La divorcée

The scene where Norma Shearer begs Chester Morris to stay together in their marriage is truly riveting and powerful . It is one of the most truly amazing performances on film. I remember being so genuinely blown away by the beauty and power of that performance that I jumped out of my chair to grab the rental box positive she must have won an Oscar, she had. Very sexy movie, Robert Montgomery is smooth as always. I see some people found it hokey or contrived, I did not, The emotions covered here are as relevant today as in 1930. Attractive, complex characters. For the romantic in all of us, where decency and honor will prevail.

The Divorcée, set in 1930 New York, profiles a pair of party-making revelers amidst an entire circle of friends in high society. . .before and after they dare to turn their lives over to the institution of marriage, which in this world of around the clock carousing is a far cry from what is expected of them by their partying circle of friends. Norma Shearer, in what truly is one of the silver screen's great performances, plays the creatively witty and sweetly charming high society gal Jerry Martin. She can have any man in the group, but chooses Ted. They are married, and enter into an enduring period of romantic fairytale bliss (3 Years). Then, on the eve of their 3rd wedding anniversary everything unravels in a sea of infidelity, bitter honesty, and emotion. Norma Shearer's performance completely enraptures, and in an honest portrayal of ensuing emotional fallout, we see the inner struggles of the modern enlightened woman of her time. Robert Mongomery, in a supporting role, shines as well as the veritable proprietor of the circle of friends and one of the reveling agents of promiscuous redress. The film's direction is interesting, the makeup slightly absurd (it is 1930), and the cinematography non-existent. . .yet Ms Shearer's riveting abilities entrance the audience, and more than carry the day.

An intelligent, adult comedy-drama about men, women, marriage, double standards, and forgiveness. Thanks to the writing (often sophisticated), the direction (quite accomplished for a 1930 movie) and a first-rate cast, these characters, their feelings, their problems remain contemporary and relatable nearly 90 years later. *** out of 4.

Not only did Norma Shearer win an Academy Award for her performance, but the film itself was nominated for best picture of that year. Not "politically correct" by today's standards, Shearer still is defiant when she learns that her husband has been untrue and fights the "double standard" of morality codes between men and women.

This picture redeems Ms. Shearer's supposed reliance on her husband Irving Thalberg's influence to get her and keep her in good roles. She emotes, she sparkles, she holds your attention throughout this picture and brings life to what might have been just another early talkie pot-boiler.

Some of the dialogue and sound are a little clumsy, probably due to lack of technique in the early talkie era. One can almost sense the hidden microphones on the set!

Conrad Nagel is great in this too.

Worth seeing at least once!