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Coeurs brûlés

Titre original : Morocco
  • 1930
  • Tous publics
  • 1h 32min
NOTE IMDb
7,0/10
8 k
MA NOTE
Gary Cooper and Marlene Dietrich in Coeurs brûlés (1930)
Regarder Trailer [OV]
Lire trailer2:22
1 Video
74 photos
DrameRomance

Une chanteuse de cabaret et un légionnaire tombent amoureux, mais leur relation est mise à l'épreuve par les infidélités de ce dernier et par l'apparition d'un homme riche qui s'entiche d'el... Tout lireUne chanteuse de cabaret et un légionnaire tombent amoureux, mais leur relation est mise à l'épreuve par les infidélités de ce dernier et par l'apparition d'un homme riche qui s'entiche d'elle.Une chanteuse de cabaret et un légionnaire tombent amoureux, mais leur relation est mise à l'épreuve par les infidélités de ce dernier et par l'apparition d'un homme riche qui s'entiche d'elle.

  • Réalisation
    • Josef von Sternberg
  • Scénario
    • Jules Furthman
    • Benno Vigny
  • Casting principal
    • Gary Cooper
    • Marlene Dietrich
    • Adolphe Menjou
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    7,0/10
    8 k
    MA NOTE
    • Réalisation
      • Josef von Sternberg
    • Scénario
      • Jules Furthman
      • Benno Vigny
    • Casting principal
      • Gary Cooper
      • Marlene Dietrich
      • Adolphe Menjou
    • 86avis d'utilisateurs
    • 58avis des critiques
  • Voir les informations de production sur IMDbPro
    • Nommé pour 4 Oscars
      • 5 victoires et 4 nominations au total

    Vidéos1

    Trailer [OV]
    Trailer 2:22
    Trailer [OV]

    Photos74

    Voir l'affiche
    Voir l'affiche
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    + 67
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    Rôles principaux31

    Modifier
    Gary Cooper
    Gary Cooper
    • Légionnaire Tom Brown
    Marlene Dietrich
    Marlene Dietrich
    • Mademoiselle Amy Jolly
    Adolphe Menjou
    Adolphe Menjou
    • Monsieur La Bessiere
    Ullrich Haupt
    Ullrich Haupt
    • Adjutant Caesar
    Eve Southern
    Eve Southern
    • Madame Caesar
    Francis McDonald
    Francis McDonald
    • A Sergeant
    Paul Porcasi
    Paul Porcasi
    • Lo Tinto
    Louise Ali
    • Minor Role
    • (non crédité)
    Fay Allen
    • Minor Role
    • (non crédité)
    Allegretti Anderson
    • Minor Role
    • (non crédité)
    Daisy Boone
    • Minor Role
    • (non crédité)
    Emile Chautard
    Emile Chautard
    • French General
    • (non crédité)
    Juliette Compton
    Juliette Compton
    • Anna Dolores
    • (non crédité)
    Albert Conti
    Albert Conti
    • Col. Quinnovieres
    • (non crédité)
    Hazel Cox
    • Minor Role
    • (non crédité)
    Edith Crain
    • Minor Role
    • (non crédité)
    Thomas A. Curran
    • Minor Role
    • (non crédité)
    Lucille Forby
    • Minor Role
    • (non crédité)
    • Réalisation
      • Josef von Sternberg
    • Scénario
      • Jules Furthman
      • Benno Vigny
    • Toute la distribution et toute l’équipe technique
    • Production, box office et plus encore chez IMDbPro

    Avis des utilisateurs86

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    Avis à la une

    8TheLittleSongbird

    Marlene Dietrich, Gary Cooper, Adolphe Menjou and Josef Von Sternberg in Morocco

    'Morocco' may not be the best of the seven Marlene Dietrich-Josef Von Sternberg collaborations, but there is so much to love and what is loved about their other collaborations is seen aplenty in 'Morocco' as well.

    Its weak link is the story, which does creak in the pacing at times, especially in the more uneventful stretches, and it is also threadbare thin and clichéd. Occasionally it is a little stagy in the dialogue too.

    However, Dietrich makes her character a real person, her toughness hard-hitting, her risqué-ness sensual and her vulnerability deeply touching. Cooper has rarely looked so young and is incredibly handsome, while his acting was stronger in later years he is still likable and at ease. Menjou is wonderfully dapper. Sternberg directs sumptuously and with adroit atmosphere, of which 'Morocco' is rich in.

    There are many memorable scenes, including Dietrich's ornate and deliciously outrageous first appearance, one of the most erotic nightclub scenes on film, a wonderfully romantic love scene and one of the most unforgettably hot kisses in cinematic history.

    Visually, 'Morocco' looks great, especially in the luminous lighting and ravishingly atmospheric cinematography. The music is very catchy with some parts ahead of their time. Most of the script is clever and sophisticated and there is still a huge amount to keep one engrossed despite the unexceptional story.

    In summary, very good and rich in atmosphere film that has a lot that is hard to forget in the long run. 8/10 Bethany Cox
    8noilie

    Luminous

    My favourite Sternberg-Dietrich vehicle will always be "The Scarlet Empress", but all their films are worth more than a cursory glance. They're, to my mind, the most interesting thing to come out of the early thirties (and, although dated, far less so than more recognized classics of the era because of their unadulterated FUN).

    Sternberg made art department COUNTRIES for Dietrich to languish in, true in all their Hollywood films, and still dazzling today. Plot, narrative are shaky, sometimes almost nonexistent, allowing for spectacle to take over, and what a spectacle it all is! Dietrich is probably one of the most macabre, knowingly lewd feminine manifestations ever to grace the silver screen (well, at least Sternberg was knowing, Dietrich herself....?). Highly recommended.
    9Maciste_Brother

    Stunning Ending

    MOROCCO is first and foremost an atmospheric film. Anyone who looks for more didn't understand what Josef von Sternberg created here. It's pure atmosphere. A reverie. The film is at times creaky but it's understandable because it was made over 70 years ago! There are several stand-out scenes in MOROCCO, including the famous kiss scene and the one when Marlene breaks a pearl necklace but what makes this Sternberg film so memorable is the stunning ending. Suddenly, the creaky film looks positively contemporary. Are we really in 1930s and not the wild 1970s?!?! The brilliant ending MAKES the movie. Without it, it would probably have been an enjoyably moody but average 1930s flick. With it, MOROCCO becomes a timeless classic. It's probably the most stunning ending ever made, with so many layers of meaning with that one prolonged static shot. It's visually brilliant and sexy on so many levels.
    7SimonJack

    Dietrich's Hollywood debut with Cooper in the Foreign Legion

    "Talkies" had been around just a couple years when Paramount made "Morocco," but watching this film one might think it was a late silent movie. That's because of the dialog - or paucity of it. "Morocco" is a film with few lines and even fewer words in those few lines. But then, the two leads in this early desert flick never were known for their verbosity or lengthy lines of dialog. Gary Cooper and Marlene Dietrich both grew up in the silent era, and had many films under their belts by 1930. And, both of their careers were noted for roles with little dialog. As very good actors, their expressions and movements spoke a lot.

    This is a good movie that gives a feel for the desert, a foreign legion setting, and life in colonial Africa. The time is during the Rif war of 1911-27, between Spain with France as an ally, and Berber tribes from the Rif (mountainous) region of Morocco. The film is based on German novel, "Amy Jolly, the Woman from Marrakesh," by Benno Vigny. Dietrich plays Mademoiselle Jolly, who is a cabaret singer. She is the woman of a love triangle that includes Cooper. Cooper is in a sultry role as Legionnaire Tom Brown.

    Cooper was 29 and Dietrich 28 when this film was made. Both got their starts in silent films - Cooper in the U.S. and Dietrich in Germany. Cooper had been in some 50 movies before this and Dietrich had been discovered in Berlin. This was her Hollywood debut.

    This is a good early look in sound films of two great stars of the silver screen. Jolly performs a couple of numbers that are risqué.
    9Artemis-9

    You'll fall for her...

    Either if you're a man or a woman, you'll fall for Amy Jolly, that would be read 'amie jollie' = beautiful friend, in French speaking Morocco. Marlene Dietrich not exactly at her best, but very sexy, playing gracefully from a man-eater 'Carmen' (plenty of suggestions linking both characters) to a female sutler, following 'her man' into the desert. First, on high heels shoes, than taking her shoes off, and going on naked feet, along with a handful of native women, and donkeys, and she-goats. One tends to forget the great director (von Sternberg) behind this great woman-star, and that's unjust. The script may have been good, but it would not develop onto this smooth running 90 minutes of relative inaction (for 21st century standards), but for the cleverly devised sequences, photography, and dialogues.

    I'm so glad I finally saw this movie yesterday on the big screen, at a special session. Those who can't afford this luxury, certainly can afford renting, nay, buying this video?

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      Features legendary actress Marlene Dietrich's only Oscar-nominated performance.
    • Gaffes
      The ship's officer refers to Amy Jolly as a 'vaudeville actress'. This is an American term, unlikely to be used by a European sailor.

      "Vaudeville actress" might be a term unknown by novice European sailors, but this particular officer states that they "carry them every day" and they "call them suicide passengers". A sailor this experienced certainly would know and use the term.
    • Citations

      Amy Jolly: Every time a man has helped me, there has been a price. What's yours?

      La Bessiere: My price? A smile.

      Amy Jolly: I haven't got much more.

    • Connexions
      Featured in Enamorada (1946)
    • Bandes originales
      Quand l'Amour Meurt
      Music by Octave Crémieux

      Lyrics by Georges Millandy

      Performed by Marlene Dietrich

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    FAQ

    • How long is Morocco?Alimenté par Alexa

    Détails

    Modifier
    • Date de sortie
      • 2 janvier 1931 (France)
    • Pays d’origine
      • États-Unis
    • Langues
      • Anglais
      • Français
      • Espagnol
      • Arabe
      • Italien
    • Aussi connu sous le nom de
      • Morocco
    • Lieux de tournage
      • Guadalupe-Nipomo Dunes, Californie, États-Unis
    • Société de production
      • Paramount Pictures
    • Voir plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Montant brut mondial
      • 191 $US
    Voir les infos détaillées du box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 32 minutes
    • Couleur
      • Black and White

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