Ajouter une intrigue dans votre langueThe activities of Nubi (Myrna Loy), a minx-like, Hungarian gypsy girl who, while on the run from her abusive husband, takes shelter in a farmhouse, where she seduces and holds in thrall all ... Tout lireThe activities of Nubi (Myrna Loy), a minx-like, Hungarian gypsy girl who, while on the run from her abusive husband, takes shelter in a farmhouse, where she seduces and holds in thrall all the male members of the family.The activities of Nubi (Myrna Loy), a minx-like, Hungarian gypsy girl who, while on the run from her abusive husband, takes shelter in a farmhouse, where she seduces and holds in thrall all the male members of the family.
- Réalisation
- Scénario
- Casting principal
Frankie Genardi
- Boy
- (non crédité)
Seymour Kupper
- Boy
- (non crédité)
Loretta Lowell
- Young Gypsy Girl
- (non crédité)
Avis à la une
This movie was made in 1929, just a couple years since "talkies" started. And it shows. Myrna Loy was good as the bad gypsy, Nubi. Myrna, a girl from Montana, was typed cast in her early films as exotic women - gypsies, Asian women, women of mystery. I have been a fan of hers since I saw "Manhattan Melodrama" and "The Thin Man". But although this is a cute movie, she could not even save it. The rest of the cast seem not to know how to act natural. It seems they just read their lines. They all are so wooden. Maybe they were still use to not having to express their feelings other than by facial, as most silent films did, they did not know how to do it with words. Loretta Young and Zazu Pitts is also in this and I am glad to say they did improve with later movies. Loretta Young became a fine actress. It is worth the watch just to see a very young Myrna, Loretta and Zasu.
This movie has many things going against it. Among these are staginess, heavy-handed acting, a hackneyed "femme fatale" plot, and a stereotyped view of gypsies. And the story itself raises some questions. Would a family really keep a servant girl whose main duties seem to be turning off the lights at night, staying in her room, and seducing every male in sight? Did jewelry stores really stay open past midnight especially in early 20th century Hungary?
Yet from a cinematic history point of view, it is an interesting movie. It was one of the first starring features for then 23 year-old Myrna Loy who plays the gypsy girl and then 16 year-old Loretta Young who plays the neglected fiancee. It was also one of the first American efforts by director Alexander Korda, who would go on to later fame as a director and producer, and one of the twilight performances of silent screen star Alice Joyce.
The bottom line is: If you enjoy film history this might be worth watching, but if a good story and good acting are main concerns then take a pass on this one.
Yet from a cinematic history point of view, it is an interesting movie. It was one of the first starring features for then 23 year-old Myrna Loy who plays the gypsy girl and then 16 year-old Loretta Young who plays the neglected fiancee. It was also one of the first American efforts by director Alexander Korda, who would go on to later fame as a director and producer, and one of the twilight performances of silent screen star Alice Joyce.
The bottom line is: If you enjoy film history this might be worth watching, but if a good story and good acting are main concerns then take a pass on this one.
I only watched this film because it's an early film appearance by Myrna Loy, but it's a pretty embarrassing early appearance. Loy made this film before she got big and when she was frequently cast in "exotic" roles. Set in Hungary, Loy plays a gypsy girl who's taken in by a kind family after she's escaped from her abusive master. Loy then proceeds to seduce every man in the household and causes all sorts of upheaval. That story might have been fun if this film were and edgier of pre-code melodrama, but it's stagey and not all that compelling. There's a famous story about Algonquin Roundtable member Robert Benchley walking out on the theatrical play version of which this film is based upon. In the play, when Loy's character bursts into the kind family's household, she states "Me Nubi! Me good girl! Me stay here!" Benchley then supposedly got up and said, "Me Bobby. Me bad boy. Me go now." and left the theater. Still, despite the terrible script and ham-fisted direction, Loy is fun in her man-eater role and makes the film watchable. Loretta Young also appears in the film as part of the kindly family.
I watched this film mainly because of Myrna Loy and Loretta Young. Although the storyline is rather silly and the acting seems over-emotional and trivial today, the movie still has its very own charm. It might not be a milestone in film history, but it has its funny moments, mostly unintentional, simply from the way it has been made - such as the idea of rural Hungary in the 1920s with open jewel shops in the middle of the night.
But it is a true delight to watch Loretta Young and especially Myrna Loy in one of their early films. Myrna totally stole the show from the rest of the cast - even though her lines were as silly as the rest of the dialogue and her part of the gypsy girl is so stereotypical it seems sort of racist today. Still, she made the most out of it and kept me watching through the whole two hours runtime. I even felt kind of sorry that later on in her career she didn't play any sassy villains anymore.
Surprisingly well done was the music score, far better than the dialogue. Perhaps they had better made it a silent picture.
So if you watch this movie as one of the first talkies and don't focus on the storyline too much, you might still enjoy this old 'treasure'.
This is a tale of a prosperous Hungarian farming family that takes in a gypsy girl (Myrna Loy as Nubi) who says she has run away from her tribe and will be beaten by her gypsy husband if reclaimed. They hide her, take her into their home as a servant, and come to regret that decision.
Although directed by the renowned Alexander Korda, he did a poor job here, possibly not having veto power over the diction coaches in this very early talkie. This is Loretta Young's first talkie and it shows. She is very good at conveying emotion, but she probably is the most wooden member of the cast in speaking her lines. In her next surviving talkie, "Loose Ankles", she has improved tremendously. ZaSu Pitts is endearing, what little we get to see of her. As dizzy and well-meaning as ever as servant girl Lena, she is captivating even under all of those peasant petticoats.
After watching Nubi laze around the house not doing her work, seducing all the men of the house to the point she has the servant man singing a ballad to a bovine, and enticing the son in the house, Paul, to steal Lena's life savings to buy her an expensive necklace you've got to wonder - Why didn't they just throw the dame out? The parents had to have figured that Paul's allowance disappearing and Nubi practically slumping from all of that fancy jewelry she was suddenly wearing had to have some correlation.
I have seen some early talkies that are poorly paced, but this one should hold your interest, if only from the standpoint of watching the clean-up of a multi-vehicle accident from which you cannot turn away. There is one interesting rather precode line spoken by the father to the mother when talking about Nubi carrying on with Paul. The mother believes Paul has stopped paying attention to his fiancée because he is in love with Nubi. Dad is more insightful - "Paul is not interested in love, he's interested in sex!"
Recommended, if only to see how Loretta Young and Myrna Loy started out in talking pictures.
Although directed by the renowned Alexander Korda, he did a poor job here, possibly not having veto power over the diction coaches in this very early talkie. This is Loretta Young's first talkie and it shows. She is very good at conveying emotion, but she probably is the most wooden member of the cast in speaking her lines. In her next surviving talkie, "Loose Ankles", she has improved tremendously. ZaSu Pitts is endearing, what little we get to see of her. As dizzy and well-meaning as ever as servant girl Lena, she is captivating even under all of those peasant petticoats.
After watching Nubi laze around the house not doing her work, seducing all the men of the house to the point she has the servant man singing a ballad to a bovine, and enticing the son in the house, Paul, to steal Lena's life savings to buy her an expensive necklace you've got to wonder - Why didn't they just throw the dame out? The parents had to have figured that Paul's allowance disappearing and Nubi practically slumping from all of that fancy jewelry she was suddenly wearing had to have some correlation.
I have seen some early talkies that are poorly paced, but this one should hold your interest, if only from the standpoint of watching the clean-up of a multi-vehicle accident from which you cannot turn away. There is one interesting rather precode line spoken by the father to the mother when talking about Nubi carrying on with Paul. The mother believes Paul has stopped paying attention to his fiancée because he is in love with Nubi. Dad is more insightful - "Paul is not interested in love, he's interested in sex!"
Recommended, if only to see how Loretta Young and Myrna Loy started out in talking pictures.
Le saviez-vous
- AnecdotesLupe Velez was originally cast as Nubi.
- GaffesAlthough supposedly located in "Hungary," there is one scene with a row of tall palm trees in the background indicating a probable Southern California filming location.
- Versions alternativesFirst National also released this film as a silent version, with film length 2,159.51 m.
- ConnexionsFeatured in Myrna Loy: So Nice to Come Home to (1990)
- Bandes originalesGypsy Charmer
(1929) (uncredited)
Music by Harry Akst
Lyrics by Grant Clarke
Played during the opening credits and often in the score
Sung a cappella by Myrna Loy twice
Hummed by her and Richard Tucker
Meilleurs choix
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Détails
- Durée
- 1h 45min(105 min)
- Couleur
- Rapport de forme
- 1.33 : 1
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