L'oiseau de paradis

Directed by King Vidor, Joel McCrea is a young sailor who stumbles upon a remote Pacific island with his crew. It is inhabited by a tribe of natives, whose princess is brilliantly played by Dolores Del Río. She and McCrea's sailor instantly fall head over heels for one another, but their romance is predictably taboo, since the king's daughter is traditionally reserved for a native prince.

The tribe worships and fears 'Pele', the volcano god (there is an active volcano on the island), to whom they frequently sacrifice young maidens, and who would curse the young lovers should they act upon their desires. Of course, they do, and this fearsome figure effectively acts as the main antagonist.

It's a nice watch, the editing being quite choppy here and there, and the plot quite basic, but beautifully shot and with a very impressive, empathetic performance from Del Río as the princess Luana. Quite a sizable portion of the film has little to no dialogue (at least before Luana learns basic English) since McCrea's crew is absent throughout the entire second act and only returns for the climax. This does not negatively impact the film, and in fact, the relationship develops quite nicely through nonverbal forms of communication and it's interesting to see.

One critic has named Vidor's portrayal of "the rhythms of collective action" as something he often demonstrated in his films and, in this early sound outing, the tribal dances and processions are among the film's best scenes. This is by no means a masterpiece, but a pleasant watch nonetheless.

A very beautiful & romantic film. It's about a lovely native woman named Luana (Dolores del Rio) and the man that falls in-love with her, Johnny Baker (Joel McCrea). Luana is chosen by the other island natives to be sacrificed to the volcano. This is a story we've all heard of by now but this might be the first film on the subject matter.

I discovered this film via Creighton Chaney. I was looking to watch a film from him that I have yet to see. He's not in this one very much, his character Thornton is more of a supporting role, but he did not have to be in this film for me to enjoy it. I'm glad to discover it because it's a wonderful story.

8/10

A young man, sailing the South Seas with friends, is saved from a shark by a lovely chief's daughter. They fall madly in love, only to have him learn that his beautiful BIRD OF PARADISE is destined to be sacrificed to Pele, the volcano god.

Essentially a piece of fluff, this film is enhanced by the performances of Dolores Del Rio & Joel McCrea. They handle the romantics quite nicely (her skinny dip providing proof this is a pre-Production Code movie). The rest of the cast, which includes Lon Chaney Jr. & 'Skeets' Gallagher, exist purely to provide support to the stars.

Location filming in Hawaii and a beautiful, evocative score by Max Steiner emphasize the languid mood of the plot.

This feature is interesting in a number of respects, both in its techniques and in its subject matter. And if neither of those is enough, Dolores Del Rio has a role that allows her to dazzle the viewer with her beauty and her screen presence. A young-looking Joel McCrea, as her co-star, is himself earnest and likable, though he is overshadowed by Del Rio in their scenes together.

The story starts off with McCrea, as a sailor on a yacht, being rescued from a shark by Del Rio, as the daughter of the king of a native tribe. Romance develops from there, with McCrea's character dreaming of taking her back home with him when his trip is done, but having his plans hindered by the responsibilities she faces as a king's daughter. (Why any man, given the opportunity to live alone with a woman like Del Rio on a tropical island, would yearn for 'civilization', is also a pretty good question.)

The story features some rather sensitive themes in the running contact between the two cultures. If it does not always face them comfortably, at least it is relatively even-handed much of the time. Although some 'primitive' beliefs are ascribed to the natives' culture, they are portrayed as sincere beliefs. There are also a number of points of interest on the technical side. Most obviously, there are the wealth of atmospheric shots of the tropical setting. But beyond that, there are a few interesting attempts to offer some interesting views with the camera, such as the water-level shots in the opening sailing sequence.

One particularly interesting idea is that, for a long time, the language barrier is allowed to stand realistically between the characters, especially in McCrea's efforts to communicate, instead of using a stock device to get around it. Only much later is it assumed that Del Rio's character has learned enough English to be able to communicate.

Certainly, there are times when this feature shows a little of its age, and in some respects it's not completely successful. But it would probably be worth watching to see Del Rio alone, and the rest of it contains several interesting aspects.

I despair of non-romantics taking the time to denigrate with their reviews ultra-romantic films, such as this.

BIRD OF PARADISE is a masterwork - superbly photographed (the lighting, composition and mobility of the camera are astonishing), lushly scored (Max Steiner's score is the first ever to run from beginning to end of a talking film), and lyrically directed. Del Rio's performance is perfection - a native woman whose only future is to be sacrificed to Pele, the God of Volcanos, who finds true love with a white man who visits her island and chooses to stay.

For romantics, this is a classic tear-jerker and an exercise in sheer visual beauty. The underwater swimming scene between a nude Del Rio and a McCrea clad only in the thinnest of briefs is unique in cinema.

Perhaps the Academy's shut-out of this work is due to its coming on the heel of the semi-documentary Murnau TABU, the year before which explored similar themes. No reason however not to nominate it for Del Rio's performance, the cinematography and the score.

One of the most visually beautiful films ever made and a must-see for romantics.