Le Beau Joueur

Whilst "Smart Money" was being filmed, Edward G. Robinson had become a star at "Warner Bros," thanks to his film, "Little Caesar." James Cagney had just finished making "The Public Enemy" and that film hadn't yet been released. "Smart Money" isn't another gangster film as the story doesn't allow for that kind of character and Robinson isn't a hoodlum either. He is a professional barber who happens to be a gambler. For a while in the film, Robinson is small time but after avenging himself upon the con men who took all his money, he carves out a gambling empire with Cagney as his right hand man. The District Attorney has had enough of all the gambling and corruption that goes with it and he plans Robinson's downfall. His demise comes in a most unexpected way. Edward G. Robinson dominates "Smart Money" but James Cagney is right there after the half way stage. Their scenes are absolutely superb and I wish the two actors had made more films together. Boris Karloff makes a brief appearance as a gambler. Robinson is a very affable character and his wealth and power does little to change his disposition. The two leads carry this film but the story and narrative are far above average.

Smart Money is famous for the teaming of Edward G. Robinson and James Cagney in the only time they shared the screen. Both men had just come off their breakthrough performances in Little Caesar and Public Enemy respectively. Of the two of them, Robinson comes off far the better.

I'm not sure why Cagney did this film, more than likely because he was told to and was not yet rebelling against Jack Warner. He's strangely subdued in the part, the usual Cagney bounce and cockiness just isn't there for me.

Cagney plays the best friend of Greek barber Edward G. Robinson who in his career played any number of ethnic types. Here he's a happy go lucky barber whose place doubles as a betting establishment. He likes to play, but when friends raise a bankroll for him to try his luck in the big city he gets good and clipped.

Robinson's down, but not out. He goes back and clips the clippers and becomes a big gambling racketeer. Problems do arise when he and Cagney quarrel over the same woman.

It's definitely Robinson's picture, maybe it's why Cagney and he never worked together again. I would like to have seen them both in a film with a more typical Jimmy Cagney.

Still when it's broadcast it should not be missed.

Edward G. Robinson and Jimmy Cagney team up in their only picture together(strangely enough). Robinson plays Nick, an immigrant Greek barber who loves to gamble and can't stay away from a poker game or betting. Cagney plays Jack, his good friend who is amused by him, and he and their other friends bankroll him in a big betting game in the city, though Nick's weakness for women gets him cleaned out in a rigged game, Nick decides to get even by joining in on the racket, which makes him rich at first, but of course things later go wrong, though Jack does what he can to help. The two top actors are once again the whole show in otherwise familiar picture that works because of their star-power.

Robinson is a barber who owns his own barbershop, but who goes off to gamble with some real card-sharks. He goes to the hotel where the action is and meets the girl at the magazine counter who tells him what room the game is in, after the desk clerk tells him nothing like that is allowed in this hotel. Little does Edward know what's in store for him. Of course Robinson, as the barber, is great, and James Cagney is a secondary character with not much development to make him really interesting. But, it's Robinson that makes this film worth watching. He has such presence, and this is only a sample of what is yet to come in his career. The only problem I have with it is that its ending is rather anti-climatic. But as usual Robinson has the flair to take it all in stride and he makes the viewer feel honored to watch a master of his craft at work.

This is not exactly the sort of film you'd expect from Edward G. Robinson in 1931. While he was well-known for his gangster roles, this character isn't a saint by any stretch, but he's far from vicious or deadly like "Little Caesar". In addition, this early film is the only film that ever paired him with Jimmy Cagney. Cagney, at this point, was the lesser star and has a rather small role in the film as Robinson's right-hand man. The breakout film, THE PUBLIC ENEMY, was released just before SMART MONEY and at the point of making this second film, the studio didn't know that he was now a mega-star.

Robinson is a barber with an uncanny ability to gamble and win. Eventually, he and his friends pool their money and send him to "the big city" and even though he at first is bankrupted, he eventually becomes the biggest and most famous gambler around the country. The only problems are that he's a lousy judge of women AND the District Attorney is out to get him no matter what it takes! The film is pretty well written and interesting--not the usual gangster stuff. Plus, there are a few neat scenes that took place since the film was created before the strict Production Code was created--so you get to see Eddie kick a woman in the rear as well as have another lady try to offer him sex to pay off her debt to him! Pretty risqué here and there, but in general this isn't really that violent or salacious a film. Just a good drama with some nice twists and decent acting.

PS--When you watch the film, look for a brief cameo by Boris Karloff. He does have a few speaking lines, but he has a rather odd accent--a Brit trying to sound like an American mug.