La dame à scandale

There were quite a few interest points regarding 'The High Road', or 'The Lady of Scandal' in other places. It was an early talkie, back when the transition from silents to talkies was still being made and in early days and back when talkies were very much in their infancy. It was directed by Sidney Franklin, director of great films such as the sublime 'Smilin Through' with Norma Shearer. It also starred Ruth Chatterton, who should be better known today, and the great Basil Rathbone.

Sadly, 'The High Road' could have been a lot better. There are certainly far worse talkies back in the very early period that the film was made, but also a lot better (for instance 'Applause' was an early sound film and was quite innovative on a technical level, and it was great) during this period. Chatterton and Rathbone actually come off quite well compared to everything else, though both did a lot better, but by Franklin standards in overall film and directing it was a near-misfire.

Chatterton has a very natural and charming presence, and while she clearly has fun she has poignant moments too. Rathbone gives one of his better early talkie performance, charming and authoritative, though he did go on to do better in 'Anna Karenina', 'The Adventures of Robin Hood' and his Sherlock Holmes films. Frederick Kerr is a scene stealer and gives the funniest performance.

It looks pretty good and doesn't look too primitive, the photography doesn't try to be too clever but it also doesn't feel claustrophobic. The musical scene is good, nice song and well staged. There are some amusing moments and some of the tender ones are touching.

However, too much of 'The High Road' doesn't work. Most of the supporting cast overplay, all the silent film mannerisms present but exaggerated to the maximum, and Ralph Forbes is pretty dull in his role. There is too little to the characters to get one to care for them. Franklin's direction is disappointingly leaden and there is just no vitality to it.

Likewise there is no vitality in the too talky, too flowery and very stilted script. That has comedy that too often is sorely lacking in wit and the moments intended to be tender tend to be too sentimental. The story never comes to life, staying throughout at a cripplingly dull pace, and the whole film feels very stagy and old-fashioned, even by 1930 standards.

Overall, watchable but a long way from great or even good. 5/10

Interesting drawing room comedy from Frederick Lonsdale (On Approval) casts Ruth Chatterton as a stage star engaged to dull Ralph Forbes. It's announced in the papers that they are to marry so he brings her home to meet the relatives who are outraged at having an actress invade their stuffy manor house.

Forbes' father (Herbert Bunston) decides that he will allow it if she quits the stage and stays engaged for 6 months. Three weeks later she cannot abide the oaf and has fallen for Basil Rathbone. She's also brought LIFE into the house in the forms of music, tennis, and "gullet washers" (cocktails).

Chatterton was a charming actress of early talkies and is best remembered as a silly wife in the wonderful Dodsworth. She's terrific here and opens and closes the film with a song-and-dance stage number. Rathbone is OK as the love interest. Others in the cast include Nance O'Neill, Effie Ellsler, Cyril Chadwick, Mackenzie Ward, the oddly named Moon Carroll, Edgar Norton (butler again), Robert Bolder as Chatterton's father, and Frederick Kerr, who steals the film as the old crab who discovers the joys of gullet washers.

The immense set is quite good as is the writing. As with most of Lonsdale's plays, there is a serious undertone. But Chatterton is always very good, and the rapport between Kerr and O'Neill is hilarious. Forbes may well have been the most boring actor in films.

Some amusing barbs at the British upper crust and it's always nice to spend time with Ms. Chatterton but too much of this movie suffers from the unintended irony of its being as stiff and dull as the people it's satirizing.

The Lady of Scandal (1930)

** (out of 4)

This early talkie features Ruth Chatterton playing Elsie Hilary, a British actress who is engaged to a man from a snobbish rich family. Everyone in the family objects to her "nature" except for Edward (Basil Rathbone) who finds himself falling for her. THE LADY OF SCANDAL remains somewhat watchable due to its fun leads but the sad reality is that this is just another early talkie with way too much talking. You know, I truly understand that in the early days of sound people wanted to hear people talk. I do wonder what they truly felt about these movies back then but when you view them today you pretty much just shake your head because of all the dialogue. I mean, to simply tell someone who want to go out and eat takes about ten pages of dialogue because everything just gets so drawn out. This non-stop talking is what really damages this film and keeps it from being more entertaining. What does keep the film at least watchable is the performance of Chatterton who comes across incredibly delightful. She comes out doing a chorus dance and singing a song, which was pretty funny and I liked the way she handled each of the family members who are against her. I've often been very critical of Rathbone's early work but I was shocked to see that he too was rather good here. The supporting cast of character do fine work as well with each of them fitting their roles. Of course, even with all the dialogue the writers weren't able to come up with a way to keep the viewers on the edge of their seats. There's never a bit of suspense as to what's going to happen and the ending is something you'll see coming from a mile away.

British playwright Frederick Lonsdale had many of his drawing room comedies transferred to the screen, and this is one of his best. Ralph Forbes is in love with Ruth Chatterton, a British star actress, and forces the issue of marriage by announcing their engagement in the newspapers. He is the son of staid Lord Crayle (Herbert Bunston), who gathers the family together at his estate to try to determine what to do about it. They consider offering her a sum of £5000 to deny it when Forbes brings her to the meeting. Except for Basil Rathbone, the family is dead set against the marriage and think Chatterton too low in society. In a funny twist, her father, Robert Bolder, arrives to object to the marriage too. He thinks Chatterton is a genius at providing entertainment for the masses, and doesn't want her marrying beneath her station. He suggests they approve the engagement providing the marriage is delayed for six months, by which time Forbes should be totally bored with her. They agree and so does Forbes and Chatterton. She stays at the estate and brings about a transformation in the most reserved members. It was fun to watch Herbert Bunston do a solo modern dance to the tune of "Lulu Comes Home." And Frederick Kerr, who normally doesn't drink, gets drunk as he extols the virtues of the "gulley washers" Chatterton introduces him to. Meanwhile, Rathbone and Chatterton fall in love, but she is also aware he has been carrying on a long-term affair with a married Parisian woman, who he had said earlier he would marry if he could. He promises to give up the woman, but things change as they hear on the radio that the husband of that woman has died. Now Chatterton feels that woman will always be between them, but Rathbone is adamant about giving her up. Chatterton puts through a call to her in Paris and hands the phone to Rathbone, who has some difficulty going through with his plan. And Forbes has some ideas about his life, too.