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Valet de coeur

Titre original : Personal Property
  • 1937
  • Approved
  • 1h 24min
NOTE IMDb
6,5/10
1,2 k
MA NOTE
Jean Harlow and Robert Taylor in Valet de coeur (1937)
ComédieRomanceComédie romantiqueComédie Screwball

Ajouter une intrigue dans votre langueRaymond Dabney returns to his family after trouble with the law. He convinces the sheriff to give him a job watching the house and furniture of widow Crystal Wetherby without knowing she is ... Tout lireRaymond Dabney returns to his family after trouble with the law. He convinces the sheriff to give him a job watching the house and furniture of widow Crystal Wetherby without knowing she is engaged to his brother.Raymond Dabney returns to his family after trouble with the law. He convinces the sheriff to give him a job watching the house and furniture of widow Crystal Wetherby without knowing she is engaged to his brother.

  • Réalisation
    • W.S. Van Dyke
  • Scénario
    • Hugh Mills
    • Ernest Vajda
    • H.M. Harwood
  • Casting principal
    • Jean Harlow
    • Robert Taylor
    • Reginald Owen
  • Voir les informations de production sur IMDbPro
  • NOTE IMDb
    6,5/10
    1,2 k
    MA NOTE
    • Réalisation
      • W.S. Van Dyke
    • Scénario
      • Hugh Mills
      • Ernest Vajda
      • H.M. Harwood
    • Casting principal
      • Jean Harlow
      • Robert Taylor
      • Reginald Owen
    • 27avis d'utilisateurs
    • 14avis des critiques
  • Voir les informations de production sur IMDbPro
  • Voir les informations de production sur IMDbPro
  • Photos57

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    + 49
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    Rôles principaux26

    Modifier
    Jean Harlow
    Jean Harlow
    • Crystal Wetherby
    Robert Taylor
    Robert Taylor
    • Raymond Dabney
    Reginald Owen
    Reginald Owen
    • Claude Dabney
    Una O'Connor
    Una O'Connor
    • Clara
    Henrietta Crosman
    Henrietta Crosman
    • Mrs. Cosgrove Dabney
    E.E. Clive
    E.E. Clive
    • Cosgrove Dabney
    • (as E. E. Clive)
    Cora Witherspoon
    Cora Witherspoon
    • Mrs. Burns
    Marla Shelton
    Marla Shelton
    • Catherine Burns
    Forrester Harvey
    Forrester Harvey
    • Herbert Jenkins
    Lionel Braham
    Lionel Braham
    • Lord Carstairs
    Barnett Parker
    Barnett Parker
    • Arthur Trevelyan
    Melville Cooper
    Melville Cooper
      Jimmy Aubrey
      Jimmy Aubrey
      • Third English Cabby
      • (non crédité)
      Billy Bevan
      Billy Bevan
      • Frank the Waiter
      • (non crédité)
      Thomas Braidon
      • Minister
      • (non crédité)
      Robert Cory
      • Moving Van Man
      • (non crédité)
      Herbert Evans
      Herbert Evans
      • Moving Van Man
      • (non crédité)
      Douglas Gordon
      Douglas Gordon
      • Second English Cabby
      • (non crédité)
      • Réalisation
        • W.S. Van Dyke
      • Scénario
        • Hugh Mills
        • Ernest Vajda
        • H.M. Harwood
      • Toute la distribution et toute l’équipe technique
      • Production, box office et plus encore chez IMDbPro

      Avis des utilisateurs27

      6,51.1K
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      Avis à la une

      6planktonrules

      Robert Taylor as a Brit? Why not use Mantan Moreland or Benson Fong instead?

      Back during the golden age of Hollywood, things were not always so golden when it came to casting folks in films. Since almost all the actors were contract players essentially belonging to one studio, the studios often tried to fit the actors into films instead of finding the best actor or actress for the part. So, when MGM wanted to do a film about China, they cast Walter Huston and Katharine Hepburn in it! And, the same sort of wacky casting happened somewhat regularly. While not nearly as goofy, some knucklehead at MGM thought 'Robert Taylor isn't busy with a film and he IS very popular...so let's have him star in "Personal Property"'...even though the role calls for him to be English!! He sounds about as English as Greta Garbo...and this is the same guy who starred as a brash American in "A Yank at Oxford"! Now I am not saying this is a bad film....just a badly cast film. Jean Harlow (in her last completed movie) is just fine because she plays an American fortune- hunter. And, Reginald Owen is just fine as her upper-class English fiancé...though you are expected to believe he and Taylor are brothers!

      When the film begins, Raymond Dabney (Taylor) has just gotten out of jail for something...though they don't say what. His brother, Claude (Owen) is upset because the sudden appearance of Raymond might scare away the fiancée, Crystal (Harlow). By a complete act of chance, Raymond sees Crystal at the opera and INSTANTLY falls head over heels for her. In 1930s films, this is kind of cute as he constantly follows her. When seen today, he seems much more like a creepy stalker!

      It turns out that Crystal AND Claude are both interested in marrying each other because they think the other one is rich! Claude is far from rich...and Crystal is so broke that practically everything she owns is being repossessed! So how's all this going to work out and how is Raymond going to figure into all this? See the film...find out for yourself.

      Overall, it's a decent film....enjoyable but also slight and easy to forget. The only outstanding portion was the dinner party sequence, as I thought it was rather funny seeing the British actors exaggerating their stuffy upper-class patter. They were so incredibly dull and awful...but funny.
      6Doylenf

      Mildly amusing battle of the sexes between Harlow and Taylor...

      What surprised me about PERSONAL PROPERTY is that Robert Taylor had such a good sense of humor that could have been used in more films of this type for him when he was starting out. Usually cast as a rather dour and stern looking type (and later, the heroic villain or bad guy with a gun), it's a pleasure to see him in this mild romantic comedy that passes the time pleasantly enough but is easily forgotten.

      Jean Harlow co-stars with Taylor in what would be her last completed role for MGM. She seems a bit sluggish with her comeback remarks and somehow seems lacking the zest she usually showed in her romantic comedies with William Powell or Clark Gable. But she and Taylor make a handsome couple.

      The silly story never quite comes off as convincing enough with a strange number of elements in the plotting that has Taylor pretending to be her butler while falling in love with her--although she seems to resist his charms from the start. While the predictable ending is never in doubt, it takes a bit of persuasion to believe his brother could be Reginald Owen.

      Summing up: The thin plot moves rather sluggishly despite the brief running time but there are a few chuckles to get out of the whole thing. All in all, it's undistinguished from any viewpoint and a not too subtle jab at the idle rich.
      7mgmstar128

      An okay film but see Jean in her better films

      I have been seeing many of Jean Harlow's films thanks to the glorious T.C.M. In the past few months, I have caught The Girl From Missouri, Reckless, Dinner at Eight, Wife Versus Secretary, and Red Headed Woman. My opinion of her as a comedienne has definitely improved after seeing her growth and maturation as an actor. Actually, all the titles I mentioned are better than Personal Property.

      As for this movie, Jean is charming as ever, but she does not exhibit the same sparkle as she had in previous films. She looks beautiful as always, but she does show a bit of the extra weight also exhibited in Saratoga. Of course, this was due to her kidneys failing, as her health was in serious and fatal decline.

      The movie itself is a bit on the slow side, and I think Robert Taylor, though handsome, wasn't up to her level. I think part of the film fell flat due to his performance.

      One thing that totally puzzles me is that in the movie Robert Taylor's family all have British accents except for him. He sounds totally American. What's the deal with that?

      A piece of trivia: I noticed that in the film she wore William Powell's star sapphire ring, a sort of engagement ring.

      If you are a Jean Harlow fan, this movie should be seen, but she's so much better in Red Headed Woman, The Girl From Missouri, and Bombshell, just to name a few.

      It's sad to see that Jean Harlow is largely forgotten by so many in our society today. Read David Stenn's book Bombshell: The Life and Death of Jean Harlow for superb information on her.
      Kalaman

      Jean Harlow and Robert Taylor's only film together

      Apparently the only film Jean Harlow and Robert Taylor starred together, this harmless but ultimately forgettable MGM star vehicle is gravely marred by plush MGM studio sets and a drab, unconvincing direction by W.S. Van Dyke, though it has its moments of unintentional humor. But given the stars and the studio, this could have been more entertaining. It is a tedious mélange of romance and comedy that somehow frazzles or drowns when a good or funny scene ends. Harlow plays an impoverished but glamorous American widow named Crystal Wetherby who, at first, has her sights set on a penniless Englishman (Reginald Owen) but soon becomes interested in Robert Taylor. If you are a fan of the stars, "Personal Property" can be eminently watchable, though Dyke's sluggish pacing can be gruelling at times.
      7whpratt1

      Great Harlow Comedy

      Never viewed this Jean Harlow film where she stars as a widow with the name, Crystal Wetherby and Robert Taylor, (Raymond Dabney). Robert Dabney just comes home to his family after being in prison for six months for breaking the law and his brother and father are not pleased to see him come back home. Robert's mother is the only one who is happy to see her son and she wants to protect her son. The Dabney Family deals with ladies underwear and the business is not doing very well and Robert's brother wants to marry Crystal Wetherby for her money in order to save his business and he does not want anyone to know he had a brother who went to prison. It just so happens that Crystal is also broke and owes a large sum of money and she is being hounded by the bill collectors. Raymond Dabney is hired by a sheriff to collect the funds owed him and requires that Raymond stay in Crystal's home until the debt is paid. Crystal decides to have Raymond pose as her butler, but does not realize that Raymond is a Dabney and his brother wants to marry her. There is plenty of comedy and Jean Harlow and Robert Taylor burn up the silver screen together.

      Histoire

      Modifier

      Le saviez-vous

      Modifier
      • Anecdotes
        Throughout the film, Jean Harlow wears the massive 152-carat star sapphire ring (also reported as an "85-carat" gem), a round cabochon, which was given to her by her then boyfriend William Powell, supposedly for their engagement. Star sapphire rings were very popular in Hollywood in that era, and Harlow's was said to be the biggest one owned by any film star. At one point during the film's production, Harlow lost her ring, removing it for a dish-washing scene and handing it to a makeup man. An all night search finally turned up the ring in an ashtray.
      • Gaffes
        While it is never explicitly stated, it can reasonably be assumed that Mrs. Dabney, like Mrs. Wetherby, is an American and thus her American accent is explainable; but no is reason given for why her eldest son speaks with a British accent and her youngest son speaks with an American accent. In one scene, Catherine even says that Ferguson (Raymond) could easily get a job in America as an English butler, which makes zero sense with Robert Taylor not even attempting to sound like an Englishman.
      • Citations

        Claude Dabney: Miss Briggs, how many years have you been making what for convenience I call my tea?

        Miss Briggs: What's wrong with it this time, Mr. Dabney?

        Claude Dabney: Why nothing... except that it tastes absolutely filthy.

      • Connexions
        Featured in La grande parade du rire (1964)
      • Bandes originales
        Aida
        Written by Giuseppe Verdi

        Excerpts played and sung at the opera

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      FAQ16

      • How long is Personal Property?Alimenté par Alexa

      Détails

      Modifier
      • Date de sortie
        • 30 mars 1938 (France)
      • Pays d’origine
        • États-Unis
      • Langues
        • Anglais
        • Français
        • Italien
      • Aussi connu sous le nom de
        • Personal Property
      • Lieux de tournage
        • Metro-Goldwyn-Mayer Studios - 10202 W. Washington Blvd., Culver City, Californie, États-Unis(Studio)
      • Société de production
        • Metro-Goldwyn-Mayer (MGM)
      • Voir plus de crédits d'entreprise sur IMDbPro

      Box-office

      Modifier
      • Budget
        • 299 000 $US (estimé)
      Voir les infos détaillées du box-office sur IMDbPro

      Spécifications techniques

      Modifier
      • Durée
        • 1h 24min(84 min)
      • Couleur
        • Black and White
      • Rapport de forme
        • 1.37 : 1

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