Alors que la police est sur leurs traces, Stan et Ollie tentent de se changer dans leur voiture, mais se retrouvent en équilibre sur les poutres d'un gratte-ciel inachevé. Reviendront-ils au... Tout lireAlors que la police est sur leurs traces, Stan et Ollie tentent de se changer dans leur voiture, mais se retrouvent en équilibre sur les poutres d'un gratte-ciel inachevé. Reviendront-ils au sol en un seul morceau ?Alors que la police est sur leurs traces, Stan et Ollie tentent de se changer dans leur voiture, mais se retrouvent en équilibre sur les poutres d'un gratte-ciel inachevé. Reviendront-ils au sol en un seul morceau ?
- Réalisation
- Scénario
- Casting principal
Avis à la une
This is the film from Laurel and Hardy's silent days where they escape from prison, end up wearing each other's trousers, and finally are in danger stranded on steel girders high above ground. This sequence is a particular delight and unusual for the pair as it is more in Buster Keaton or Harold Lloyd territory; here we see Stan and Ollie trying to get back to safety in a variety of amusing ways.
A very funny film which needs no dialogue and a minimum of title cards, 'Liberty' is probably their best effort before they went into sound. Sight gags, a range of funny situations, and perfect playing from the leads put this into a high class of comedy. Hugely enjoyable.
A very funny film which needs no dialogue and a minimum of title cards, 'Liberty' is probably their best effort before they went into sound. Sight gags, a range of funny situations, and perfect playing from the leads put this into a high class of comedy. Hugely enjoyable.
"Liberty" was one of Laurel and Hardy's last silent films, and clearly one of their best. Only two years into their long screen partnership, this talented duo had mastered silent comedy art by 1929, and, with this film, rendered a beautifully constructed, excellently paced, skillfully photographed short, packed throughout with incident and wit. Much credit should go to director Leo McCarey (who would later helm classics like "Duck Soup" and "Going My Way") and cameraman George Stevens (who would later direct "Woman of the Year", "Shane", and "Giant"). Part of the brilliance of this film is in the presentation of it's climax, atop an unfinished skyscraper. Yes, Laurel and Hardy were really scrambling around 10 stories over the streets of Culver City, California; but they were doing so on a wooden mock-up assembled on the roof of an already existing structure.
I know that they are an acquired taste. You either love them or hate them. Thankfully the Lord blessed me with the sense of humour that falls into the former not the later.
I LOVE Laurel and Hardy.
I do not think there will ever be a funnier duo in my lifetime. My father showed me them when I was a kid. I've loved them ever since.
Liberty is, in my opinion, the funniest ever Laurel and Hardy film made. It certainly isn't the most well known. There maybe a lot of people that don't like the golden age of the silent film. This film has it all (except sound!!!) If you get the chance to watch it grab the opportunity with both hands. The funniest sequence is when they are on the building site and a crab falls down one of their trousers.
If you enjoy this half as much as I did then you'll end up in hospital with stomach cramps from laughing too much.
They don't make them like this anymore (more the pity) Enjoy
I LOVE Laurel and Hardy.
I do not think there will ever be a funnier duo in my lifetime. My father showed me them when I was a kid. I've loved them ever since.
Liberty is, in my opinion, the funniest ever Laurel and Hardy film made. It certainly isn't the most well known. There maybe a lot of people that don't like the golden age of the silent film. This film has it all (except sound!!!) If you get the chance to watch it grab the opportunity with both hands. The funniest sequence is when they are on the building site and a crab falls down one of their trousers.
If you enjoy this half as much as I did then you'll end up in hospital with stomach cramps from laughing too much.
They don't make them like this anymore (more the pity) Enjoy
Laurel and Hardy escape from jail and end up wearing each other's trousers. The hilarious sequence of failed attempts to change back was intended for their previous film "We Faw Down" but was removed when that film proved too long. They finally manage to change trousers, first with Stan then Ollie having a live crab within the seat of the pants, and end up on a high building in real Harold Lloyd territory. Perhaps not as well paced as the best of Lloyd but still extremely funny. Up among the best of their silent two reelers.
Laurel and Hardy are on the run from the law in this very funny short that evolves around putting their pants on. With the police on their heels they are constantly interrupted in their attempts to get into civvies that takes them from the back of a taxi to the top of an unfinished LA skyscraper, stumbling and bumbling all the way.
For those unfamiliar with silent L&H this is a superb introduction to a team who excelled in both the sound and silent eras. Silence holds no barrier to the boys as they innocently convey luridness and let their slapstick speak for itself. Once up on the girders, comedy or not, moments of heart stopping gags take it to another level. One of their last and best silents.
For those unfamiliar with silent L&H this is a superb introduction to a team who excelled in both the sound and silent eras. Silence holds no barrier to the boys as they innocently convey luridness and let their slapstick speak for itself. Once up on the girders, comedy or not, moments of heart stopping gags take it to another level. One of their last and best silents.
Le saviez-vous
- AnecdotesIn an attempt to assure Stan Laurel that the safety platforms erected around the girder set were safe, Oliver Hardy leapt down from the wooden girders onto one. Unfortunately, they weren't safe. Hardy crashed right through the safety platform, fortunately falling only 20 feet into a safety net erected as a backup.
- GaffesStan's dialogue card "I wasn't nipping" seems to go on for an indeterminable length of time.
- Versions alternativesThe original print of this film is probably lost. The available version is a Film Classics reissue with credits replaced (and with one name misspelled). The quality of the images changes throughout the entire film because most of it is lifted from a Robert Youngson compilation.
- ConnexionsEdited into Laurel and Hardy's Laughing 20's (1965)
Meilleurs choix
Connectez-vous pour évaluer et suivre la liste de favoris afin de recevoir des recommandations personnalisées
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Criminals at Large
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée
- 20min
- Mixage
- Rapport de forme
- 1.33 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant