Lonely Wives

For decades, a familiar and very stupid cliché has been used in movies and on TV--the identical stranger or identical cousin. While such things are 100% impossible and ridiculous, the idea has been used (and over-used) for years. I am usually annoyed by such productions, as these are not very similar folks but EXACTLY the same--which makes no sense at all. "Lonely Wives" is based on such a premise--and so it loses a few points for its dopiness.

Edward Everett Horton plays two people--Dickie Smith and a vaudeville performer, Mr. Zero. Zero is a professional impersonator and has managed to look, sound and behave exactly like Dickie. So, the two concoct a plan to have Zero pose as Smith but not surprisingly, lots of problems result--such as Dickie's wife apparently sleeping with Zero! While I admit that the film IS entertaining and a bit cheeky, the plot is silly fluff. But, in this case, it works a bit better than usual because I love Edward Everett Horton--he was a very funny character actor who had a chance to star in this farce. Not brilliant...but cute.

I chuckled more than once at the convoluted goings on in this farce filled with sexual innuendos. Edward Everett Horton is good in his double role as both a famous womanizing lawyer called Richard and a vaudeville impersonator called Felix. Felix wants to add Richard to his list of people he impersonates and would get permission only if he can fool Richard's mother-in-law, Maude Eburne, for a night. Meanwhile, Richard goes to meet Laura La Plante about getting a divorce from her husband, who happens to be Felix, although Richard doesn't know it. And Richard's wife, Esther Ralston, comes home from a vacation early and spends the night with Felix, disguised as Richard.

I was impressed with the smooth special effects when both Richard and Felix appear onscreen at the same time. It was done, of course, by a double exposure, but the timing of their conversations was perfect. As the befuddled butler, Spencer Charters overplays his role when he gets conflicting commands by both Felix and Richard and it was a bit tedious and predictable. The rest of the cast was fine. This is a good example of a pre-code sex farce.

The origins of the story was a 1912 German vaudeville act called "Tanzanwaltz" by Pordes Milo, Walter Schütt and Dr. Eric Urban. Although A.H. Woods is credited onscreen as the writer of the 1922 play on which this movie is based, contemporary reviews list him only as producer, with Walter De Leon and Mark Swan as the English language adaptors.

While intending to be humorous, "Lonely Wives" is more laborious than anything else. It's bright spot is the beautiful, expressive Laura La Plante. Laura's scenes provide the most laughs, not surprising since of the cast, she is the actress who seems most comfortable with comedy.

Edward Everett Horton, while decent, is a bit unconvincing in the dual role, as the two characters he plays are completely alike. Often in a movie, one Horton character is irritating; here there are two, and at times it's downright excruciating!

I'd recommend seeing this movie only if you like the actors involved. It was released on DVD in 2000 from the Roan group in the worst transfer I ever saw from them. Risque elements in the film include seeing Patsy Ruth Miller, Horton's secretary, in the shower; Laura La Plante in a number of revealing outfits including her slip; and loads of sexual innuendo. All in all, I rate the film 6/10, predominantly because of Laura La Plante!

Fantasizing he is an after hours womanizer, stuff-shirted lawyer Edward Everett Horton (as Richard "Dickie" Smith) flirts with new secretary Patsy Ruth Miller (as Kitty "Minty" Minter). Tipped off by boozing butler Spencer Charters (as Andrews), Ms. Miller sets Horton up on a date with film actress friend Laura La Plante (as Diane O'Dare). The women hope to Horton will provide Ms. La Plante with a cheap divorce from vaudeville husband "Felix, the Great Zero" (also played by Horton), for non-performance of duties. Lawyer Horton agrees to let "Felix" impersonate him at home, so he can keep dates with the women.

But, wife Esther Ralston (as Madeline) comes home predictably… er, unexpectedly…

Leading man Horton acts his two roles successfully, in and out of "split screen" effect. Interestingly, he gets three leading ladies who were bigger stars during the "silent" years. Miller is charming and too briefly on-screen. Ms. Ralston appears modern and sexy. La Plante has the meatier part. And, matronly mother-in-law Maude Eburne (as Mrs. Mantel) steals scenes from everyone. The old film is sprinkled with amusing sexual innuendos. The twin Hortons are neatly directed by Russell Mack, but someone needed give the viewer some more differentiation between the two, especially during the masquerade at the house.

****** Lonely Wives (2/15/31) Russell Mack ~ Edward Everett Horton, Laura La Plante, Esther Ralston, Patsy Ruth Miller

The strange connection between a passionate lawyer and a vaudeville impersonator leads to romantic complications for their LONELY WIVES.

Edward Everett Horton, that nervous fuss-budget who enlivened so many films as a top character actor during Hollywood's Golden Age, here gets a rare starring role and a chance to really flex his comedic muscles. Although it's a little difficult to think of Horton as a romantic idol--even a funny one--he certainly has the lovely ladies adoring him in this lively Pre-Code farce.

Providing double trouble, Horton plays the dual roles of a stern lawyer who ‘blooms' into a Don Juan every evening at 8 PM and the talented mimic who wishes to impersonate the lawyer on the stage. Add the lonely wives--Esther Ralston & Laura La Plante--and you're likely to get a merry marital mix-up.

Patsy Ruth Miller plays the lawyer's too flirtatious new secretary. Spencer Charters staggers through the role of the household's increasingly inebriated butler. Best of all is elderly Maude Eburne, an underappreciated actress with considerable comic skills, who tackles the role of Ms. Ralston's boisterous mother. Chubby Ms. Eburne easily holds her own with either Hortons and gets to utter the film's final, funniest line.