The Pay-Off

On an early morning in New York City, school-boyish 20-year-old William Janney (as Thomas "Tommy" Brown) and his mature-looking 18-year-old girlfriend Marian Nixon (as Nancy Porter) wake up on a park bench. The cute couple are planning to get married on the $230 Mr. Janney has saved. Unfortunately, thieving Hugh Trevor (as Rocky) walks by and hears them talk about the money. He robs Janney. Later, the victims return the favor by finding Mr. Trevor and his gang. As it turns out, Janney works at the hotel where Trevor and his shady pals play cards. Janney's attempt to hold-up the gang fails, but gang leader Lowell Sherman (as Eugene "Gene" Fenmore) admires the effort. He takes a fatherly interest in Janney and could become even more interested in Ms. Nixon...

"The Pay-Off" is a film adaptation of the Broadway play "Crime" (1927), written by Samuel Shipman and John B. Hymer. The too common title was changed, appropriately. Also changed was the name of the young teenager debuting on Broadway; future film actress Sylvia Sidney's character "Annabelle" becoming "Nancy". The film has a very stagy look, and the writers' names in the Internet Broadway Database's search engine will reveal the origin. As such, it's a good effort, also directed by Mr. Sherman. The former "silent" movie villain serves himself well as star and director. Age on stage matters less; here, Gimbels worker Nixon seems too girlish and Janney is not far behind. As Sherman's understanding servant and friend, authentic character actor George F. Marion helps.

***** The Pay-Off (10/15/30) Lowell Sherman ~ Lowell Sherman, William Janney, Marian Nixon, Hugh Trevor

Another Alpha Video $4.99 DVD bringing a forgotten pre-WWII second (or third?) matinee feature to the DVD player.

A young couple sits in a faux Central Park late at night contemplating their marriage the next day. Fortunately the lad has saved $260 towards their life together. But a real nasty bad guy overhears them and holds them up taking every dime.

But...the almost groom recognizes the creep as a guy who hangs out in the building where he's a super's schlepper (that's NYC talk). So he and fiancee attempt to regain the money by armed robbery and blow it. They're captured by the gang.

The gang, which does high values burglaries and robberies, is headed by a suave guy, Gene Foreman, played actually with some insight by Lowell Sherman who was at the tail end of his acting career. Perhaps he knew that: he seems genuinely sad throughout the film.

Foreman eschews violence-he's a dapper dan in tails who gets leads to promising heists through wining and dining the rich. Foreman sort of adopts the young couple and the girl really likes him. Her boyfriend worries about losing this gem who intones "squeeze me" whenever she's scared, needs affectionate reassurance or both.

The really nasty dude, Rocky, is murdered and the couple are the suspects. Foreman magnificently rises to the occasion, his acting transcending the limitations of predictable plot, sets less realistic than those on "The Honeymooners" and a supporting cast of deservedly unknowns.

Fun flick from the past.

5/10

Stagy and a little disappointing but an interesting story, and the film boasts Lowell Sherman--a very underrated actor/director. A film star for 20 years, he is forgotten now, but his great talkie success, What Price Hollywood, is still considered one of the best 30s films.

In The Pay-Off, Sherman plays a gentlemanly gangster who gets involved with a young couple of innocents--William Janney and Marian Nixon--who get involved in his crime ring when they get mugged my a "butcher" played by hunky Hugh Trevor. While the premise is interesting, the film is not too well done and it talks itself to death.

The ending is no big surprise, but Lowell Sherman remains one of the great undiscovered acting talents of the early talkie period. Despite his make-up (very stagy) his acting is very natural and not at all the hammy early talkie style.

George Marion plays Mousy, Helene Millard is Dot, Robert McWade and Al Roscoe also co-star.

Hugh Trevor, who died a few years after this film, is best remembered for 2 comedies with Wheeler and Woolsey--The Cuckoos and Half Shot at Sunrise. He could have been a big star--tall and handsome--but he died on the operating table during a routine appendectomy.

Please ignore the CGI Generation Comments – because – if you love silent films and early talkies – you'll love this.

If this film does have a fault – it lies in the film's not being quite able to make up its mind whether to be one of those wonderful screwball comedies of the 30's – or – something a bit more serious.

Watching actors/actresses who had survived the transition to talking films is always fascinating to me – and – we had our share here – with – Lowell Sherman being both actor and director.

The plot is simple and straightforward – as it should be – without becoming overly melodramatic or silly. Had the direction moved in either direction toward a screwball comedy – or – a drama – (perhaps) – the film might have been a tad bit better – but – all-in-all – it did manage to strike a nice balance between the two.

Some wonderful actors – many forgotten names – many of whom died young.

Not the type of film that will tug at your heartstrings – but – an enjoyable film none-the-less.

Highly recommend for old film buffs.

Lowell Sherman was a very versatile man in the world of early film. He was successful in both silents and talkies. He could play a dastardly heel (Sanderson in Way Down East) as well as a good hearted man, as seen in this film. He could act, direct, or both, as he does in The Pay-Off. There were a few issues with the film, mainly due to it being from 1930 - the dialogue is sometimes fuzzy and tough to hear, and at some points, some of the actors overact, as was typical for an early talkie. Still, the film is very good for a 1930 talkie. Sherman's performance is magnificent, as his acting seems as natural as can be, as though he'd been making talkies for years. The film is just over an hour and moves at a quick pace to keep the viewer interested. There's a mix of older and younger actors in the film, and as a whole, the acting is pretty good. Overall the film is an 8/10 and definitely worth watching.