Adieu pour toujours

This is the book Barbara Stanwyck reads to the little boy in the movie. I actually had a copy of it. I only remember Sambo was black and there were a lot of pancakes.

The book was banned some time during my childhood for being racist. I just checked Amazon it's still out there - tons of different publications apparently somehow cleaned up.

I bring this up as a point of interest.

That out of the way, Always Goodbye stars Stanwyck, Herbert Marshall, Ian Hunter, and Lynn Bari.

Stanwyck plays a woman whose fiancé dies in an accident just as they are about to be married. She is pregnant at the time, and gives her child up.

Well, I don't have to tell you what happens.

Stanwick is lovely. Cesar Romero is annoying as a man who chases every woman he meets, and Lynn Bari is very uppity as the fiancé of the boy's adoptive father whose wife is deceased.

Stanwyck has played much stronger roles. I felt like this was a waste of her talent.

The child, Johnnie Russell, is still alive. He went into a he foreign service and at one point served as Ambassador to Oman.

Really enjoy Barbara Stanwyck and will watch any movie she's in. She can shore up even the most humdrum potboiler with her acting talent and make any picture better. Her mettle was tested in "Always Goodbye", a picture with nothing new to add to the romance genre, and she did the best she could. Alas, she was done in by a flat script and uninspired dialogue and despite an excellent support cast, featuring Herbert Marshall, Ian Hunter, Caesar Romero and Lynn Bari, among others. I'm not sure anything short of a rewrite could save this rehash of many other similarly themed pictures.

This picture was shown in error at Film Forum in NYC; The 1931 film with the same name was supposed to be shown but somehow this was substituted. Right now I would rather have seen the older one. Sight unseen, I'll bet it was better than this plodding trudge through the landscape.

Herbert Marshall (HM) is one of my all-time favorite male actors. Barbara Stanwyck (BS) is one of the grand ladies of the golden age of the movies. The dashing Romero overdoes it a bit praising the beauty of every woman he sees and declaring his love to her, but with a little humor you can also accept him, not least because he correctly senses that little Roddy is the real competition for BS's heart, and he is understandably impatient and willing to sideline the kid.

BS plays the field, getting all manner of attention and rich gifts, even a well paying job, but does not appear to go to bed with any of her many suitors - I guess in 1938 that would have not been permitted by the Hays Commission or society's prevailing moral code.

In steps the little boy that BS gave away for adoption at birth and he is just so syrupy that I would gladly spend another night changing my crying children's nappies rather than watch such an excessively cute infant (no wonder Jessica, played by Lynn Bari, wants to flick him off so she can go gold-digging!)

Yet, he holds the key to the Oedipus complex element in this film: BS ditches the man she admits she truly loves (Marshall) to marry Mr. Marshall (Ian Hunter), the fellow who adopted her son. Quite a quid pro quo, in psychiatric context you might say that she actually marries her own son!

You can only wonder how long it will take Mr. Marshall to work out that her heart and mind belong to little Roddy. Seeing BS's reluctance to be bedded by her many attractive suitors, I doubt Mr. Marshall took long to figure it at all - and a divorce would suit Margot (BS) to a T: she'd get her son and half of fabulously rich hubby's wealth to boot!

So you have the makings of a film noir with a happy open ending and a femme who might or not become fatale, but certainly is a mother to reckon with!

Honest opinion? Both HM and BS featured in far more interesting flicks than ALWAYS GOODBYE.

This movie is clearly one you must suspend all sense of disbelief in order to enjoy it. This isn't saying it's a bad film....I actually liked it. But it has a plot that certainly is far-fetched!

When the film begins, Margot (Barbara Stanwyck) is waiting for her fiancé to arrive at the marriage license bureau. However, as she's waiting he's killed in a traffic accident right in front of her!!! To make things worse, she's pregnant*! So you next see her about to kill herself when she is caught by Jim (Herbert Marshall) and he takes her under his wing and gets her back on her feet. He also helps her find a nice adoptive couple when her baby arrives months later. But although Jim is marvelous, he has a real wandering spirit and is sometimes gone for years on his sea travels.

In the meantime, while Jim is off on one of his voyages, Margot gets a job with a fashion studio and her life is really going well. In fact, soon a crazy Count, Gino (Caesar Romero), is chasing her and proposing marriage. He's a nice guy...just a bit full of himself.

Soon after, she sees an adorable kid in a hotel and realizes this boy is her biological son she gave up years ago! So, when she learns he's going on a cruise, she arranges to go on the same ship and soon the two become inseparable. But there is a huge problem-- the boy's mother has died and the woman his father (Ian Hunter) wants to marry is just awful and cares nothing for the boy....Margot's baby! So what's she to do and who is she to marry when THREE guys all pop the question?!

Thi is an enjoyable film mostly because although far-fetched, the acting is quite good and the story engaging. Well worth seeing, though it is one of Stanwyck's lesser-known films.

In Always Goodbye we see Stanwyck create a character that is softer than the more hard-bitten characters she will later become best known for, and she does a great job and is thoroughly enjoyable here. Unfortunately, the film and script (which may have even been dated back in 1938) doesn't hold up nearly as well. It seemed to go on for much longer than it's tidy 75 minutes run time would suggest. Cesar Romero plays a character that brings some pleasant levity to the proceedings but at the same time one can't help but feel that he lays it on just a little too thick. The rest of the supporting cast is fine but mostly forgettable.