The Devil Plays

Writer Jameson Thomas comes into the room to find people standing over a body, discussing who had killed the victim. When he demands to know why they haven't called the police, the corpse stands up. They've being going over a scene in his latest murder novel.

Later, when a corpse does show up, they call the police. When Inspector Thomas Jackson appears in charge of a group of policemen, they don't discuss, they ask questions of the people and give nothing back. As they grow frustrated by all the witnesses who saw nothing and know nothing, Thomas begins to work the situation over in his mind.... and makes some suggestions to the rather contemptuous professionals.

Richard Thorpe certainly knew how to get a good movie out of a decent script and skilled players. It led him from Poverty Row oaters to directing epics for MGM, with some camera tricks to keep costs down. In this one, it's never quite clear when characters are performing, and when they're saying what they are actually thinking. If it seems slow at times, because Thorpe won't cut entrances to get to the meat of the scene I felt my usual impatience with the turgid pacing of Poverty Row shows... or was it a sense that opportunity was slipping away while characters thought? A little of both, I think.

This is a typical mansion murder or cozy mystery, with only four sets: the apartment where the murder takes place, the police captain's office, the low-rent hotel of a hard-bitten show girl and a tea room financed by shady money. I tuned in for the tea room, because collecting tea room memorabilia is one of my hobbies.

The set did not disappoint. It is the Universal "basement restaurant" set (seen in other movies as an Italian restaurant, etc.). Outfitted with a bevy of what seem to be Pretty Little Dutch Girl waitresses and laid out to resemble the Bohemian basement tea rooms of Sheridan Square and Greenwich Village in the 1910s to 1920s, mostly fading from view by the time this was filmed in 1931.

There were some nice deco touches in the show girl's hotel room set as well. .

That was about it. The acting was slow and halted, the actors' mannerisms stylized and stagey, and the plot was totally random.

The flick's a pre-Code detective story. Pretty clearly it's meant as nothing more than a 60-minute programmer, with a no-name cast, an indoor narrative, and a script that generates little suspense. It's a series of murders in a mansion with several high-class couples as suspects. However, the whodunnit never really ignites since the bland uninteresting characters come and go in haphazard fashion. The only spark is the comedy relief cop (Kelly) whose eye-rolling and Karloff-like mug attract some interest. I kept hoping the filming would go outdoors so maybe we could see some of those gas belching tin flivvers from that era. No such luck. But do catch the ladies' many cloche hats so popular during the fashionable 20's. At the same time, there's no real evidence of that uncensored pre-Code period, though the ladies do model some eye-catching apparel. Anyway, I gather the movie was lost for many years, but has since been found. It may not be a big boon for entertainment, but does catch the flavor of its time. So, here's to historical, if not artistic, completeness.

I usually love these old parlor mysteries but this one started with a thud that just got more boring as the film dragged on and on. To say the acting was stiff is an incredible understatement. Thomas E. Jackson played the Inspector with Lew Kelly providing "comic relief" that made you wish the killer would strike again and put us all out of their memory. The doctor, played by an uncredited George "Gabby" Hayes diagnosed that a decanter of water had been drugged by tasting it. The mystery writer/amateur detective ran rings around the cops as expected but was just as useless at solving the crime. The only crime here was the 63 minutes that was stolen from me (no wonder Hayes didn't want to be listed as being in this turkey). I never expect a masterpiece from a Chesterfield poverty row production but most of them at least have a coherent story. I wonder if the screenwriter decided who the killer was or they just drew lots for it 3/4 of the way through the film. There's a lot of movies better than this one. Don't waste your time.

Some movies aren't worth watching. This is one. There are too many vacuous characters and an insipid plot. The lines are delivered with a full second between speeches, as if they were waiting for the audience to absorb the silly dialogue. There is some humor and that's about all that makes it even slightly worthwhile. Don't bother.