Ajouter une intrigue dans votre langueAn executive hires a mousy, plain woman as his secretary so she will not divert him from his work, but she still becomes determined to win his heart.An executive hires a mousy, plain woman as his secretary so she will not divert him from his work, but she still becomes determined to win his heart.An executive hires a mousy, plain woman as his secretary so she will not divert him from his work, but she still becomes determined to win his heart.
- Réalisation
- Scénario
- Casting principal
Lilian Bond
- Girl at Bar
- (non crédité)
Yola d'Avril
- Girl in Bath Tub
- (non crédité)
Geraldine Dvorak
- Parisian Nightclub Dancer
- (non crédité)
Harry Holman
- Hotel Manager
- (non crédité)
Olaf Hytten
- Business Associate
- (non crédité)
Barbara Leonard
- Girl with Dog
- (non crédité)
August Tollaire
- Paris Hotel Guest in Hallway
- (non crédité)
Polly Walters
- Ludwig's Girl
- (non crédité)
Leo White
- Man in Elevator
- (non crédité)
Avis à la une
Beauty and the Boss was a delightful movie with some very subtle humor and frank interfacing between the competing beauties. The rapid dialog between the Count and his prospective secretary was a pleasure in wittiness and abstract humor. This movie promised a bright career.
Marian Marsh was a beautiful young lady, but what struck me was a resemblance to a later actress, Jane Powell when she was of that age. It was a shame the studios did not hold on to her for better roles but I guess it was the depression and they were interested in churning out low budget movies and constantly showing new faces. Ms. Marsh did show considerable talent, artistically before the cameras, at quite a young age. Considering her young age it seems the studios could have been more understanding when they did not pick up her contract while they were having disagreements over a bad performing movie.
Marian Marsh was a beautiful young lady, but what struck me was a resemblance to a later actress, Jane Powell when she was of that age. It was a shame the studios did not hold on to her for better roles but I guess it was the depression and they were interested in churning out low budget movies and constantly showing new faces. Ms. Marsh did show considerable talent, artistically before the cameras, at quite a young age. Considering her young age it seems the studios could have been more understanding when they did not pick up her contract while they were having disagreements over a bad performing movie.
One of the very first boss falls for secretary films, but fresh, original, and wonderfully acted and scripted. Warren William is young but just as dapper and sophisticated as in later roles. I have never seen the female lead -- secretary -- before, but she is very pretty and a good comedic actress. One of the best parts is the way she keeps turning the tables on WW as the boss, first with super efficiency and later by doing what he commands, literally. It is set in Europe at the height of the worldwide depression, and it shows how well some of the rich -- those who were lucky enough not to be heavily invested in the preceding stock market mania -- were living, while others struggled. Seeing how people lived then, some 70 years ago, is always interesting.
Clearly a pun on "Beauty and the Beast".... this early talkie is so under-rated. It's just before the Hays code started being enforced, and the clever banter gets quite saucy. Warren William (from the Lone Wolf films) is the all-business, hardworking company president, who has no time for the flirtations of his secretaries, first Mary Doran, then Marian Marsh. It turns into a kind of competition between the two girls, after a confrontation. Doran is "Ollie", who uses her wit, wiles, and low-cut dresses to try to lure in the Baron. Susie (Marsh) tries to take the high road at first, but sees how easy it is to make men swoon with Ollie's naughty girlie ways. Charles Butterworth is here as the office manager, and has all the best lines. That dry, sarcastic wit, which he brought from his vaudeville days, usually muttered under his breath. He was only 36 in this film, but wow, he always looked old as dirt. Frederick Kerr is the Baron's sidekick, but doesn't really add much to the story. It's fun being an observer, to see who will "win" the prize. Story by Hungarian Ladislas Fodor, and the foreign currency and other words creep into the conversation. Directed by Roy Del Ruth, who had been around since the early days of silents, and successfully moved into talkies. This one is a lot of fun. Doesn't seem to have been shown often on TCM, with only 300 votes. Warner packed a lot into 66 minutes, and it moves right along. Recommended ! Catch it if you can. Warner Brother archives HAS released this on DVD...
No big stars in this one but still a very entertaining little film. Marsh and Doran are two women who go after Warren William in very different ways. Butterworth is good in his usual comic relief role. A charming and fast-moving movie.
Warren William and Marian Marsh sparkle in this delicious Vitaphone production. Ms. Marsh handles the role of a dowdy but wise secretary with great aplomb, she's delightful! William (the star with two first names) is charming as the playboy baron with an amorous secretary on every phone line. Charles Butterworth adds to the fun with his usual hijinks. This one's a keeper!
Le saviez-vous
- AnecdotesThis film was based on a 1928 Hungarian play by Ladislas Fodor about a secretary who eventually marries her boss. The original play opened in Budapest, Hungary, on 2 December 1927. According to Variety, Paul Frank was a co-author of the Hungarian play.
- Gaffes(at around 41 mins) Ollie's black gown goes from being open and undone, (where her undergarments can be seen) to suddenly closed and fastened tightly.
- Citations
Reporter at Airport: How did you find the American women?
Ludwig Pfeffer Jr.: I took a taxi cab.
- ConnexionsRemade as The Church Mouse (1934)
- Bandes originalesVienna
Music by Leo F. Forbstein
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Fröken kyrkråtta
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 1h 6min(66 min)
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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