Blanche-Neige et les Sept Nains
- 1937
- Tous publics
- 1h 23min
Exilée dans une dangereuse forêt par sa méchante belle-mère, une princesse est sauvée par sept nains qui l'accueillent chez eux.Exilée dans une dangereuse forêt par sa méchante belle-mère, une princesse est sauvée par sept nains qui l'accueillent chez eux.Exilée dans une dangereuse forêt par sa méchante belle-mère, une princesse est sauvée par sept nains qui l'accueillent chez eux.
- Nommé pour 1 Oscar
- 13 victoires et 6 nominations au total
- Snow White
- (voix)
- (non crédité)
- Prince
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- The Evil Queen
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- …
- Doc
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- Huntsman
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- Dopey
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- …
- Sleepy
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- …
- Birds
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- Sneezy
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- Happy
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- Squirrels
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- Yodeling
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- Doves
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- Bashful
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- Raven
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- Magic Mirror
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- Birds
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Avis à la une
There must have been tremendous pressure on everyone involved in the making of Snow White, but they did not disappoint. The end result includes a timeless story, classic songs, and beautiful imagery that will live on for future generations to enjoy. In fact, this was only the second movie that captured my nieces' full attention spans (The Lion King being the first).
In my opinion, the story was great but not perfect. It's not as exciting or filled with as much witty remarks as today's animated features, but as soon as the dwarfs are introduced, the movie takes on an endearing lighter side. For the record, my favorite dwarf is Doc, because I can relate to him being a strong leader with some very humanistic follies, such as always getting tongue-tied (I do that myself all too often). All the songs stand out in their own way. `Some Day My Prince Will Come' is a classic, fairy-tale ballad. `Heigh-Ho,' `Dig, Dig, Dig,' and `Whistle While You Work' are great songs to pick up your spirits when you have to go to work, do chores, or do homework. And my favorite, `The Silly Song,' is just a great, catchy, and funny song. As for the imagery, it's just breathtaking, especially considering how early it was introduced. The colors are rich and lively, and the multi-plane camera does add some great depth to the movie.
As you can tell, for an animation and Disney fan like myself, Snow White is a perfect milestone in the movie world. Even compared to the animation and storytelling styles of today, Snow White still stands the test of time. Kudos to everyone involved in this picture as their work will live on forever.
My IMDb Rating: 10/10. My Yahoo! Grade: A+ (Oscar-Worthy)
The story is "cute" because of the seven dwarfs. The evil character - the queen - doesn't have that big a role so most of the time it's just a sweet, enjoyable film with nice characters. It's one of the those movies that makes you feel good as you are watching it.
To be honest, some of the scenes lag a bit and Snow White's operatic voice is a bit much for me, but those are the only complaints I could find in this classic film, one of the best ever from Disney.
Were they more innocent though? 1937. Before Pearl Harbor. Between the world wars. The dawn of Disney. The origin point. The first animated feature length movie, isn't it? But this was, basically, the same generation that dropped the bomb on Hiroshima, the same US of A, right? Maybe just as Reds and Blues today regard each other as different species, maybe there was a duality of sorts even then? The human heart is a mystery, is it not?
Anyways, I was tickled by all the 1930s booty twerking going on (very innocent twerking), and it was a pleasant surprise to discover this film has operetta stylings, with coloratura trilling by Snow White, crooning by the prince, and a post-prandial party full of yodelling dwarves. All the forest creatures have the cutesy Bambi look, but I don't mind telling you, when the princess got scared in the forest so did I, and when she fell down weeping my heart ached for her. I also don't mind telling you that I did wish the movie would move along just a bit faster. Just five minutes. A bit more witchy Queen, a bit less tiptoeing dwarves, that would have suited me.
The Evil Queen is a marvellous meanie, and the princess Snow White is so adorably, queasily wholesome, so pure it makes you want to vomit (or possibly to ennoble yourself and become her protector?) that I felt some appreciation of why Alvy said he preferred Snow White's nemesis (in rom-com Annie Hall, 1979).
Seeing this chaste, landmark (birthmark!) fantasy, this jewel of cinema, one can better comprehend the shamelessness, the utter hubris of Disney's foolish decision to, ahem, 'update' the story for today. As I'm sure you know, Snow White 2025 was pilloried and lampooned, almost to oblivion, months before it even opened. What a saga it has been. A gift for social media snarks, but one can't blame them. To decide to remake an immortal classic is the kind of decision that could only come from the sort of people who are today busy crushing all the dreams in Hollywood's dream factory. Let them all be sacked and float away down river, eke out there remaining days in the wilderness; no fairytale cottage, just a one-room cave for the lot of them.
Snow White and the Seven Dwarfs (1937). Virtue, not virtue-signalling. Pure of heart, not pure thru filters. Delight your children and the child within.
This has classic written all over it. Disney's first major feature, the grand debut, cements the major features of those to come. It draws from very dark but fantastic material, Grimm's Fairy Tales, and alternates scenes of evocative darkness (the Queen's castle, the man sent to cut Snow White's heart out, and the forest that's alive, are some brilliant examples) with scenes of superlative cuteness and song and dance numbers.
Drawbacks:
There are some beautiful compositions, but the movement of the animation is not as fluid as it would become, even with Pinnochio, Disney's very next feature. Plus, the singing styles are very 1930's opera-style. I can see why i always used to just think of songs during musicals as things i had to wait through till the story got going again - its because almost every song in Snow White doesn't advance the story. Great musical numbers, like the ones in West Side Story, do. They don't feel like we're just waiting around. When most of the Snow White songs come on, the story gets put on hold.
Snow White is too naive, plain and perfect a character to hold our interest these days. Contemporary audiences just don't worship "perfect" people like this. Plus, the attempts at animation of real people is not good. Snow White and the Prince in particular just don't work - whereas the cartoony dwarves really come alive. Try watching her face when she talks.
Highlights:
All of the Queen's scenes are absolute gems, actually. And the dwarves are great. Seven great characters.
One of the best things Disney ever did was the Queen's angry walk down the staircase to the dungeon, and her subsequent making of a potion to transform herself into an old witch. The way the liquid she's mixing comes alive is fantastic, and the close-ups on the crow sitting on the skull are a nice touch.
The poison flooding towards the centre of the pot, engulfing the apple, and the jack o'lantern face on it afterwards.
Some of Disney's most classic songs come from Snow White: Whistle While You Work, Heigh Ho (its off to work we go), and one of the most beautiful Disney songs ever, Some Day My Prince Will Come.
There's also a very memorable piece of theme music that plays during the climactic storm scene.
10/10. An essential, marvellous work. A thing to see.
Le saviez-vous
- AnecdotesAt a recording session, Lucille La Verne, the voice of the Wicked Queen, was told by Walt Disney's animators that they needed an older, raspier version of the Queen's voice for the Old Witch. La Verne stepped out of the recording booth, returned a few minutes later, and gave a perfect "Old Hag's voice" that stunned the animators. When asked how she did it, she replied, "Oh, I just took my teeth out."
- GaffesIn the last scene, the Prince shimmies. The cels were not lined up correctly when the scene was shot, and his body shakes. Walt Disney was horrified when he saw the mistake in the color dailies, and wanted it corrected. No money was available to make the correction because the film was already far over budget, so Walt's brother and business partner, Roy O. Disney, declared, "Let the Prince shimmy!" and so he did - until 1993, when the mistake was corrected during Disney's digital restoration of the film.
- Citations
[first lines]
Queen: Slave in the magic mirror, come from the farthest space, through wind and darkness I summon thee. Speak! Let me see thy face.
Magic Mirror: What wouldst thou know, my Queen?
Queen: Magic mirror on the wall, who is the fairest one of all?
Magic Mirror: Famed is thy beauty, Majesty. But hold, a lovely maid I see. Rags cannot hide her gentle grace. Alas, she is more fair than thee.
Queen: Alas for her! Reveal her name.
Magic Mirror: Lips red as the rose, hair black as ebony, skin white as snow.
Queen: [looking offended] Snow White!
- Crédits fousNone of the actors in this film were credited.
- Versions alternativesNon-English versions show the names on the Seven Dwarfs' beds and the Evil Queen's spell books written in the language of the country of release (i.e., German in Germany, Italian in Italy, French in France, etc.).
- ConnexionsEdited into 7 Wise Dwarfs (1941)
- Bandes originalesOne Song
(uncredited)
Music by Frank Churchill
Lyrics by Larry Morey
Played during the opening credits
Sung by Harry Stockwell
Reprised by Adriana Caselotti
Reprised by Harry Stockwell and Chorus at the end
Meilleurs choix
- How long is Snow White and the Seven Dwarfs?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Blanche-Neige et les 7 Nains
- Lieux de tournage
- Walt Disney Feature Animation - 500 S. Buena Vista Street, Burbank, Californie, États-Unis(Walt Disney Productions)
- Sociétés de production
- Voir plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 1 499 000 $US (estimé)
- Montant brut aux États-Unis et au Canada
- 184 925 486 $US
- Week-end de sortie aux États-Unis et au Canada
- 6 017 914 $US
- 17 juil. 1983
- Montant brut mondial
- 185 098 309 $US
- Durée
- 1h 23min(83 min)
- Couleur
- Rapport de forme
- 1.37 : 1