Ajouter une intrigue dans votre langueBritish Army Captain Geoff Roberts carries on an affair with Alva, the wife of the cruel Victor Sangrito. Sangrito, however, is well aware of the affair, as he uses his beautiful wife to lur... Tout lireBritish Army Captain Geoff Roberts carries on an affair with Alva, the wife of the cruel Victor Sangrito. Sangrito, however, is well aware of the affair, as he uses his beautiful wife to lure men into romance with her, then blackmailing them to save their careers. When Roberts fa... Tout lireBritish Army Captain Geoff Roberts carries on an affair with Alva, the wife of the cruel Victor Sangrito. Sangrito, however, is well aware of the affair, as he uses his beautiful wife to lure men into romance with her, then blackmailing them to save their careers. When Roberts falls into Sangrito's trap, he pays the blackmail and leaves for India, hoping to forget Alv... Tout lire
- Réalisation
- Scénario
- Casting principal
- General Thomas Armstrong
- (as Frederic Kerr)
- French Maid
- (non crédité)
- Non-com
- (non crédité)
- Party Guest
- (non crédité)
- Bertha - English Barmaid
- (non crédité)
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Nobody made being evil look as much fun as Stroheim. Von plays the scheming evil husband of Damita who blackmails her lover, Menjou, to do what i can't remember (even though i just watched it - which perhaps says something about the significance of the plot). Von gives this material the seriousness it deserves (not much), which ironically results in his saving the picture. He plays the husband as a broad comedy character, replete with evil laughter. I noticed him almost choking on some of the dialogue its so ridiculous, but there was also some really great fun dialogue in his scenes, which i can't really remember either, except this:
Menjou: Blackmail! Stroheim: Blackmail is such an... ugly word...
Stroheim (explaining why he's just read a love letter addressed to his wife from another man): I am a romantic. I enjoy reading other people's letters, doesn't everybody?
After the first scene when Menjou and Damita are alone together you've totally written the whole movie off as being able to be taken seriously - but when Von Stroheim appears as the malicious husband, which he plays with flair and humour, all of a sudden you feel this wonderfully trashy facade of a film is actually quite fun. And it is - mainly only Von's scenes and those that comedian Hugh Herbert, playing Menjou's servant, are in.
Little-known actress Lili Damita plays the woman every man in this picture is fighting over - and for once, i can understand all the fuss! She's absolutely radiant, really sexy. One of the most beautiful people i've ever seen. She has a racy shower scene where the side of her breast can be seen (i'm not kidding) and a scene where she's getting dressed. These are the luxuries afforded by a pre-code film (1930-1934 i think).
The down side to movies from this period is the cardboard-sets, talk-instead-of-cinema nature of them. Aside from the wonderful films of Lubitsch and anything Carole Lombard is in (and Riefenstahl's The Blue Light, perhaps), films from this period are quite poor. They've thrown away everything that was good about silent pictures, and haven't yet learned how to incorporate dialogue well, so what we have are filmed and edited stage plays.
Watch out for Lawrence Olivier at 24, in his third ever film, who's so slender, high-voiced and camp he's almost feline. This is not a significant film for anyone involved - the only reason it is notable is probably Olivier (if he's your cup of tea), being one of his first movies and probably his first major role.
Adolphe Menjou and Larry Olivier are two of these men, who happen to be friends. Man-of-the-world Menjou does very well with his role of Captain Richards and a very young and dashing Laurence Olivier, is good as well as the more "naive" guy.
Von Stroheim's short moments on the screen are excellent, because he can portray at very close perfection, that sort of middle european aristocratic decadence. Kudos too, for Hugh Herbert's sympathetic performance as Menjou's valet.
Miss Damita (later to be Mrs. Errol Flynn) has poise but lacks acting talent, but is anyway alluring as the tempting lady.
If you like pre-codes, watch it.
This well-acted piece of fluff makes no attempt at serious entertainment but manages to engage the viewer nonetheless, mainly because of its unique cast.
Lily Damita plays the sultry vamp who has no difficulty in enticing every man she meets. She is the female star of the picture, but her character is completely detestable. It says nothing positive about the moral discernment or intelligence level of the lead male players in the film that they are so completely seduced, for a time.
Adolphe Menjou and Laurence Olivier play the two British officers, firm friends, who both fall into Damita's web. Making no pretense at behaving British, Menjou plays the debonair captain who must decide between carnality & comradeship. Olivier, who looks astonishingly young (he turned 24 in 1931) is bright & energetic, projecting shadows of the future Lord Olivier as he advises Menjou as to the proper cut of tailored lapels.
Whimsical Hugh Herbert puts his gentle humor to good use as Menjou's Scots valet. Acting as a sort of Greek Chorus to the proceedings around him, he easily steals most of his scenes. Erich von Stroheim, that Teutonic master of menace, dominates the screen with a cunning portrayal of Damita's vile husband. Like an uncoiled snake ready to strike, von Stroheim slithers about the screen, alert to deliver the maximum discomfort to his victims. As always, he is a joy to watch. Alas, that his role is so brief.
Frederick Kerr as a boisterous old general, and Blanche Frederici as his straitlaced titled sister provide a few moments of sparkle at the end of the film.
The action during the scenes set in India takes place entirely within the walls of a rather dull fort. The Studio, Radio Pictures, apparently were unwilling to spend an extra dime on ambiance.
A porcelain collector uses his younger wife to ensnare rich army officers, so that he can blackmail them. Two officers, serving in the British army in India, find out that they are both in love with this same woman. That is the plot in a nutshell. The saving feature of this film it to witness some pretty good acting performances. Apart from Hugh Herbert, whose Scottish accent slips like a postman in the snow and sounds about as authentic as the MacFarterchops tartan, the rest of the cast turn in some pretty good performances. Von Stroheim's performance is weird; but then again he is playing a weirdo. Menjou turns in a competent performance - as he always does. Olivier is subtle: you have to watch him carefully to fully appreciate what he does. The same can be said for Damita. Yes, it's great to have a sophisticated leading lady who doesn't mind getting her kit off; but watch her performance next to Olivier in the dining table scene. Further down the cast, the pair who play the general and his sister turn in good performances, too.
The performances of the cast rescue this film, which is of its time. It is watchable.
In a supporting role, Erich von Stroheim plays a central European porcelain collector who manipulates his wife into seducing British gentlemen so that he can later blackmail them. It seems a shame that he was not given a bigger part, because he has by far the most interesting character and he gives off the liveliest performance in the film, speaking slowly to toy with Adolphe Menjou, and moving about the place in such a cool, leisurely manner that one is constantly hanging on edge. Unbeknown to him, his plans go awry when it turns out that two of the men that his wife has seduced are old friends; this coincidence is obvious and too slowly played out, but the resulting initial resentment followed by acceptance that occurs between the two men is interesting to track.
The film looks like it may have been intended to be a satire, and the coincidences are sort of funny, however there's nothing comical as such about the film other than von Stroheim's appropriately domineering performance and the way that he talks - how he says "passion" with his accent comes out rather humorously. The film does not quite work as a satire, presenting more so things to think about then any definite message, and the transformations and motivations of Lili Damita's seductress character are never clear and seem a bit awkward. Damita herself is not exactly excellent in her role - she is visually striking, but never as charismatic as a femme fatale should be. The rest of the cast are generally fine, as is the overall production. It just falls a little short of being anything really special.
Le saviez-vous
- AnecdotesSackville Street is part of the Savile Row tailoring area in Mayfair in London. Many people are familiar with the idea of the high quality tailoring in Savile Row. "Savile Row", in terms of tailors, is traditionally regarded as including Savile Row itself and a few of the adjoining streets, such as Sackville Street.
- Citations
[first lines]
Captain Geoffrey 'Geoff' Roberts: I suppose you will hate me... now.
Mrs. Alva Sangrito: Hate you? I love you more than ever.
[He takes her hand as they gaze into each other's eyes]
- ConnexionsFeatured in Great Performances: Laurence Olivier: A Life (1983)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- The Sphinx Has Spoken
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 8 minutes
- Couleur