Ajouter une intrigue dans votre langueKelly and Dempsey, along with strangers, are trapped in a lighthouse, terrorized by a killer octopus and a criminal mastermind named after the same creature. Their objective is to survive an... Tout lireKelly and Dempsey, along with strangers, are trapped in a lighthouse, terrorized by a killer octopus and a criminal mastermind named after the same creature. Their objective is to survive and uncover the truth behind the sinister events.Kelly and Dempsey, along with strangers, are trapped in a lighthouse, terrorized by a killer octopus and a criminal mastermind named after the same creature. Their objective is to survive and uncover the truth behind the sinister events.
- Réalisation
- Scénario
- Casting principal
- Captain Cobb
- (as Brandon Tyman)
- Sinister Plotter
- (non crédité)
- Sinister Plotter
- (non crédité)
- Sinister Plotter
- (non crédité)
- Police Broadcaster
- (non crédité)
- Sinister Plotter
- (non crédité)
Avis à la une
My time arrived.
The story begins with a sea-faring man selling the deed to a lighthouse to a polished-looking gentleman in a suit. In comes Captain Hook (that's right- Captain Hook!), a crazy sailor who goes insane at the sound of a ticking clock. Cut to two cops, Kelly (Hugh Herbert) and Dempsey (Allen Jenkins), who are racing to the hospital on a rainy night because Kelly's wife is having a baby. But they get a flat tire, and in the midst of their struggle to fix it, a woman comes tearing through the woods at them, begging for help. She has just seen her step-father's dead body in the lighthouse! The plot is laughable, and thankfully the actors and the director seem to be in on how ridiculous the story is, because it is presented as a comedy. Therefore, we're allowed to laugh at how silly it is that the villain is a murderous octopus with tentacles that creep in through doorways. And it is okay to laugh at the exaggerated plights of the characters and their overzealous performances. And we're expected to giggle at the constant twists and turns that often make no sense.
So why do I rate this movie so highly? Simply for the amount of fun I had watching it! It is packed with hilarious bits, by two comics who are generally relegated to being the 2nd or 3rd banana. Now, they're the leads, and they pull it off quite nicely. Jenkins is a great blend of comic and straight-man. He's too stupid to be taken seriously, but he is tame compared to his partner. Herbert, who often rubs people the wrong way with his giddiness, contributes nicely to the show.
** (out of 4)
Another version of The Gorilla but this time the old dark house is replaced with a lighttower and the gorilla is replaced with an octopus. Veteran character actors Hugh Herbert and Allen Jenkins play wannabe detectives trapped inside a lighttower with several others who are being attacked by the octopus. This version pretty much stays in tact with other versions and the other remake, which followed two years later with The Ritz Brothers and Bela Lugosi. Herbert and Jenkins aren't nearly as obnoxious and they do manage to get some good laughs. The octopus looks very nice and the scene where the killer "transforms" is quite memorable. The film moves at a lightening pace yet for some reason, one I don't know, the 56-minute running time felt overly long. This certainly isn't a bad movie but it's not a good one either.
It is true that almost from the first scene of what appears to be a comedy/thriller nothing makes sense, but please stick around and just go with it. I won't even begin to try to explain the plot, but be prepared for people that have first one identity and then are all revealed to be federal law enforcement agents of one type or another, a human criminal mastermind that is called "the octopus" whose actual identity is unknown that they all are seeking, and an actual octopus whose tentacles are repeatedly reaching out from the walls of the old abandoned lighthouse into which everyone is congregated in order to grab someone. Warner contract players Allen Jenkins and Hugh Herbert as two local cops are probably the best known actors here, and they provide the outright comedy to counterbalance the ham served up by the dramatic overacting of the rest of the cast. After you've seen the whole thing you'll have to marvel at how this film comes together. It's hard to overact in such a way that the audience gets that this is all tongue-in-cheek versus believing that you're simply giving a poor dramatic performance.
The final scene has what could almost be considered a precode moment, but it is quickly explained that what is being implied is not at all the case. I'm being intentionally vague here because I don't want to spoil it for you. If you like older cult comedy films, I believe you'll really like this one. Since Jack Warner generally didn't like to take chances, I don't know how he ever let this one slip by.
Le saviez-vous
- AnecdotesThe transformation scene was done in much the same way the beginning part of the transformation was done on Docteur Jekyll et Mr. Hyde (1931). The actress was made up in exaggerated highlights and shadows (including her teeth) using a single color shade of makeup. When filmed through a filter the same shade as the makeup, it's invisible to the camera. Take the filter away and the makeup suddenly becomes visible. Besides a filter, the makeup can also be hidden by similar-colored light. This type of trick was only possible on black-and-white film.
- GaffesIn many scenes, wires operating the octopus's tentacles can be seen. This was because real octopuses, although highly intelligent, resist the training necessary to perform stunts on cue, such as those required in this film.
- Citations
Vesta Vernoff: [after discovering the "body" of her stepfather] Poor Nannie!
Detective Dempsey: Who's Nannie?
Detective Harold Kelly: Nannie's a goat! Whooooooo!
- ConnexionsFeatures Île de furie (1936)
Meilleurs choix
- How long is Sh! The Octopus?Alimenté par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Ш-ш! Осьминог
- Lieux de tournage
- Société de production
- Voir plus de crédits d'entreprise sur IMDbPro
- Durée54 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.37 : 1