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Ajouter une intrigue dans votre langueA New York bank plans to sell a Hollywood studio at a big loss. But the head accountant is suspicious and goes to investigate. He finds chicanery, romance, and help to save the studio.A New York bank plans to sell a Hollywood studio at a big loss. But the head accountant is suspicious and goes to investigate. He finds chicanery, romance, and help to save the studio.A New York bank plans to sell a Hollywood studio at a big loss. But the head accountant is suspicious and goes to investigate. He finds chicanery, romance, and help to save the studio.
- Réalisation
- Scénario
- Casting principal
- Récompenses
- 1 victoire au total
Art Baker
- Director of Photography
- (non crédité)
Ralph Brooks
- Dancer
- (non crédité)
Florie Caprino
- Elvira
- (non crédité)
Marianne Edwards
- Elvira
- (non crédité)
Jinx Falkenburg
- Woman at Studio Gate
- (non crédité)
Jim Farley
- Studio Gate Guard
- (non crédité)
Pat Flaherty
- Nightclub Bouncer
- (non crédité)
Charles K. French
- Bank Board Member
- (non crédité)
Avis à la une
Colossal studios is in the financial toilet. The bank that's holding the mortgage sends one of their top men, Leslie Howard, to figure out what to do to save the studio or sell it to C. Henry Gordon a rival movie mogul.
Howard may not know the first thing about making movies and his people skills leave something to be desired, but he's now wondering why Gordon is so anxious to acquire this property.
Howard supersedes Colossal studio head Humphrey Bogart as head of the company and gets a crash course in film making. Of course he's helped quite a bit by Joan Blondell who he meets accidentally while on the way to the studio. She's an extra and a stand-in and she gives him a few lessons in management and a few other things.
This was the second and last pairing of Leslie Howard and Humphrey Bogart. At Howard's insistence, Bogey was brought to Warner Brothers to repeat his stage role in The Petrified Forest which he and Howard co-starred in on Broadway.
Stand-in is not The Petrified Forest, but it's still an amusing comedy and good entertainment.
Howard may not know the first thing about making movies and his people skills leave something to be desired, but he's now wondering why Gordon is so anxious to acquire this property.
Howard supersedes Colossal studio head Humphrey Bogart as head of the company and gets a crash course in film making. Of course he's helped quite a bit by Joan Blondell who he meets accidentally while on the way to the studio. She's an extra and a stand-in and she gives him a few lessons in management and a few other things.
This was the second and last pairing of Leslie Howard and Humphrey Bogart. At Howard's insistence, Bogey was brought to Warner Brothers to repeat his stage role in The Petrified Forest which he and Howard co-starred in on Broadway.
Stand-in is not The Petrified Forest, but it's still an amusing comedy and good entertainment.
Fast and snappy spoof of the studio system from the bottom looking up, as stand-in Joan Blondell guides a newcomer to "who's through in Hollywood". Bogart has a good supporting role as a boozing producer who has to salvage an unwatchable gorilla epic. Not a classic, but very enjoyable for its energy.
From the moment you see an epic movie about gorillas, or performing seals in a boarding house, or horrendously untalented little kids with showbiz mommas, you know you have a marvellous Follywood spoof.
This little-mentioned or cited comedy pits snappy Joan Blondell against of all people versatile Leslie Howard, in a studio-set tale of corruption, change, and romance. You'll also find Humphrey Bogart in one of his climbing-up-the ladder roles as a crusty, hard-drinking backroom man.
Blondell plays the stand-in' of the title, that is, the girl who burns under the lights while the leading lady gets pampered and the shot gets set up. Howard is an accountant, transported into a world he doesn't initially appreciated, to discover the reason for the studio's cash-flow problems.
Do you know how it ends yet? This was the film that persuaded me of Howard's incredible gift for getting laughs as well as his dramatic skills, and I've been a fan ever since. Blondell and Bogart are also terrific, and this is a minor, but hugely enjoyable, 30s gem.
This little-mentioned or cited comedy pits snappy Joan Blondell against of all people versatile Leslie Howard, in a studio-set tale of corruption, change, and romance. You'll also find Humphrey Bogart in one of his climbing-up-the ladder roles as a crusty, hard-drinking backroom man.
Blondell plays the stand-in' of the title, that is, the girl who burns under the lights while the leading lady gets pampered and the shot gets set up. Howard is an accountant, transported into a world he doesn't initially appreciated, to discover the reason for the studio's cash-flow problems.
Do you know how it ends yet? This was the film that persuaded me of Howard's incredible gift for getting laughs as well as his dramatic skills, and I've been a fan ever since. Blondell and Bogart are also terrific, and this is a minor, but hugely enjoyable, 30s gem.
Worth it for the boarding house and its inmates alone, this is a glorious satire on '30s Hollywood. Leslie Howard is at his comic best (see also 'It's Love I'm After'), vague and unworldly. The supporting cast is excellent. Joan Blondell is gorgeous and *funny*. Humphrey Bogart, Howard's good mate and progege - Howard insisted that Bogart got the convict role in Petrified Forest in the film, having appreciated acting with him in the play, and that was his big break in films. And Bogart acknowledged the friendship by calling his first child Lesley (she was a girl). Alan Mowbray and Jack Conway also add to the fun.
A sharp commentary on the wonderful world of B movies!
A sharp commentary on the wonderful world of B movies!
This is a satire on big business types who let a perfectly viable business (in this case, a film studio) fail for their own profit, leaving all the "little people" in the lurch. The words "capital" and "labor" even get bandied around! A few years ago modern viewers might have found this boring, but with today's economy, people may find that they can relate to it better than they expected! Besides that, it's an interesting "behind the camera" look at Hollywood, 1930s style.
Leslie Howard is great as the sheltered accountant who comes to Hollywood to see what's up with his bank's film studio, Joan Blondell is also great in her usual breezy, funny style as the former child star now working as a stand-in for a famous actress. There's also a youngish Humphrey Bogart as a film producer. I really wonder if Howard and Blondell did those ju-jitsu throws themselves, and if those outdoor scenes really were shot in downtown Los Angeles! Quite funny and definitely recommended!
Leslie Howard is great as the sheltered accountant who comes to Hollywood to see what's up with his bank's film studio, Joan Blondell is also great in her usual breezy, funny style as the former child star now working as a stand-in for a famous actress. There's also a youngish Humphrey Bogart as a film producer. I really wonder if Howard and Blondell did those ju-jitsu throws themselves, and if those outdoor scenes really were shot in downtown Los Angeles! Quite funny and definitely recommended!
Le saviez-vous
- AnecdotesWhen the film was originally released, the names of Leslie Howard and Joan Blondell were above the title, and the name of Humphrey Bogart, who played a supporting role, was below. When it was re-released in 1948, Howard had been dead for 5 years, and Bogart was riding the crest of the wave, so the billing was re-arranged and Bogart was now top billed.
- GaffesAs accountant Atterbury Dodd walks through the accounts department, a clerk gives him a slip containing a list of figures which total 1,296,221. Dodd says: "There's an error in the addition. The total should be 1,296,321. Have the machine fixed". The total however is correct. The figures - 63,155; 122,925; 57,005; 54,685; 404,200; 56,705; 122,925; 54,685; 305,250; 54,686 - add up to 1,296,221.
- ConnexionsFeatured in Going Hollywood: The '30s (1984)
- Bandes originalesIs It True What They Say About Dixie?
(1936) (uncredited)
Written by Irving Caesar, Samuel Lerner and Gerald Marks (1936)
Sung by an unidentified child actress called Elvira with Anne O'Neal playing harmonica
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- How long is Stand-In?Alimenté par Alexa
Détails
- Durée
- 1h 31min(91 min)
- Couleur
- Rapport de forme
- 1.37 : 1
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