Roman vécu

Just a lot of fun. For those of us that can't analyze movies. Must see.

Always enjoyed veteran actor Richard Dix and was very surprised to view this 1929 film, which tells the story about Dix leaving New York and going to a far away place in a very cold and lonely resort mansion. Dix accepted an offer of $5,000.00 if he could write a novel in this isolated place. He was given the only key and housekeepers were informed of his arrival and heated up the place for him. Dix sits at his typewriter and starts to work on his book which he has to complete in 24 hours in order to win the bet with his friend who owns the resort.

You will never be able to figure out just what happens and it is a real comedy as well as, a drama and a crime to be solved.

The first sound adaption of George M. Cohan's only non-musical work is this production from RKO that stars Richard Dix. There would be two more sound versions of this popular work.

Dix is a popular author of hack novels and he bets a friend $5000.00 that he can turn out a work in 24 hours with just some peace and quiet. He's assured that he's given the only key to the friend's summer resort in the dead of winter.

Of course t seems like every one and his brother has a key as fanciful tales are told as to why they are there. The place for peace and quiet turns into a regular convention.

This century old chestnut still has a lot of laughs courtesy of Mr. Cohan and original author Earl Derr Biggers. Dix has some comic moments and the well typed cast fully supports him.

This and the two subsequent sound versions hold up well.

As has been previously noted, SEVEN KEYS TO BALDPATE had a long history as novel, play and oft-filmed motion picture. The 1929 RKO production with Richard Dix is probably the closest you will find in replicating the stage perennial. Community theaters across the USA continue to insert BALDPATE into their season as it is a reliable crowd-pleaser. Dix is, well, Dix. He was seldom a good actor but he was always enthusiastic and energetic. Near the end of this picture he forgets he's doing a talkie and gestures beyond belief when describing the goings-on at Baldpate Inn. But we love him still. The rest of the cast is more than capable and, yes, the pacing is deliberate and stagy. BTW, for BALDPATE enthusiasts, be sure to check out the Lux Radio Theatre version of the play starring Jack Benny. In the meantime, next time this one comes around check it out. But remember, the movies had barely learned to talk so be forgiving...

Author William Magee (Richard Dix) is bet by a friend that he cannot write a complete novel in 24 hours. The bet is five thousand dollars, but Magee says he needs absolute quiet to complete the task. The friend thus arranges for Magee to spend from midnight to midnight at a remote summer inn in upstate New York called Baldpate. It is winter so the place is closed and abandoned except for the caretakers. Before he leaves for Baldpate, Magee sees a beautiful woman, meets her, and they arrange to eat breakfast together there when he returns from his task.

At Baldpate the wind whistles, the snow blows, and the place is silent as Magee works in his room upstairs. The caretakers have assured Magee that there is only one key to Baldpate and that he has it, thus he will not be disturbed. But then he hears a noise downstairs. It is a man talking on the phone to another man about hiding some bribery money in the safe there. It turns out the man has a key to Baldpate too. But he's not the last to arrive or have a key. Throughout the night strange characters arrive, most with nefarious motives. One who seemingly does not is the girl Magee met in New York that he arranged to have breakfast with. She shows up claiming to be a reporter, and she - in fact all of these people - have keys to Baldpate. What goes on here? Watch and find out.

What really impressed me about this film and caused it to rise above an amusing but non-essential of 6/10 was the natural style of acting by everyone involved. In a year - 1929 - when a big studio like MGM was still making silent films, the players here have the acting style of those in a screwball comedy of circa 1940. If not for the women parading around in the skullcaps and ostentatious fox skins typical of the 1920s, without knowing anything else I would have guessed it to have been made much later than it was. Ironically, director Reginald Barker had a long resume of directing silent films and did not do that many sound films, but this good effort was one of them. I'd recommend this, especially for fans of Richard Dix.