Stan boxeur

Stan Laurel and Oliver Hardy were comedic geniuses, individually and together, and their partnership was deservedly iconic and one of the best there was. They left behind a large body of work, a vast majority of it being entertaining to classic comedy, at their best they were hilarious and their best efforts were great examples of how to do comedy without being juvenile or distasteful.

Although a vast majority of Laurel and Hardy's previous efforts ranged from above average to very good ('45 Minutes from Hollywood' being the only misfire and mainly worth seeing as a curiosity piece and for historical interest, and even that wasn't a complete mess), 'Two Tars' for me was their first truly classic one with close to flawless execution. Didn't find 'Any Old Port!' quite one of their very best, but it to me still very good and some of the best material is among their funniest.

Admittedly, the story is pretty thin and is pretty standard and the beginning is a touch slow.

Despite that, 'Any Old Port!' is great fun, never less than very amusing and the best moments, such as the ending, being classic hilarity. It is never too silly, there is a wackiness that never loses its energy and the sly wit is here, some of the material may not be new but how it's executed actually doesn't feel too familiar and it doesn't get repetitive. A lot happens yet it doesn't ever feel rushed or over-stuffed. The ending is a sheer delight.

Laurel and Hardy are on top form here, both are well used, both have material worthy of them and they're equal rather than one being funnier than the other (before Laurel tended to be funnier and more interesting than Hardy, who tended to be underused). Their chemistry feels like a partnership here too, before 'Two Tars' you were yearning for more scenes with them together but in 'Any Old Port!' and on the most part from 'Two Tars' onwards we are far from robbed of that. Their comic timing is impeccable.

'Any Old Port!' looks good visually, is full of energy and the direction gets the best out of the stars, is at ease with the material and doesn't let it get too busy or static. The supporting players are solid, but it's Laurel and Hardy's show all the way.

In summary, very good if not one of the best. 8/10 Bethany Cox

If you watch enough movies you can start to make interesting comparisons. One fruitful kind is when a series or sequel sequence is done by a different creative team. Same general idea but completely different movies.

There are other comparisons, but the one that is cogent to this movie is the joke boxing match. Every comic did one, including Chaplin and Keaton. Oh but how different they are! Not until "Raging Bull" and "Rocky" would the camera enter the ring, but watch how Stan draws us in. With Chaplin's tramp we were supposed to be impressed with the comic ballet of the thing, but here the comedy is more personal, and we relate personally.

The notion of noir in film is much discussed, and mostly with error. The core of noir is not in jaggy sets or dark lighting (they are mere cinematic indicators) but in the notion of an average Joe getting caught up in a capricious fate that toys with him.

Credit Hardy with laying the groundwork, at least on the character side.

Ted's Evaluation -- 3 of 3: Worth watching.

Big, ole tough hombre Walter Long, a staple in 1930s crime films and comedies, is right at home with the boys. He owns a run-down hotel and is bullying a helpless girl (played by young Julie Bishop) --that is until Stan and Ollie stop by. Fortunately, the girl escapes, but Mugsy doesn't forget!

Best part is all the wild stuff that happens in between; Mugsy getting his head caught in a table and the local justice of the peace getting the back of his head shaved by a fan? No question, lots of this material was later re-done by the THREE STOOGES.

In a real goofy change of luck, Ollie meets up with an old pal who offers him fifty bucks to go four rounds with a boxer --just for kicks? Of course, Ollie agrees because Stan is going to fight the thug. And surprise! The boxer turns out to be Mugsy.

10 Stars.

Laugh out loud, one of the best and original of their film shorts. Stan Laurel works his magic, and don't miss the boxing glove loaded with some "heavy" stuff. One of the few Laurel and Hardy shorts with the largest number of extra and bit actors, appearing in the boxing arena.

Best line from Ollie; "I bet on you to lose, and you double crossed me!"

A comedy to treasure, written by comedian and gag writer Charley Chase, brother of director James Parrott. Actress Julie Bishop was a child star in the 1920s, later returning to films in the 1930s and appearing with Laurel and Hardy and WC Fields in adult roles.

Get the remastered dvd box set of Laurel and Hardy short (sound) films. Thanks much to METV Plus for running L & H all the time, also MOVIES Net on Saturday mornings.

Laurel and Hardy are a couple of sailors in port. They go to get a room, only to discover that Julie Bishop -- still acting under the name of Jacqueline Wells -- is being forced to marry Walter Long. Later, they need to raise some money, so Oliver volunteers..... for Stan to fight Long in the ring.

Laurel and Hardy's production unit was quite capable of producing scenes of active terror, and then immediately turning the situation around into laughter. Here's an example of that.

Miss Wells had entered the movies in 1923 as a child actress. She assumed the name of Bishop when she signed a contract with Warner Brothers in the early 1940s. She appeared in the last of her eighty features in 1957, and died in 2001, age 87.

Any Old Port! features just enough action and humor to satisfy my appetite for Laurel and Hardy comedy as it focusing on the two men as sailors who book a hotel and discover the owner, Mugsie Long (Walter Long), wants to marry a woman younger than he is, much to her dismay. After being appalled at what they saw, they save the young girl, but without their wallet, which holds the entirety of their savings. Ollie's friend, in turn, offers up $50 if Ollie will compete in a boxing match against the owner of the hotel, to which he forces Laurel to do the fighting. The outcome, as one would assume, is pretty hilarious.

The short is directed by James W. Horne, who I feel is the best man to direct any Laurel and Hardy short. Combined with H.M. Walker's, Horne's direction takes on the kind of kinetic energy necessary to make a short featuring the two comedic legends click instantaneously, with little reservations. A story like Any Old Port! is often filled to the brim with action and comic spectacle, and combined with the energy and power of the performers and the writing involved, manages to be a fun short through and through.

While light on the quotable nature of Laurel and Hardy shorts, and missing the extra banter and witticisms exchanged by the two men, Any Old Port! succeeds because it recognizes, once more, that situational humor triumphs over slapstick, at least when we have Laurel and Hardy at the core of it all.

Starring: Stan Laurel and Oliver Hardy. Directed by: James W. Horne.