The River

I first saw this film 20 years ago in forestry school. This film vividly shows the effect of poor agricultural practices and poor timber harvesting in the water cycle. It has footage of the devastating flood on 1927 along the Mississippi River. I learned that the film had been used for years by foresters from the Yazoo-Little Tallahatchie Flood Prevention Project and other U.S. Forest Service foresters to educate the public on the value of planting trees to prevent soil erosion and help heal the land from years of crop production on marginal lands. I think every student of environmental history and management should view this film at some time in their career. It is available from a couple of places, but I found a video from Kino which has not only The River, but the companion piece, The Plow that broke the plains, and two other short documentaries. The River and The Plow that broke the plains were part of FDR's New Deal propaganda (in a positive sense) which promoted conservation using outstanding photography, outstanding scripts, and emotionally compelling scoring.

I first saw THE RIVER in the 1950's in school, in the days when watching a movie in class didn't mean turning on the TV and popping in a VHS tape, it meant rolling in the old Bell and Howell Filmosound, putting up the screen, and watching a real 16mm projected MOVIE. I saw it two more times during my school career because it had so much to say at different levels about different things. It is the story of the Mississippi River, what it means to the land, and what we have done to it. It is, let's admit, a New Deal tract, an ecology drama, and moderately political. It is an unabashed apology for the entire Tennessee Valley Authority construction project. But that out of the way, it is a poetic and almost hypnotic (due to repetitive images)narrative, well-written and dramatically read. And it doesn't hurt that the musical score, by Virgil Thompson, is arguably the greatest musical score written for any movie (it is in its orchestral suite format a concert standard and has had many recordings, and is also available as the complete score on at least one recording). You can rent this disk from Netflix and it is worth it just for The River. I also watched its predecessor, THE PLOW THAT BROKE THE PLAINS, which I didn't like as much. I passed on the other offerings. But just for THE RIVER it is worth it. My only argument with it is that the ending loses the hypnotic poetry and simply sums up the rest of the story. That aside, it is as great a documentary as has been made.

I first saw this as a 16 mm film projection in 1961, and have been looking for a copy off and on since then. Finally found one on eBay as a DVD labeled The History of the Mississippi River. While ultimately plugging the achievements of the TVA and FDR's New Deal, the film movingly portrays both the muscle of American industry and agriculture, and its folly and wastefulness and the effects on both the land and its people.

Probably the best part of the film, and certainly crucial to its message, is the music of Virgil Thomson, who interwove melodies from popular and gospel hymns with his own original creation to enhance and define the mood of this documentary. The music, along with his music for the companion film The Plow that Broke the Plains, is available on CD.

With a running time of 30 minutes, this is a gem of a documentary, and one that has had a life-long effect on me personally, in terms of my career, politics, and environmental sensibility.

The River is a very wonderful documentary, covering the importance of the Mississippi River to the United States. It's Depression-era propaganda, yes, but it's so beautifully filmed, edited, and written, as well as read. The narration is absolutely poetic. This is a must-see if for all documentary enthusiasts. 9/10.

This is a beautiful piece of documentary work with an artistry and sensitivity that highlights the highs and lows of life with the Mississippi river. The narration and repetition of significant words is simply hypnotic, driving home the points of devastation and the moments of industrial and agricultural joys.

I've been fortunate enough to see this documentary through my work, but I would agree with the user commentary from 'Zetes' that this is an absolute must see for documentary enthusiasts. I am mostly enthused with the creativity of this piece - so often people assume documentaries are unobstructed pieces of fact that have no bearing on the creative film side. This piece is propaganda, yes, but it has a real emotional pull that doesn't feel too contrived. And the cinematography is amazing.