Ajouter une intrigue dans votre langueNavy officers fall for Ann. She has her own plans. USS Pensacola is struck during a last dive drill, there is an attempt to rescue. The USS Dolphin (D-1) and her crew depart from Connecticut... Tout lireNavy officers fall for Ann. She has her own plans. USS Pensacola is struck during a last dive drill, there is an attempt to rescue. The USS Dolphin (D-1) and her crew depart from Connecticut to San Diego via the Panama Canal. They come into troubles.Navy officers fall for Ann. She has her own plans. USS Pensacola is struck during a last dive drill, there is an attempt to rescue. The USS Dolphin (D-1) and her crew depart from Connecticut to San Diego via the Panama Canal. They come into troubles.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Paul Barrett
- Sailor
- (non crédité)
Fern Barry
- Wife on Pier
- (non crédité)
Frank Bingman
- Sailor
- (non crédité)
Nina Borget
- Panama Percentage Girl
- (non crédité)
Donald Briggs
- Underwater Escape Instructor
- (non crédité)
Allan Cavan
- Skipper
- (non crédité)
Glen Cavender
- Tripped Waiter
- (non crédité)
Loia Cheaney
- Wife on Pier
- (non crédité)
Gordon Clifford
- Sailor
- (non crédité)
Avis à la une
5sxct
Sorry to give this film such a low rating but just too many errors. First, the sign at the beginning saying U. S. Submarine Base New London, CT should say Groton, CT.", not New London. Next, as they were rescuing the men some of CPO's and officers were in full dress uniforms. REALY? Many of them managed to keep their caps on. While in Panama on their way to San Diego, they were wearing their winter blues. Then as Frank McHugh was meeting his girl friend at the dock, he somehow managed to be wearing completely dry clothes. Also, now in San Diego they were wearing winter blues. It's too bad as I was expecting to enjoy this film, it went into the drinl.
Given the fact that every sub in this movie ends up at the bottom of the ocean floor during sea trials I would venture to guess that Admiral Karl Dönitz saw this and figured, "Acht Di leiber! Our U-Boats vill annnnnhiliate zose Americahns!" This would lull anyone into thinking our sub fleet was sub par. But technically, this isn't a bad movie... it's just it's so predictable. George Brent's acting is as bland as the Navy's powdered eggs and lovable lug Wayne Morris is a near-idiot that somehow makes Chief (the Navy sure must've been different than when I was in it--- no board and no initiation!). Frank McHugh does a swell job of playing Lucky, a symbiotic twin of the character Droopy he played 3 years earlier in HERE COMES THE NAVY. Nice stock shots of the Panama Canal and much better than the usual Warner Bros. middling level special effects. All in all, I hope that this was planned as a cunning piece of disinformation rather than a testimonial to the skills of the U.S. Navy in the mid-1930's. I wonder if Swede Monson ever saw this?
This is a tough movie to rate, mostly because it's from a period when Warner Brothers was struggling to produce new, distinctive movies that didn't star Errol Flynn. This flick about the men aboard a submarine as it travels from a surprisingly mountainous Long Island to Long Beach, then to the bottom of the ocean contains all the standard tropes of the military movie of the era and submarines in particular. Pals at work, fighting about dames? Check. Young hothead who straightens up and becomes a part of the outfit? Check. Calm, all-wise commander who shows up at odd moments to issue fiats and, and whose unflustered command during the crisis keeps things from falling apart? Check. Submarine trapped at the bottom of the ocean while everyone rallies around to save the crew? Check.
It's all performed well by the typical large, competent Warner Brothers cast under the direction of workhorse director Lloyd Bacon. As a result it's an eminently watchable example of the genre. Where it is of most interest is in the technology of rescue, the telephone that floats to the surface with its provenance written in large letters; the suited diver who heads down to attach a cable to the trapped boat. It's interesting to see the evolution of these, and associated techniques from Capra's SUBMARINE (1928) to this one.
The genre would evolve rapidly in the war years, with the emphasis on battle tactics and suspense. For the moment, this was the model in use.
It's all performed well by the typical large, competent Warner Brothers cast under the direction of workhorse director Lloyd Bacon. As a result it's an eminently watchable example of the genre. Where it is of most interest is in the technology of rescue, the telephone that floats to the surface with its provenance written in large letters; the suited diver who heads down to attach a cable to the trapped boat. It's interesting to see the evolution of these, and associated techniques from Capra's SUBMARINE (1928) to this one.
The genre would evolve rapidly in the war years, with the emphasis on battle tactics and suspense. For the moment, this was the model in use.
Good film. Black and white movie regulars george brent, frank mchugh, pat o'brien. Here, in this pre world war two film, they are all navy men on a sub, trying to get from the east coast to san diego. Along the way, they have all kinds of adventures. A training session on the bends, and how to avoid them. Some interesting footage of what might be the panama canal. War games with other ships. The female lead, doris weston, only made nine films, and died young at forty two. Keep an eye out for dennie moore as arabella... she was "olga" in a hilarious role in "the women" from 1939. This could be used as a training film, although i'm sure a lot of the equipment and info are outdated. The side plots are a bit hokey, but it probably would have been boring without them. Co-star wayne morris really was a war hero, but also died young at age forty five. Directed by lloyd bacon. He also made forty second street and wonder bar.
Enjoyable inter-War military adventure drama featuring the U.S. Navy submarine service. Based upon the story "Submarine 262" by Frank "Spig" Wead, who wrote a number of similar screenplays highlighting various parts of the fleet. This particular drama features the use of the McCann Rescue Chamber and Momsen Lung in a dramatic rescue of men from a sunken submarine off the coast of Point Loma, California. George Brent is remarkably low key and effective as the Commanding Officer. Also included is a love triangle between Chief Petty Officer Butch Rogers (Pat O'Brien), Petty Officer First Class (later Chief Petty Officer) Sock McGillis (Wayne Morris), and Ann Sawyer (Doris Weston). Comic relief by Lucky (Frank McHugh). Some development of what it takes to be a successful sailor in the submarine service - the ship is as strong as its weakest sailor. A young Broderick Crawford appears in a small part and Ronald Reagan was cast in one of his earliest appearances in a bit part but his scenes were left on the cutting room floor. Good shots of the rest of the Pacific Fleet as they work through Fleet Problem 20. Recommended.
Le saviez-vous
- AnecdotesThe other sub seen at Panama marked "P3" is the U.S.S. Shark (SS-174). She was built by the Electric Boat Company at Groton, CT and commissioned in 1936. Her home port was at San Diego from 1937 to 1940 when she joined the Asiatic Fleet based at Manila, Philippines. She was the first U.S. submarine lost to enemy anti-submarine action in WWII when, according to post-war Japanese records, a destroyer sank a surfaced sub on February 11, 1942. Reported as "presumed lost" on March 7, 1942, she was struck from the Naval Register on June 24, 1942. In a curious turn, the Japanese destroyer which probably sunk the U.S.S. Shark was the IJN Yamakaze which was in turn sunk by the U.S.S. Nautilus (SS-168) - the sub marked "N2" in this film - on June 25, 1942.
- GaffesThroughout the movie Naval personnel are shown wearing their covers (hats) indoors. In the U.S. Navy covers are only worn indoors if a person is on watch, therefore almost every occurrence in the movie is incorrect.
- ConnexionsFeatured in The United States Navy Band (1943)
- Bandes originalesColumbia, the Gem of the Ocean
(1843) (uncredited)
Written by David T. Shaw
Arranged by Thomas A. Beckett
Played in the score during the opening credits
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Détails
- Durée
- 1h 40min(100 min)
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1
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