Les endiablées

This film was not box office poison as people flocked to the Theater to hear the "IT" girl talk for the first time. During filming of the feature to capture clara bows voice as she moved they straped the mic on a fishing pole creating the boom mic we know today. It is so interesting to see college girls in the 1920s its such a fascination maybe because Im college aged as the time im writing this review. Clara bows voice is not what you expect, i feel like people expected something cute, and squeeky kind of like jean Harlow. While this is a very early talkie you can see many actors including bow still act as if it were a silent picture.

In fact, on some levels it is a fascinating look at college girls at play at the end of the roaring twenties. The year is 1929 and the place is mythical Winston College, an all-girl school. Stella Ames (Clara Bow) is the most popular girl in school and life of the party, Helen Owens (Shirley O'Hara) is the smartest girl in school, and Faith Morgan (Marceline Day) is a trustee of sorts in the dorm where the girls live who is given to lecturing Stella and has a very stern outlook on life. All of the girls get along pretty well with the exception of one who seems to delight in snooping and gossiping - her antics enter heavily into the plot. The romance here is an unlikely one between young professor of anthropology Dr. Gilmore "Gil" (Fredric March) and party girl Stella. The relationship starts out antagonistically due to an incident a few months before Gil came to the college. A mishap in the sleeper car of a train had a sleepy Stella getting up in the middle of the night for a drink of water and returning to the wrong berth - Gil's, in fact. She's determined to get even with him for teasing her at the time, and is surprised when he doesn't seem to know she's alive.

The college stag dance with girls dancing with girls in which Stella and her two buddies enter the stag dance in a sort of conga line dressed in sequined bathing suits, raccoon skin coats, and high heels is truly an iconic moment in late 20's film. The story should hold your interest although there is nothing truly unique about it, and I thought that the acting and direction were quite good for an early talkie. Sure, Bow has a very noticeable New York accent, but it suits her in this and the other early talkie roles I've seen her in as it accentuates her brashness. Director Arzner keeps things moving by not letting a dead camera just hang there while actors endlessly speechify as is common in other films from this same year. As for the plot devices, there's a rowdy roadhouse, a near-attempted rape, a shooting, dorm fire-drills and head counts at embarrassing moments, and one of the girls falling asleep on the beach with a man at a party until 4AM and then losing the page of a letter in which she is writing about the incident. Wherever did that piece of paper go? I'd definitely recommend this to early talkie fans.

Clara Bow is the most popular student at this staid women's college where classroom lectures are somber affairs but the dorm rooms are filled with personal drama. When the girls are able to sneak off campus and hit a party, they have some good times but run into danger as well.

This semester, all the girls are in love with handsome new professor Fredric March. A cautious friendship develops between March and Bow, but he tells her she is wasting her potential with all this partying. Eventually, Clara has a chance to prove her true worth - but will he understand the sacrifice she is making?

The plot here is fairly stodgy and the production is definitely early talkie era. As a fantasy of university life it's not too convincing but still, it's kind of fun.

Clara Bow is very much the center of the picture and she gives a good performance as the young woman who seems shallow when the story begins but grows into someone more mature, thoughtful, and generous. It's not a dramatic masterpiece by any stretch but Bow's character at least shows some development.

Fredric March, on the other hand, scowls his way through the whole picture. Why are all these girls in love with him?

Overall, it's a bit slow moving but not without interest.

Paramount's first all-talking picture is nothing like you'd expect it to be. It's nothing like its title suggests either. If you've watched BABYLON, with Margot Robbie you might be expecting to see a badly acted, technically inept disaster but this actually a pretty decent movie. This massive hit of 1929 is still a hell of a lot better than a lot of films made one or two years afterwards!

The studio picked their biggest star, Clara Bow to draw in the crowds but this isn't just Miss Bow frolicking around in her underwear - well there is some of that but I was amazed to discover that this was a mature, thoughtful and thoroughly entertaining picture. Made by Hollywood's premiere (ok, only) female director, it's also got a strong feminist undercurrent which is absolutely not something you'd expect in 1929! The famous scene when Clara and her friends nearly get raped "because" they were dressed provocatively in a lot of films from the thirties (not just the thirties) would have been a misogynistic morality tale: "well look at them, they were asking for it." was the pervading attitude back then. Drunk middle-aged men groping girls was often depicted as being perfectly acceptable behaviour but in Miss Arzner's refreshingly progressive picture it's not, definitely not seen as acceptable.

Her direction is innovative and dynamic: it's as removed from being static and stage-bound as you can possibly imagine, it's even got a score (which wasn't normal until years later). The acting is still a little theatrical but as the film progresses, you can really see them, especially Clara Bow figuring out how to come across more naturally.

You watch some really old films simply out of interest, like museum curios. Some people might just want to see what Clara Bow was like (watch the superb CALL HER SAVAGE if you do...or better still, an Alice White film - the real 'it girl' of the twenties!) but this is so much more than something to tick off your list. You can watch this as a real piece of genuine entertainment. It's not quite one of those few classics of 1929 but it's still one of the best. It gives you a lovely sense of the age with an intelligent, enjoyable and surprisingly thought provoking script.

Actress Clara Bow, so confident and frolicking in her silent films, looked upon talkies with trepidation. With no stage experience, Bow relied on her visual spunkiness to mesmerize the public. The Brooklyn born and raised actress felt her accent and a slight stammer had the potential of slamming her film career shut when she was placed before a recording device. One of Hollywood's top female silent movie stars faced an uncertain future when she appeared in a Paramount Pictures' early talkie, April 1929 "The Wild Party."

Dorothy Arzner was given the director's assignment to handle the skittish Bow. After her successful directorial debut in March 1927's 'Women of Fashion,' Arzner directed three more silents before Paramount offered her the "The Wild Party." When Bow heard herself on playback after she was given a brief screen test talking into a microphone, the actress said, "How can I be in pictures with a voice like that?" Assured she was fine, Bow was handed an 100-page script she had to memorize within two weeks before filming. On the set, the opening days were difficult for her. Today's viewers can readily witness her lack of confidence and uneasiness in the new medium. She immediately hated talkies. "They're stiff and limiting," Bow remarked. "You lose a lot of your cuteness, because there's no chance for action, and action is the most important thing to me."

She found herself on the sound stage more conscious about where the microphone was than delivering her lines. Arzner came up with the idea of suspending the microphone on the end of a fishing rod (one of many reports crediting a number of people, including Lionel Barrymore, of innovating the first boom mic) and having it follow her. The results were better, but the actress occasionally looked up to spot the mic. "We had quite a time in the beginning," Arzner remembered, "because to be aware of the pantomime which she was accustomed to, then have words to remember, was very difficult for her."

Playing opposite Bow was actor Frederic March, in only his second credited feature film. A banker turned actor, he first appeared on the Broadway stage, then turned to Hollywood in the late 1920s. In the film, he's a professor at an all-women's college who falls for Bow, even though her behavior is opposite of his. She's equally attracted to him, but several adventures occur placing roadblocks in their relationship. March ended up as one of cinema's most respected actors, nominated by the Academy five times for Best Actor, earning two wins.

Paramount premiered "The Wild Party" with a special public appearance by Bow at the 4,200 seat Brooklyn Paramount Theatre. Ever a comic, she said in a short speech before the movie played, speaking in her heavy New York City accent, "I hope youse all prouda me." Variety didn't see anything particularly wrong with her voice, stating "it was good enough to survive the transition to sound." But another critic lambasted her, describing her voice possessing a "harsh tonal quality that is not very easy on sensitive eardrums." Her talking debut, however, was a financial success as the public continued to envelop her engaging personality.