Arizona

An American drama; A story about an American army lieutenant whose former girlfriend marries his commanding officer out of revenge causing complications down the line. This pre-code melodrama is a stagebound production about false accusation and romantic shenanigans. It contrives a plot about a mix-up but it contains holes at almost every turn, never really generating any suspense. The main characters are written as scoundrels without many redeeming features and it is too silly to be moving. June Clyde is likeable as the excitable younger sister full of energy and life. John Wayne wilts despite his alacrity.

I suppose that on the plus side for John Wayne in this film he got to put on a football jersey which up until recently he had been wearing for the University of Southern California. Here he plays a cadet who kicks the winning field goal in the Army/Navy game before graduating West Point.

The Duke is the foster son of Colonel Forrest Stanley and after graduation he's been assigned out in Arizona to the army post that Stanley is commandant of. Before leaving he rather callously gives the air to Laura LaPlante who he'd been seeing. Laura doesn't take the breakup well and without Wayne knowing it, makes a play for Stanley who she marries. She's out living in Arizona with Stanley and her sister June Clyde before Wayne arrives at the post.

John Wayne fans should realize that this is not the Duke they're accustomed to. He's playing the kind of hero/heel part that Tyrone Power later perfected so well. It doesn't wear well on Wayne at all.

In fact as I watched Arizona and did a little research on it, I saw that it was remake of a silent film of the same name that starred that greatest of swashbucklers Douglas Fairbanks. No wonder I thought that this was a film better played by someone like Tyrone Power.

In the Citadel Film Series book, The Films of John Wayne, Arizona is listed under its later title of Men Are Like That. My guess is that the title was changed to not confuse viewers with the later Jean Arthur William Holden western Arizona. Of course the title need not have been changed at all, but I suspect this Arizona was re-released to take advantage of John Wayne's burst into major stardom following Stagecoach. Harry Cohn could do little else because John Wayne was pointedly not working for Columbia Pictures after Cohn fired him and later tried to blackball him in the industry. There was never any new Duke product for Columbia after Wayne became a legend.

Probably only the Duke's most devoted fans would want to see Arizona.

Early in his career, when the Duke worked at Columbia Pictures, Harry Cohn tried him out in this romantic vehicle, for which he received second billing to Laura LaPlante, who plays a scorned Evelyn eventually getting her chance to make Bob pay for calling it quits. This mostly forgotten flick, not even listed in many film catalogs under Wayne's name, is best left that way, forgotten and unlisted. Still, as one of the first films that gave him significant billing, he holds his own against his equally forgettable cast mates. As a romantic actor, he fails to impress in his clinches with either of his lovers. It's obvious he had a long way to go to become a good actor although he never turned into a great one like the Gables and Stewarts and others then starting their careers. It's still of interest to watch the old football game and the cavalry drills in this picture, so it's not without its merits. Just don't expect much and you won't be disappointed. I'd recommend if for fans of the Duke, just to see how green he was back then. And the girls are pretty and the guys look nice in uniforms, so there are worse ways to pass an hour or so. Dale Roloff

Certainly not one of John Wayne's worst films, as one reviewer proclaims, but among his worst performances. After his initial starring role in "The Big Trail" in 1930, Wayne found himself at Columbia and turned in this wooden acting role in "Arizona" along with other pictures and was eventually fired by Harry Cohn. Soon Wayne found himself on poverty row, starring in "His Private Secretary" for Showmen's Pictures in 1933 and a series of westerns for Lone Star Productions released by Monogram Pictures in 1934. His climb back to being a top Hollywood star would take a few years. This film is a cultural significance since it has been released on a DVD set entitled "Columbia Pictures - Pre-Code Collection" along with four other films made in 1931-1932, starring Barbara Stanwyck, Jean Harlow, and Carole Lombard.

I suppose this is what they used to call a "woman's picture." Laura LaPlante, a fetching, if gnomish blonde, plays Evelyn Palmer, a New York girl (what she does for a living is never revealed) who's been dallying with dashing West Point cadet Bob Denton, played robotically by a very young & handsome John Wayne. When she is dumped unceremoniously before Bob's graduation, Evelyn woos & eventually marries his mentor, Colonel Bonham, played by Forrest Stanley more like a stuffed-shirt British army officer than an American who's spent years in Arizona. The big complication is that, once the newlywed Bonhams relocate to Arizona, Denton shows up for duty &, despite Evelyn's triumphant attitude toward him, Denton takes a fancy to Evelyn's sister, Bonnie, who's the cutest flapper I've seen in ages.

This plot, made today, might have a bit more nastiness in that; it's as close to a "Cruel Intentions" as you're going to get in 1931. That Bob & Evelyn are having a sexual relationship is implied, of course, & it's amusing how, later in the picture, every time someone's about to say it, that person is interrupted or hushed. More than that, though I saw this on the Starz Western channel, it's more like your average sophisticated thirties melodrama than a western. The cigarettes are in boxes, gowns are worn to dinner, & the Colonel's house in Arizona is strictly Long Island.

The film features some amusing stock footage of an Army-Navy football game, as well as military maneuvers. But without giving anything away, the film unwinds & then winds up in a pretty cliched manner. For John Wayne fans, it's bound to be extremely disappointing, but for those of us who are intrigued by the early days of Hollywood, good & bad, it's not such a bad way to spend an hour. But it was way too silly to be moving, & it's by the numbers mix-up plot never really generates any suspense.