Varsity Show

I don't usually rate films from this era as low as a 5, and I more often rate 21st century movies a 5 or lower. I am not saying all 21st century stuff is bad. Movies that have come out in the 21st century that I loved and thought were great included "Black swan", "Eternal sunshine of the spotless mind", "The pianist", "Girl with a dragon tattoo", "The Aviator", and "The curious case of Benjamin Buttons". I also thought the Harry Potter films were great.

Generally speaking though in my opinion, old times were better, in films and in real life. My list of great films I love from The Golden Age of Hollywood is pages long. I am not saying old times were perfect, nothing is. "Varsity show" was definitely not perfect. It was one of Busby's "slump films", which were three films he made during a bad spot during his life (the bad spot was Busby having accidentally killed someone in a car wreck and he was initially tried for murder). His three slump films were "Hollywood hotel", "Varsity show", and "Gold diggers Paris". Those three films lacked the magic of his usual wonder and had some characters in them which were more weird and stupid acting than what was in Busby's normal greatness.

The opening scenes I saw a familiar face in the late 1930s college crowd. A funny looking long toothed man who I had seen an older version of as a weird TV repair man in 1962 Twilight zone episode "Whats in the box". The man who voiced Whinny the pooh in the 1960s cartoon Whinny the pooh. He was about 19 here and was one of the students among others such as Johnnie Davis and pretty Rosemary Lane. Rosemary was pretty and nice, and was joined by Dick Powell who is been in almost every 1930s Busby Berkeley film. But Powell lost his touch a little here compared to his earlier stuff. "Gold diggers 37" was the first film where Powell wasn't as great as before (his first number of that film "speakin of the weather. Lighning flash!" did not have the same magic that his songs from "Gold diggers 33", "Gold diggers 35", "Dames", etc. had), although "Gold diggers 37" did have one wonderful song with the magic like in the previous films, which was the song at the party "Let's get our heads together" (even that song had one bad little spot that didn't fit with the magic of the rest of the song, and that was when two weird guys at the bar sung a line of the song in weird voices. That one tiny moment was unfortunately a preview of what was gonna happen a bit more during Busby's slump films which included "Varsity show"). "Lets get our heads together" in "Gold diggers 37" was the last wonderful piece of Busby magic until he bounced back again (due to his murder trials being acquitted) and made the wonderful Judy Garland films, starting with "Babes in arms" in 1939.

Powell here in "Varsity show" was eloped with Rosemary. She was cute and nice, but she wasn't as totally amazing and heavenly wonderful like Powell's earlier partners Ruby Keeler and Gloria Stewart. Ruby was an angel, especially "I only have eyes for you", "Like a waterfall", "Pettin in the park", etc., and Gloria was an angel in "Gold diggers 35's" "The words are in my heart".

"Varsity show" wasn't absolutely terrible. It was just a slump film which lacked the magic from Busby's better times, which fortunately was the higher percentage of his career. There one really miserable guy, who was a slump film style character. First, he yelled at all the kids to get out of the theater and then they just sat down and laughed. And then he got the police, but when they got there they just sat down and enjoyed the show. Then the miserable guy got the swat team, but they only joined the police to watch. Then he got the military armed forces, then the governor. They all did the same while this miserable guy's mounting frustration grew while no one else shared it. Most people knew that shows in the 1930s were nice to watch. This film was, I will call it mediocre.

I was looking forward to seeing Varsity Show because of the fact that I owned the four Dick Powell Decca recordings that were made from songs in this film. The Tony Thomas book, the Films of Dick Powell also said that it was a 2 hour film.

In the abbreviated 80 minute version I saw of it, I'm thinking there was a lot of material that was left out and may in fact now be lost. Two of those songs Powell did not sing on the screen, Have You Got Any Castles Baby and Love Is On The Air Tonight. He did do a very nice version of You've Got Something There with Rosemary Lane and the song Moonlight On The Campus seems to have been edited out all together.

Still even in the shortened version Varsity Show is an entertaining bit of nonsense about a Broadway producer played by Powell who's had a run of bad luck, but answers the call of the student body of his alma mater to produce their Varsity Show. It was the kind of light weight material that Powell was desperately trying to get out of doing at Warner Brothers, but Jack Warner wouldn't see him in anything else.

Jack did give him a good cast to work with however with a lot of very familiar character actors going through their paces. Standing out are Ted Healy on loan from MGM playing Powell's assistant, Edward Brophy as the theater manager who's about to have a stroke because he can't get an advance for rent from the college kids, and Walter Catlett who is very funny as the faculty adviser for the show who knows as much about putting on a show as Ginger Rogers running the Brooklyn Dodgers to quote another Dick Powell song from another film.

Fred Waring and his Pennsylvanians are here to supply the music and chorus and Rosemary's sister Priscilla Lane is another student. The dancing talent is tops with Lee Dixon who had co-starred with Powell in Golddiggers of 1937 and the great team of Buck and Bubbles who I still remember from the Ed Sullivan Show as a lad. Richard Whiting and Johnny Mercer wrote the original songs that I liked so much.

Varsity Show got an Academy Award nomination for Busby Berkeley in the category of Dance Direction which was discarded in the Forties. Berkeley did one of his patented extravaganzas for a finale using the theme songs from several colleges and it's quite an eyeful and most entertaining.

I hope one day we can get a restored version of Varsity Show. I'm betting a lot of good material might be lost as it stands right now. I have a feeling I'd rate Varsity Show higher if we saw the director's cut.

This movie probably won't appeal to anyone under the age of 50 - the generation gap is too great. College boys in shirts and ties, girls in saddle shoes and calf-length skirts, and riding around in 'jalopies' with topical slogans on them - not today. And the cast of this picture contains some of the oldest college kids ever seen on campus. But, if you are of a certain age, it all works.

There is a great deal of energy in each scene, which is how it would be on a college campus, and there are some very tuneful songs to be found, although most of them forgotten. The most durable is probably "She's Working Her Way Through College", but several others were written by Richard Whiting and Johnny Mercer. In addition, here is a chance to see Buck and Bubbles, a legendary song and dance team. They differed from the Nicholas Brothers, who were strictly dancers. Buck and Bubbles both sang, both danced and both played the piano, hence a more talented team.

The story is unimportant, about Dick Powell returning to his alma mater to help put on a show, but the cast is good and the pace is brisk. Two of the Lane sisters are the female leads opposite Powell and comic relief is done in heavy-handed fashion by Ted Healy. There is also lots of able support, and there is a great finale provided by none other than Busby Berkeley. There is lots to like in "Varsity Show", a better-than-average musical of its kind.

This is not "Gold diggers of 1933" or "Footlight Parade," but it is a competent and fun musical. While not an "A" picture, it is a solid "B." There may not be anything great here, but everything is loud, energetic and good. There are many small delights for people willing to look

This was directed by William Keighley between two excellent Errol Flynn movies that he directed: "The Prince and the Pauper" and "Adventures of Robin Hood". He also did directed two fine James Cagney movies, "G Men" and "Each Dawn I Die". He also did the classic comedy, "The Man Who Came to Dinner" The movie has a bunch of fine second bananas, Walter Catlett, Sterling Holloway and Ted Healey. Catlett had bit parts in many classic comedies, for example, "Bringing up Baby" and "Mr. Deeds Goes to Town" He was a much in demand actor doing 50 films between 1940 and 1944, getting 6th-10th billing in almost all of them. Adorable Sterling Holloway adds his nice spaecy bits. Even Ted Healey, who is associated with the Three Stooges comes off well. He played the leader of the Three Stooges, a part that the Moe Fine took over when they split up. In the movie, he is referred to as a stooge and he plays the part convincingly.

This is the first movie for Priscilla and Rosemary Lane. There older sister, Lola, had been a star for eight years by this. All three sisters would continue to make movies for about ten more years. While I'm unfamiliar with Rosemary Lane's films, Priscilla was in at least three classics, "Arsenic and Old Lace" "The Roaring Twenties" and Alfred Hitchcock's "Saboteur. Both sisters are delightful here.

George Washington Lee and William Sublett as Buck and Bubbles do a couple of wonderful dance routines.

The finale is by Busby Berkeley. While people are right to point out that this football number is not one of his best, even average Busby Berkeley is better than most musical numbers by anybody else.

Overall, the movie doesn't dazzle, but it zips along, brightens the day and puts a smile on your face. I would love to see the missing 40 minutes.

VARSITY SHOW (Warner Brothers, 1937), directed by William Keighley, is a college campus musical, in fact, Warners' only contribution to the college musical of the 1930s. Originally distributed in theaters at two hours in length, circulating prints are from the 1940s reissue at 79 minutes, with 40 minutes of material clipped from the original negative and lost since then. Considering this edition happened to be the only known print in existence today, this review is taken on the basis from the edited version.

The story begins with Ernie Mason (Fred Waring) and his fellow students of Winfield College rehearsing for the upcoming annual varsity show. Ernie, assistant to Professor Sylvester Biddle (Walter Catlett), the faculty adviser, finds he and the students aren't being given the freedom they need to put on a successful show. Biddle insists the show be done his way or none at all, in spite that his ideas are out-of-date and his refusal to allow swing music as part of the score. Janitors Buck and Bubbles come up with an idea in hiring Charles "Chuck" Daly (Dick Powell), a former alumnus now a successful Broadway producer, to help direct the show. Betty Bradley (Priscilla Lane), Buzz Bolton (Johnnie Davis), Johnny "Rubberlegs" Stevens (Lee Dixon) and Trout (Sterling Holloway) volunteer in coming to New York City to locate Daly. At first Daly refuses, but because Daly has just closed his latest Broadway flop (his third in a row), he and his assistant, William W. Williams (Ted Healy) decide to return to Winfield College where they not only agree to help direct the varsity show, but become part of the fraternity by staying in the dormitory run by Mrs. Smith (Emma Dunn), as well as finding themselves suitable love partners, Daly with Barbara Steward (Rosemary Lane) and gravel voice Williams with Cuddles (Mabel Todd), a buck-tooth, bespectacled blonde with a very peculiar laugh.

With the music and lyrics by Johnny Mercer and Richard Whiting, the good selection of songs from the 79 minute print includes: "The Varsity Show's Rehearsing Today at Three O'Clock" (sung by cast); "Old King Cole" (sung by Johnnie Davis); "We're Working Our Way Through College" (sung by Dick Powell); "I'm Dependable" (sung by Priscilla Lane and Fred Waring/ written by Tom Waring and Don Raye); "On With the Dance" (sung by Rosemary Lane); "You Got Something There" (sung by Dick Powell and Rosemary Lane); Tap dance solo act performed by Buck and Bubbles; "Have You Got Any Castles, Baby?" (sung by Priscilla Lane); "Love Is on the Air Tonight" (sung by Buck and Bubbles); "Have You Got Any Castles, Baby?" (tap dance by Buck and Bubbles); "On With the Dance" (sung by Buck and Bubbles); "Old King Cole" (sung by Johnnie Davis); "On With the Dance" (reprise); "You Got Something There" and "Love Is On the Air Tonight." If one looks very closely to the opening credits and to the list of songs, one tune, "Little Fraternity Pin," is listed but not heard in VARSITY SHOW.

As much the story may be as predictable as any college musical of that time, the majority of the songs for this production were quite standard. Forgotten today, VARSITY SHOW contains the most entertaining college finale ever presented. Choreographed by Busby Berkeley, it did get nominated for an Academy Award in the best dance direction category. Though it didn't win, VARSITY SHOW still demonstrates Berkeley's true ability in his creative staging techniques. With Fred Waring and his Pennsylvanians orchestrating the finale, the real show stopper centers upon an individual co-ed throwing a football on numerous occasions across the stage over to a group of students to form themselves into spelled-out letters of well known universities as Yale, Wisconsin, Notre Dame and Stanford. All these letters are used with color tiles with the underscoring to just about every familiar college song imaginable. It's an excellent production that makes up for whatever flaws the film itself contains. Buck and Bubbles shouldn't go unnoticed. They, too, contribute to several good dance routines. Not quite as effective and faster style of the Nicholas Brothers over at 20th Century-Fox, but a routinely style all their own.

The supporting cast includes: Halliwell Hobbes (Dean J. M. Meredith); Edward Brophy (Mike "Curly" Barclay); Ben Weldon, Robert Homans and Tom Kennedy. Lee Dixon, who was becoming a familiar secondary character in the Warners musicals as GOLD DIGGERS OF 1937 (1936), READY, WILLING AND ABLE (1937), and THE SINGING MARINE (1937), makes his final bow in VARSITY SHOW. In the edited version, he not only limited in his contribution to the story (though possibly had extensive scenes from the two hour edition), but had his name placed thirteenth in the closing cast credits. He later scored successfully in the Broadway musical, OKLAHOMA (1943), and appeared one more time on screen in the western drama, ANGEL AND THE BAD MAN (Republic, 1946), starring John Wayne, before his death in 1953.

VARSITY SHOW in present form is a pleasing musical with a bright score. (One can hope the missing footage will someday suffice and take the place of the chopped-up copy on TCM). As for the cast, Dick Powell, Ted Healy, Rosemary Lane, Johnnie Davis and Mabel Todd appeared together again in another large scale Warners musical, "Hollywood Hotel" (1937), that introduced the popular theme song, "Hooray for Hollywood." Directed entirely by Busby Berkeley, it lacked the great musical finish that highlights VARSITY SHOW so well. Rah! Rah! Rah! (***1/2)