Le vieux moulin

I can't praise this beautiful masterpiece of a cartoon enough. The animation is absolutely stunning, and the storm effects were excellent, certainly give Snow White and Fantasia a run for their money. I didn't find the Old Mill dull in any way, it was beautiful and just perfect. Another special mention has to go to the music, its lyricality somehow reminded me of the countryside on a beautiful summer's day, and the animals the swallows especially were a delight. They never spoke, but were beautifully incorporated into the story, and there was a lot of genuine fright when the storm started. Who wouldn't be frightened, it was a truly wonderful moment.

Overall, just beautiful, I can't find another word to describe how good it really was. I will admit I forgot I was watching a eight minute or so cartoon, and insisted I was watching a work of art. 10/10 Bethany Cox

The Old Mill is one of the most beautiful pieces of animation I have ever seen. This comment is even more remarkable considering that The Old Mill was made back in 1937. I especially liked the plethora of colors used in this short. The most striking animated sequence occurs when the thunderstorm hits and almost devastates the mill and its animal inhabitants. Even the animals are realistically drawn well, something sort of rare for a cartoon at that time.

The Old Mill even evokes emotion, which is saying quite a bit because not a word is spoken. I thought the frogs' song was hilarious, and I actually felt concern for the mama bird when the giant gear inside the mill could have crushed her. This is just an extraordinary, subtle piece of art from Disney.

My IMDb Rating: 10/10

Humor - Pathos - Suspense - Beauty - it's all here in this 8 minute gem! This is one I can watch again and again and again and enjoy every minute of it. A nice foreshadow of great things to come: Fantasia, Bambi, etc.

I was first introduced to The Old Mill when footage of it was recycled into a "Blueberry Hill" music video on DTV. I liked the dark, cloudy and atmospheric animation and the video became one of my favourites. The cartoon itself features a decrepit old windmill and the surrounding pond which is home to everything from frogs to bats. When a stormy night rolls in chaos ensues and the animals struggle to make it through.

For a 72-year-old cartoon the animation is wonderful. There's not a human or a line of dialogue in the whole 9 minutes but there's still a great little story to be told. For all of these reasons it's no wonder that it won an Academy Award.

A Walt Disney SILLY SYMPHONY Cartoon Short.

As evening draws near, the various creatures living in THE OLD MILL settle in for the night. Dark, fast-moving clouds, however, signal the arrival of a fierce storm...

Winner of the 1937 Academy Award, this lovely cartoon was important for a couple of significant reasons. It exhibited the quantum leaps the Disney artists had taken since the early Symphonies in the animation of animals - the mice and birds are particularly well drawn. The cartoon also debuted the Studio's new multi-plane camera, a complicated and very expensive machine which was able to render an astonishing illusion of depth. - notice the opening traveling shot which moves through the spider web.

The SILLY SYMPHONIES, which Walt Disney produced for a ten year period beginning in 1929, are among the most fascinating of all animated series. Unlike the Mickey Mouse cartoons in which action was paramount, with the Symphonies the action was made to fit the music. There was little plot in the early Symphonies, which featured lively inanimate objects and anthropomorphic plants & animals, all moving frantically to the soundtrack. Gradually, however, the Symphonies became the school where Walt's animators learned to work with color and began to experiment with plot, characterization & photographic special effects. The pages of Fable & Fairy Tale, Myth & Mother Goose were all mined to provide story lines and even Hollywood's musicals & celebrities were effectively spoofed. It was from this rich soil that Disney's feature-length animation was to spring. In 1939, with SNOW WHITE successfully behind him and PINOCCHIO & FANTASIA on the near horizon, Walt phased out the SILLY SYMPHONIES; they had run their course & served their purpose.