des critiques
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 2 victoires au total

    Vidéos1

    Original Theatrical Trailer
    Trailer 2:32
    Original Theatrical Trailer

    Photos11

    Voir l'affiche
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    Rôles principaux27

    Modifier
    Lee Tracy
    Lee Tracy
    • Alvin Roberts
    Mary Brian
    Mary Brian
    • Gladys Price
    Dick Powell
    Dick Powell
    • Bunny Harmon
    Allen Jenkins
    Allen Jenkins
    • Frankie Wells
    Ruth Donnelly
    Ruth Donnelly
    • Miss Stevens
    Emma Dunn
    Emma Dunn
    • Mrs. Roberts
    Edwin Maxwell
    Edwin Maxwell
    • Sam Gobel
    Ned Sparks
    Ned Sparks
    • George Moxley
    Walter Walker
    • Mr. Miller
    Frank McHugh
    Frank McHugh
    • Reilly
    Herman Bing
    Herman Bing
    • Emil - the Head Chef
    • (non crédité)
    George Chandler
    George Chandler
    • Hanson
    • (non crédité)
    Jesse De Vorska
    Jesse De Vorska
    • Morris Shapiro
    • (non crédité)
    Tom Dugan
    Tom Dugan
    • Dick Cooper
    • (non crédité)
    Robert Gordon
    • Eddie - the Office Boy
    • (non crédité)
    Ruth Hall
    Ruth Hall
    • Miss Bauman
    • (non crédité)
    William Halligan
    William Halligan
    • Herbert Flint
    • (non crédité)
    Lew Harvey
    Lew Harvey
    • Joe - Gobel's Henchman
    • (non crédité)
    • Réalisation
      • Roy Del Ruth
    • Scénario
      • Howard J. Green
      • Forrest Wilson
      • Manuel Seff
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs21

    6,9808
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    10

    Avis à la une

    8planktonrules

    Quite enjoyable...

    I was a bit torn on this one--I wasn't sure whether to give it a 7 or an 8. Either way, it's a very good little film. Apparently, James Cagney was supposed to originally star in the movie but Lee Tracy eventually got the role. This film is a very good fit for Tracy, as he was the only guy at Warner Brothers who could talk as fast as Cagney---or even faster! Tracy plays a Walter Winchell-like muckraking journalist. His scruples are minimal and he seems very willing to stretch the truth in order to tell a good story---even if it means hurting a few people in the process. Because of this, his fiancé isn't sure whether she should marry him and she begs Tracy to find another line of work. But, it's obvious Tracy LOVES the work--he lives, eats and breathes this sort of scandal. Along the way, there are a few juicy stories you see in the film--including a funny one with Allen Jenkins as a mobster and a distraught pregnant lady who is at her wits end.

    The film works well because of its style and fast-paced script. A few very choice scenes also spice things up. The best is Tracy as he's giving a VERY vivid account of what it's like to be electrocuted--as Jenkins recoils in horror. My favorite was the cop at the end after he caught a shooter--seeing him slap the guy around was very funny (even if it does violate the crook's Constitutional rights). Plus, I saw one scene where Ned Sparks actually looked like he was about to smile! All in all, an incredibly breezy and enjoyable little film.

    By the way, although the ending and overall message is very different, another great film about muckraking journalism is "Five Star Final" (1931) and it sure appears as if Warner Brothers was strongly inspired by this previous film to make "Blessed Event".
    houndspirit

    Typical Lee Tracy so typically terrific.

    Fast paced and very clever Lee Tracy vehicle playing a Walter W. type gossip columnist with a grudge against "crooners"generally and one in particular played by Dick Powell. Definitely precode with dialogue and subject matter that would have been totally rejected just a few years later. One scene culminates in a phrase spoken by Tracy's"mother" containg a word that rocked the film world at the end of Gone With the Wind. Among other wonderful sequences watch for Tracy's evocation of a trip to the "hot seat", and Dick Powell's rendition of a singing commercial extolling the qualities of"Shapiro's Shoes". With Shapiro himeself beaming at his side. Do catch this film also a similar effort also with Tracey "The Half Naked Truth".
    jaykay-10

    Tell your friends about this one

    Obscure and almost forgotten, this is a gem of the type of picture Warner Brothers did best in the 30s. Earthy, moving at a breakneck pace, packed with dialogue that snaps, crackles and pops, it is super entertainment. The Warners look and feel are everywhere, along with several key members of the studio's stock company. The humor (and there is lots of it) has a sardonic edge, much in keeping with the overall tone of the story. Lee Tracy's vivid description of life and death in the electric chair is a grisly, repulsive comedy turn. In an excellent cast, special attention to poor uncredited Isabel Jewell - perhaps just a bit more strident than the role required, but delivering an on-edge performance you will not soon forget.
    7SimonJack

    A parody of personalities and the times

    "Blessed Event" is a parody of its time and of the media and entertainment of its day including newspapers and radio. But one wonders how exaggerated it really is. The sensationalism of the press and rise of yellow journalism was a frequent part of movie plots in the 1930s. But this one treats of another aspect as well - gossip.

    Lee Tracy plays Alvin Roberts, who quickly becomes a famous New York gossip columnist. The movie is billed as a drama and comedy. While there is comedy in Robets' character and some of the funny things he says, the drama of the film isn't lost on the audience. We soon feel the distastefulness of Roberts' gossip column. We soon see the inconsiderate character that he becomes. We soon see his ego and pride and relish for the power he has assumed. These are sad situations, and the film shows the tragic results of such power and behavior. Of course, amidst all of this we have occasional funny lines or clever comments.

    This film could be a biopic of a real person. Other reviewers have pointed this out. Roberts is as an obvious copy of Walter Winchell who was then on the rise as the king of gossip. Winchell was the original gossip columnist of Broadway and New York. He rose to such power through the press that politicians, the rich and famous, sports celebrities, gangsters, and actors feared him or tried to get close to him. Hedda Hopper and Louella Parsons would become the Walter Winchells of Hollywood.

    Lee Tracy's high-pitched voice and rapid-fire delivery closely emulate Winchell's persona. Although carried to the extreme for this film, those also were natural characteristics of Tracy. For a time, he was a leading actor in great demand. Some of his real lifestyle was similar to Winchell's. He was arrogant and seemed to bathe in the power of his position. Tracy also lived a racy, reckless, self-centered life. His temper, rowdiness and bad manners earned him a "bad-boy" reputation. He was given the boot from MGM after a public incidence in Mexico during filming of a movie there. Tracy urinated in public off a balcony and got in fisticuffs with the police.

    His later roles about hard-bitten, muck-racking, sensationalist reporters soon wore thin with the public. Tracy returned to the stage and later ended up on television in supporting roles. He had a successful marriage and apparently tamed down before his 1968 death from cancer at age 70.

    Winchell's fortunes were quite different. From the mid-1930s on, his star continued to rise through the 1950s. He had his own radio show and his newspaper column was syndicated in more than 2,000 papers worldwide. Winchell was very controversial. He had powerful friends and enemies. He was the first media personality to attack Adolf Hitler and the rise of Nazism. He also hated Communism and attacked the National Maritime Union during World War II as being a communist front. He admired Franklin D. Roosevelt and was invited to the White House. He also liked J. Edgar Hoover. Winchell was one of the earliest and most outspoken supporters of civil rights for African Americans. He attacked the Ku Klux Klan and other racist groups. He also supported Sen. Joseph McCarthy's efforts to ferret out communists in Hollywood.

    Winchell held court at the Stork Club in New York for years. But by the late 1950s, his appeal began to wane. And, his power dropped quickly. His family life was unstable and unconventional and experienced sad deaths. He lived alone his last two years in the Ambassador Hotel in Los Angeles. He died of cancer at age 74 in 1968.

    In this movie, Tracy's Roberts says repeatedly, "Pride ain't power." He has a few funny lines. "I almost starved to death for two weeks," was one. The story is all about so-called "entertainment journalism." The supporting cast are fine, with Mary Brian doing an excellent job as Gladys Price, Roberts' secretary and right-hand man.

    This movie is interesting in its snapshot of the time and its parodies. It has some historical value for that reason. The cast and production values are all good. And, it's somewhat entertaining.
    6gbill-74877

    Satire of Winchell makes him a hero

    "What do you want to interview Mr. Roberts about?" "Oh you know, how he lives, and where he goes, and what he thinks about." "My dear, you think they would print that in a high school paper?"

    This is a satire of Walter Winchell, the ruthless gossip columnist who wielded great power for decades in the entertainment industry, and who by 1932 had already achieved celebrity. He's played here by slick talking Lee Tracy, a good fit for the role, but I found the character so unlikeable that when he was made out to be the good guy, it was tough to enjoy.

    The character loves publishing secrets and personal details that ruffle feathers, e.g. Upcoming birth announcements ("blessed events") with due dates less than nine months after a couple got married. People sue the paper, but that just fans the flames and he goes merrily along raking in money (the $90,000 a year is over $2 million in today's money). His assistant (Ruth Donnelly) is feisty and a good supporting character, handling a deluge of phone calls and cracking jokes like "You want to see Mr. Roberts? Oh, you want to SUE Mr. Roberts? The line forms on the left." Unfortunately, the scenes of him frenetically operating in the newsroom got a little monotonous despite their energy level, with the exception of his rather gruesome description of electrocution to intimidate a gangster (Allen Jenkins).

    Things go especially sour when the gossip columnist reports about a desperate young woman (Isabel Jewell) who's pregnant and literally just told him she's suicidal over the idea of people finding out. Instead of making this a point of reckoning for the character, the script pays lip service to a little guilt, then has him be the hero in standing up to gangsters as well as his rival (a crooner played by Dick Powell, in his very first film). By the end I had really tired of the character and how it was playing out, hence the middling review score.

    Interesting quote about TV, pretty early for 1932: "Ask him about sex appeal by television." "By television? I'll tell you right now it'll never prove a popular method."

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    Histoire

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    Le saviez-vous

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    • Anecdotes
      The film marked Dick Powell's film debut, although some sources credit him with an appearance in the film Scène de la rue (1931). He was a band singer and recording artist on the Vocalion label, which was owned by Bruswick. In 1930, Warner Bros. bought Brunswick and thus became aware of Powell. This acquisition is also why one sees "Brunswick radios used exclusively" in the opening credits of many Warner Bros. films from that time.
    • Citations

      Mrs. Roberts: Well, I'll be damned!

    • Connexions
      Featured in Maltin on Movies: Battleship (2012)
    • Bandes originales
      How Can You Say No (When All the World Is Saying Yes)?
      (1932) (uncredited)

      Music by Joseph A. Burke

      Lyrics by Al Dubin and Irving Kahal

      Copyright 1932 by M. Witmark & Sons

      Sung by Dick Powell

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    Détails

    Modifier
    • Date de sortie
      • 10 septembre 1932 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Grata compañía
    • Lieux de tournage
      • Warner Brothers Burbank Studios - 4000 Warner Boulevard, Burbank, Californie, États-Unis(Studio)
    • Société de production
      • Warner Bros.
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      1 heure 20 minutes
    • Couleur
      • Black and White
    • Mixage
      • Mono
    • Rapport de forme
      • 1.37 : 1

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