Ajouter une intrigue dans votre langueIn need of funds, Hardy happens to meet an old friend, now a boxing promoter, and volunteers "Battling Laurel" as the team's prizefighter, only to discover their opponent in the ring is a fe... Tout lireIn need of funds, Hardy happens to meet an old friend, now a boxing promoter, and volunteers "Battling Laurel" as the team's prizefighter, only to discover their opponent in the ring is a fearsome old nemesis.In need of funds, Hardy happens to meet an old friend, now a boxing promoter, and volunteers "Battling Laurel" as the team's prizefighter, only to discover their opponent in the ring is a fearsome old nemesis.
- Réalisation
- Scénario
- Casting principal
- Bride
- (as Jacqueline Wells)
- Police Chief
- (non crédité)
- Boxing Promoter
- (non crédité)
- Spectator
- (non crédité)
- Spectator
- (non crédité)
- Justice of the Peace
- (non crédité)
- Spectator
- (non crédité)
- Mugsy's Second
- (non crédité)
- Spectator
- (non crédité)
- Mugsie's Second
- (non crédité)
- Stan's Second
- (non crédité)
- Spectator
- (non crédité)
- Referee
- (non crédité)
- Drunk
- (non crédité)
Avis à la une
Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'Any Old Port!' quite one of their very best, but it to me still very good and some of the best material is among their funniest.
Admittedly, the story is pretty thin and is pretty standard and the beginning is a touch slow.
Despite that, 'Any Old Port!' is great fun, never less than very amusing and the best moments, such as the ending, being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. A lot happens yet it doesn't ever feel rushed or over-stuffed. The ending is a sheer delight.
Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Any Old Port!' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable.
'Any Old Port!' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid, but it's Laurel and Hardy's show all the way.
In summary, very good if not one of the best. 8/10 Bethany Cox
There are other comparisons, but the one that is cogent to this movie is the joke boxing match. Every comic did one, including Chaplin and Keaton. Oh but how different they are! Not until "Raging Bull" and "Rocky" would the camera enter the ring, but watch how Stan draws us in. With Chaplin's tramp we were supposed to be impressed with the comic ballet of the thing, but here the comedy is more personal, and we relate personally.
The notion of noir in film is much discussed, and mostly with error. The core of noir is not in jaggy sets or dark lighting (they are mere cinematic indicators) but in the notion of an average Joe getting caught up in a capricious fate that toys with him.
Credit Hardy with laying the groundwork, at least on the character side.
Ted's Evaluation -- 3 of 3: Worth watching.
Once again the short can be divided up into two parts. The first part of the movie is about the comical duo helping a young girl escape the clutches of the hotel owner the two just checked in to. The second part of the movie is about Mr. Laurel ending up in a boxing match by coincidence against that very same hotel owner.
The typical slapstick humor is present in both parts of the movie which makes this movie, unlike some other Laurel & Hardy movies, a consistent and constantly funny movie. The movie has some truly good laughs in it and some of the slapstick moments are absolutely priceless and hilarious. The timing and surprise elements in the movie that are absolutely not predictable in any way makes this movie an absolutely great one to watch.
In my opinion an absolute comical must-see!
9/10
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The short is directed by James W. Horne, who I feel is the best man to direct any Laurel and Hardy short. Combined with H.M. Walker's, Horne's direction takes on the kind of kinetic energy necessary to make a short featuring the two comedic legends click instantaneously, with little reservations. A story like Any Old Port! is often filled to the brim with action and comic spectacle, and combined with the energy and power of the performers and the writing involved, manages to be a fun short through and through.
While light on the quotable nature of Laurel and Hardy shorts, and missing the extra banter and witticisms exchanged by the two men, Any Old Port! succeeds because it recognizes, once more, that situational humor triumphs over slapstick, at least when we have Laurel and Hardy at the core of it all.
Starring: Stan Laurel and Oliver Hardy. Directed by: James W. Horne.
Le saviez-vous
- AnecdotesOriginally meant to be three reels, the first reel is now lost and exists only in stills. This was set aboard ship and featured James Finlayson and Tiny Sandford.
- GaffesAfter Mugsie Long is hit by the weighted glove on Stan's right hand, the glove falls with Long to the boxing ring floor. The next scene has Stan with both gloves on, as the weighted glove hits the referee.
- Citations
Ollie: [after girl runs upstairs crying] What seems to be the trouble?
Mugsie Long, proprietor of Ye Mariner's Rest: Ha ha ha ha. She's crying with happiness. She's gonna be married.
Ollie: Who's the lucky fellow?
Mugsie Long, proprietor of Ye Mariner's Rest: I am.
Stan: [after a great big double take] Can you beat that?
Ollie: What?
Stan: What a terrible cats-after-me.
- ConnexionsEdited into Zwei Ritter ohne Furcht und Tadel (1932)
Meilleurs choix
Détails
- Durée20 minutes
- Couleur
- Rapport de forme
- 1.37 : 1