The Unholy Garden

Ronald Coleman Must have Thought when Sound Arrived in Hollywood that He Would Become an Even Bigger Star. What With a Voice that Could Melt Steel and the Coldest Femme Fatale Along with the Drop Dead Looks that Made Him a Silent Star. A Whole New World Would Open Up for the Likable Actor to Conquer.

It was Not to Be. Given Atrocious Projects He Very Quickly Became Box-Office Poison and Although He Continued Working for Decades, His Star was Never Again as Bright as During the Silents. The Double Life (1947) is a Welcome Exception.

In this Flop, Written by Ben Hecht and Co-Starring Fay Wray, a Very Busy Actress During this Period, Coleman is the Whole Show Surrounded by Unlikeable Clichéd Characters in a Dull, Dusty Setting.

The Film Never Really Clicks but is Mildly Engaging and Estelle Taylor as a Slinky Bad Girl Showing Some Pre-Code Vampiness, is a Highlight. But Warren Hymer as Coleman's Sidekick is a Distraction and Way Over the Top.

Overall, Pre-Code Fans Won't Find Much Here to Get Excited About and the Movie Mostly Just Lies There as the Desert Setting Isn't Very Exotic or Interesting. Worth a Watch for Pre-Code Completists, Fans of Coleman and Wray but Others May Find it Very Creaky. Not the Best Work of the Two Stars or Writer Hecht.

This is a pretty oddball film, plot-wise and characters. I've seen it a few times now and still can't make up my mind on how good it is - or not. It is dated of course, but who cares when you can be ogling Fay Wray at her peak!

Just how unlikely is the basic situation - a hotel in the middle of the Algerian desert full of cut-throats and thieves plus one trigger-happy old blind man and his beautiful daughter sitting on but protecting a useless fortune for years. The brainy fugitive rascal Colman appears and the cut-throats' plans to rob the old man suddenly coalesce and are dependent upon our dashing anti-hero finding the loot for them. All of the characters without exception are dislikeable but I'm afraid I don't know how faithful this is to the original book, or whether it was simply designed for the movie that way.

Never mind, Colman uses the opportunity splendidly to woo Wray, and the two couldn't look more beautiful as when splashed by the Goldwyn moonlight - others would have burst into song! He later goes Noble in a tortured climax, but hey that's Love!

To the Faithful: well worth watching - after "Raffles" it's definitely my next favourite Goldwyn Colman potboiler. To the Unbeliever: you won't get it, wait for a violent remake.

Unholy Garden, The (1931)

** 1/2 (out of 4)

Decent little pre-Code about a blind old man (Tully Marshall) and his daughter (Fay Wray) who are staying at a hotel in the Sahara. The two keep themselves locked up in their room because there's a group of criminals in the lobby trying to come up with a way to get in the room and steal what could be millions from them. A suave criminal (Ronald Colman) then shows up and tries to get into the room and the daughter's heart his own way. THE UNHOLY GARDEN isn't a very well-known film but I found it to be a pleasant time killer thanks in large part to the performance of Colman who really shines here. The story itself is a mildly interesting one but at the same time you really have to suspend some disbelief that these cut-throats wouldn't have already gotten into the room and forced they way into finding out where the money was. There's a funny sequence dealing with the old man just shooting his gun off and I'm guessing this was the writers attempt to show that the criminals couldn't get in but I'm sure they could have came up with something else. The way Colman works his way into the room was at the same time a tad bit too easy. With that said, at just 74-minutes the film goes by very quickly and a lot of this is due to the very charming performance of Colman. It's almost as if the actor knew the material wasn't the greatest so he just really went all out in terms of charm. His character makes it easy to see why the daughter would fall for him but Colman is also brilliant at showing as slick this character is. This is especially true towards the end when he tries to save the daughter by lying to all the criminals to try and protect her. Wray, who would follow this up with such titles as DOCTOR X, THE VAMPIRE BAT, MYSTERY OF THE WAX MUSEUM and of course, KING KONG, is in fine form even if the screenplay doesn't do too much justice to her. The supporting cast includes Estelle Taylor, Warren Hymer and Lawrence Grant as a doctor who has murdered his three wives. The dialogue is at times fairly risky and there are many pre-Code elements, which are another plus. Overall, while the film certainly has some flaws it's still entertaining and that's the most important thing.

The suave criminal Barrington Hunt heads for a hideout in the Sahara Desert. In the crumbling old moorish palace he meets a gang of desperados and the divine Camille. A plan intended to relieve Camille of her hidden loot misfires when Hunt begins to fall for her ....

Ronald Coleman plays his stock role of gentleman thief, and Fay Wray is Camille. Wray was a busy star at the time, averaging seven features per year between 1927 and 1934, though of course her name will always be associated with "King Kong", made two years after this crime thriller. "Don't worry - I'm rather good at this," says Coleman as he takes the wheel of Elize's sporty open-top car. He might have been talking about his handsome roue performance. In a long crescendo, the film builds towards the climax of the kiss in the ruined mosque. Coleman is very effective as the cad who is ennobled by love, and his look of regret as Camille leaves is harrowing. If Wray is guilty of an overly declamatory acting style, it can be conceded that this was the vogue of the time. Estelle Taylor as the sexy Elize has a voice that grates, but her performance grows on the viewer as the film progresses.

George Barnes' photography is beautiful, with Coleman backlit at crucial moments, almost like a saint with his halo. The set of the 'palais royal' is superb, deliciously seedy and rambling. There are nice glimpses of desert dunes, and the moorish architecture has an authentic look.

"The place is crawling with lizards," we learn, and this could just as well describe the human inhabitants of the palais royal. Fortunately for Camille, Hunt is cunning enough to outwit the pack of villains who haunt this remote lair. Hunt is able to turn his wasted life into something good and useful in a heroic gesture of self-denial.

Criticisms are limited to minor implausibilities. In such a forsaken spot, would the men all be clean-shaven every day? And would de Jonghe dress formally for Christmas Dinner? Would a disgraced German wear a military uniform out here?

Verdict - Stylish adventure, with Coleman at his most urbane

Ronald Colman and Fay Wray star in "The Unholy Garden," a 1931 film that is darn strange.

A fugitive from justice (Colman) winds up at a hotel in the Algerian desert where all the other thieves and killers hang out. Among them is lovely Fay Wray and her blind father. Word is the old man is hiding a great deal of money, and the thieves want it. Colman manages to become their leader, but his agenda is somewhat different from theirs.

Ronald Colman is delightful as Barrington Hunt, escaped con - fast talking, debonair, and charming. Wray is beautiful as the vulnerable, despairing Camille de Jonghe, who feels that her life will never change.

The atmosphere is marvelous - one really feels like they're in an Algerian hotel where danger lurks. Worth seeing for Colman and Wray.