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IMDbPro

Honor Among Lovers

  • 1931
  • 1h 15min
NOTE IMDb
6,4/10
660
MA NOTE
Claudette Colbert and Fredric March in Honor Among Lovers (1931)
DrameRomance

Ajouter une intrigue dans votre langueJerry Stafford, a businessman, is in love with his secretary but she deserts him for another man. When she realizes her mistake, she goes back to him. Doris Brown is her girlfriend who is in... Tout lireJerry Stafford, a businessman, is in love with his secretary but she deserts him for another man. When she realizes her mistake, she goes back to him. Doris Brown is her girlfriend who is in love with a man named Monty Dunn.Jerry Stafford, a businessman, is in love with his secretary but she deserts him for another man. When she realizes her mistake, she goes back to him. Doris Brown is her girlfriend who is in love with a man named Monty Dunn.

  • Réalisation
    • Dorothy Arzner
  • Scénario
    • Austin Parker
    • Gertrude Purcell
  • Casting principal
    • Claudette Colbert
    • Fredric March
    • Monroe Owsley
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,4/10
    660
    MA NOTE
    • Réalisation
      • Dorothy Arzner
    • Scénario
      • Austin Parker
      • Gertrude Purcell
    • Casting principal
      • Claudette Colbert
      • Fredric March
      • Monroe Owsley
    • 18avis d'utilisateurs
    • 11avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
    • Récompenses
      • 1 victoire au total

    Photos53

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    Rôles principaux23

    Modifier
    Claudette Colbert
    Claudette Colbert
    • Julia Traynor
    Fredric March
    Fredric March
    • Jerry Stafford
    Monroe Owsley
    Monroe Owsley
    • Philip Craig
    Charles Ruggles
    Charles Ruggles
    • Monty Dunn
    Ginger Rogers
    Ginger Rogers
    • Doris Brown
    Avonne Taylor
    Avonne Taylor
    • Maybelle Worthington
    Pat O'Brien
    Pat O'Brien
    • Conroy
    Janet McLeary
    • Margaret Newton
    John Kearney
    • Inspector
    Ralph Morgan
    Ralph Morgan
    • Riggs
    Jules Epailly
    Jules Epailly
    • Louis, Headwaiter
    Leonard Carey
    Leonard Carey
    • Forbes, Butler
    Grace Kern
    • Party Guest
    Winifred Harris
    Winifred Harris
    • Party Guest
    Roberta Beatty
    • Mrs. Fleming, Party Guest
    Charles Halton
    Charles Halton
    • Wilkes
    Granville Bates
    Granville Bates
    • Clark
    Si Wills
    Si Wills
    • Club Waiter
    • Réalisation
      • Dorothy Arzner
    • Scénario
      • Austin Parker
      • Gertrude Purcell
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs18

    6,4660
    1
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    5
    6
    7
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    9
    10

    Avis à la une

    7steiner-sam

    Unpolished, but Colbert and March make the best of a thin story

    It's a pre-code romantic drama in New York City in 1930-1931. Being pre-code allows the characters' morals to be more suspect than in later films. Wealthy Wall Street tycoon Jerry Stafford (Fredric March) is in love with his highly efficient secretary, Julia Traynor (Claudette Colbert). However, he's not the marrying kind, so he invites her to accompany him on an around-the-world trip. She has a young boyfriend, Philip Craig (Monroe Owsley), near the beginning of his Wall Street career. Philip and Julia plan to marry when they have enough money, but Jerry's aggressive pressure on Julia prompts them to marry immediately. Jerry is not impressed and fires Julia.

    The film follows Philip's efforts to build his business as a broker for Jerry and Monty Dunn (Charles Ruggles), one of Jerry's friends. Things have appeared well on the surface for a year, but Philip is encountering serious financial trouble. Jerry re-enters their lives, which ends in a highly conflicted climax.

    "Honor Among Lovers" is early filmmaking by Dorothy Arzner, the only woman who directed sound films in those years. By modern standards, it's unpolished, but Colbert and March make the best of a thin story. The studio cinematography features long shots, and the pacing is quite pedestrian. It's interesting, mainly as a period piece.
    71930s_Time_Machine

    Like a good soap? You'll love this.

    You might think that one of those early 1930s 'women's films' about a girl who marries the wrong man is not for you? Don't think that - this is brilliant! OK, essentially it is just a trashy soap but it's fantastic - honestly!

    So why would a Cagney fan watch this? It's made for women, it's written by a woman, directed by a woman and staring THE woman of the 1930s. This isn't the usual type of movie I'd consider watching but because I'm weirdly infatuated with Claudette Colbert I gave it a go. So glad I did! It might be because I wasn't expecting much but I found this absolutely enthralling.

    For a film made in 1931, it's extraordinarily well made and the acting is outstanding. We've got none of that theatrical, silent movie type over-gesturing or gazing wistfully into the camera which plagued many early 1930s pictures - this has naturalistic acting and realistic, believable real characters.

    The story is nothing original - a pretty girl, chased by two men marries the wrong one. It's not however a sickly sweet romantic melodrama (like one of those mushy Kay Francis films), no, this works so well because its two leads are so utterly real and likeable. You become totally engaged with the romantic dilemmas and emotional traumas of Colbert and March. They're both so natural and real, avoiding the usual clichéd stereotypes.

    Claudette Colbert is dazzling, her perfectly well developed character is flirty and bubbly but also sensible and intelligent. Fredric March, playing a millionaire isn't the usual over entitled cad, he's charming and suave but he's also sensitive and a genuinely really nice guy. Dorothy Arzner's supporting cast also give refreshingly proper performances as well portraying real people: Charlie Ruggles plays his usual inebriated friend and Ginger Rogers, still in her 'Betty Boop' phase is fun.

    This has a much more modern feel to it than a lot of early 30s films whilst still retaining that naive charm of the era. It's 100% entertaining.
    6gbill-74877

    Colbert shines, but it's a film that's hard to like

    "I've been taking care of myself. Trying to recapture my lost youth. Exercise, you know? Seven beautiful thoughts before breakfast, bursting into song at unexpected moments. I'm a changed man."

    Claudette Colbert is absolutely gorgeous and she plays her scenes of emotional conflict well, but the story has too many unpleasant aspects to truly like this film. Frederic March is an alpha businessman carrying on with a lot of women with no intentions of marrying (he calls the institution "bunk"). He puts the moves on his secretary (Colbert) and when she resists, he goes off to screw someone else for hours, missing an entire football game in the process. He can't stop thinking about his secretary, however, so Monday morning he says he'll marry her if it means that much to her, but when she informs him that she just got married (to a stock broker played by Monroe Owsley), he fires her on the spot despite her stellar performance in the office. And this, naturally, is ultimately going go to be the protagonist, helped along by his impossible-to-believe transformation and an all-too-convenient implosion from the stock broker.

    Had it gone in a different direction at a few moments in the story, including late when a somewhat surprising event occurs, it could have been brilliant, but the film plays it safe, and didn't really feel pre-Code. The virtuous woman never gives in to premarital sex, the womanizing alpha male should have been her choice all along because he's successful and can be trusted to do the right thing (ha!), and divorce is justified by an avalanche of reprehensible things the husband does. These are cartoon characters. On top of it, the small part of a dimwitted woman (Ginger Rogers, argh) is spoken to like a child each time she's on the screen. But hey, it's worth seeing for Colbert.
    6st-shot

    Honor deserves little mention.

    Julia Taylor (Claudette Colbert) is a crackerjack Girl Friday for focused businessman Jerry Stafford ( a mustachioed Fredric March) who is impressed by more than her efficient and invaluable assistance to him. When she informs him she is to marry another he has to fire her due to his romantic feelings regarding her. Reluctant to make his romantic intentions known, she commits to a reckless financier (Monroe Owsley in a typical unctuous turn), a smug adulterer who eventually goes bust. To save him she offers herself to the ever noble Stafford who responds by bailing him out no strings attached.

    Colbert and March always paired well together and in "Honor" they do so again but Dorothy Arzner's direction lacks passion as the couple find their way into each other's arms eventually in what is mostly a dull affair that relies on more reason than raciness.
    5richardchatten

    Craig's Wife

    Easily the least of the early Dorothy Arzner's I have so far seen, 'Honor Among Lovers' doesn't begin to deliver the saucy preCode frolics promised by the title, and the presence early on of a pert young Ginger Rogers raises expectations soon dashed.

    Claudette Colbert gets top billing but bears little resemblance to the sleek screen goddess she would soon become. Typically of Ms Arzner the men are a sorry lot - Monroe Owsley in particular being an absolutely charmless creep as Claudette's lawful wedded (heaven knows what she ever saw in him in the first place) - while Fredric March - who sports a distracting moustache - despite playing a hot shot investment broker shows far more interest in courting the married Colbert than in his job.

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    Centres d’intérêt connexes

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    Drame
    Ingrid Bergman and Humphrey Bogart in Casablanca (1942)
    Romance

    Histoire

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    Le saviez-vous

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    • Anecdotes
      Final film of Avonne Taylor.
    • Connexions
      Version of Paid in Full (1914)

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    Détails

    Modifier
    • Date de sortie
      • 21 mars 1931 (États-Unis)
    • Pays d’origine
      • États-Unis
    • Langue
      • Anglais
    • Aussi connu sous le nom de
      • Another Man's Wife
    • Lieux de tournage
      • Kaufman Astoria Studios - 3412 36th Street, Astoria, Queens, New York City, New York, États-Unis(Studio)
    • Société de production
      • Paramount Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 15min(75 min)
    • Couleur
      • Black and White

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