La pécheresse

Clark Gable is particularly handsome in his Salvation Army uniform.He is very efficient when it comes to showing seduced girl Crawford the straight and narrow!And he must display lots and lots of patience ,indulgence and compassion for ,even after the marriage of her beau ,a smug buck,she's ready to fall in love again head over heels . Gable and Crawford singing canticles while delivering free meals to the needy.What a nice way to redeem your soul and to find true love!

What's really tragic is that these poor people are still looking for free meals in the soup kitchen ,be it the the Salvation Army or one of the other charitable organizations .In France ,in the organization I'm currently working for("Les Restos Du Coeur" ) ,the number of beneficiaries has increased by 15% in 2010-2011.

Oh, boy. Clark Gable in the Salvation Army. Where did they come up with this stuff? Nightclub performer Ivy Stevens (Joan Crawford) is despondent upon learning Howard "Howdy" Palmer (Neil Hamilton) has no intention of marrying her. She was just a booty call to our boy Howdy. How Neil Hamilton got so many roles in the early '30s as a ladies man type is beyond me but that's how it was then I guess. Anyway, Ivy decides to jump off a bridge but she is stopped by kindly and handsome Salvation Army worker Carl (a mustacheless Clark Gable). Ivy joins up with the Salvation Army too and is seemingly happy with her new lifestyle. But then one day Howdy spots her and, despite being married now, makes a move for her. Can Ivy resist Howdy's seductive ways? Can any woman?

There's a few things wrong with this movie. First, on no planet does Joan freaking Crawford, at this time a young and sexy dancer, get that upset over being dumped by Neil Hamilton. He was born looking like a banker. So that's unbelievable. Second and third things are that Clark Gable is no Salvation Army worker and he sure as hell isn't a guy named Carl! Joan's farmer dance is the highlight of the movie and probably her best dancing number from all of her early dancing movies. Overall it's a watchable but mostly forgettable melodrama about a "wrong" woman going right. Avid Crawford and Gable fans will like it most.

This may not be the greatest of the Crawford/Gable pairings, but their affinity for each other is obvious, and as always what is unsaid between them speaks volumes about their off-screen relationship. The film's other highlights include Joan's singularly eccentric "farmer" dance, for which she sports a false nose and beard! This was surely the inspiration for the Soggy Bottom Boys' "disguises" and dancing in the climax of 'O Brother Where Art Thou?'. In any event, the phenomenal originality of her performance provides another dimension to Crawford's enduring film legacy.

The second film that had Clark Gable and Joan Crawford together didn't start out that way. Laughing Sinners started out with Johnny Mack Brown as the Salvation Army Worker who saves Crawford and the film was completed when Louis B. Mayer saw the film and said reshoot it with Gable. This was after having seen them together in Dance Fools Dance where Gable was a villain and had only a couple of scenes with Crawford. This is according to Joan herself in a tribute she wrote in the Citadel Film Series Book, The Films of Clark Gable.

Crawford is definitely in her element as singer/dancer and good time Prohibition party girl who falls for the charms of Neil Hamilton, a traveling salesman. You know what a bunch of party animals they are, just ask Arthur Miller. Anyway Hamilton decides though he thinks Joan's great in the hay, he wants to marry the boss's daughter and does, leaving her flat and despondent.

One night as she's ready to throw herself off a bridge, Salvation Army worker Clark Gable stops her. She likes him, but still has a yen for Hamilton and he, her.

Given Clark Gable's later image the casting of him as a Salvation Army worker is ludicrous. Mayer knew that and during the course of the film he gives him a nice prison background before he joined Edwin Booth's Army. The only way Gable could possibly fit the part. Anyway Mayer did it for the obvious chemistry between Gable and Crawford.

It's more Joan's picture than his though. Later on her talents as a dancer which brought her to film in the first place would be not seen at all. So Laughing Sinners is a treat in that way.

The film is based on a Broadway play Torch Song which ran for 87 performances the year before and starred Mayo Methot, Reed Brown, and Russell Hicks in the parts that Crawford, Hamilton, and Gable have. Coming over from the Broadway cast is Guy Kibbee in the role of another salesman, the only one to repeat his role from Broadway. Roscoe Karns and Cliff Edwards play another pair of salesmen and Marjorie Rambeau is Crawford's party girl friend.

Russell Hicks is definitely more my idea of a Salvation Army worker, but Gable's more my idea of a leading man opposite Joan Crawford.

Like a lot of early '30s film, I found this a pretty interesting short (72 minutes) story. This one is about a chorus girl-type who gets jilted, hooks up with a Salvation Army man, then is enticed back to the old sinful ways for a night with the man who jilted her and finally realizes she is better off with the good guy and the good morals.

This is an early look at Joan Crawford, who is blonde here with huge eyes. Clark Gable is sans mustache and really looks young. Neil Hamilton, the third lead, is the same man who went on to play Commissioner Gordon in the Batman TV series three decades later. In here, he's the pagan bad guy.

This film goes a long way in portraying traveling salesmen as morally bankrupt people. Now why would they do that?!!