Ajouter une intrigue dans votre langueA man and his wife have a less-than-enjoyable time at the movies.A man and his wife have a less-than-enjoyable time at the movies.A man and his wife have a less-than-enjoyable time at the movies.
- Réalisation
- Scénario
- Casting principal
- Nommé pour 1 Oscar
- 1 nomination au total
- Movie Patron
- (non crédité)
- Movie Patron
- (non crédité)
- Movie Patron
- (non crédité)
- Ticket Taker
- (non crédité)
- Child Who Stares
- (non crédité)
- Wife
- (non crédité)
- Mr. Pennelly
- (non crédité)
- Movie Patron
- (non crédité)
- Usherette
- (non crédité)
- Movie Patron
- (non crédité)
- Movie Patron
- (non crédité)
- Movie Patron
- (non crédité)
- Mr. Baum
- (non crédité)
Avis à la une
Is this actually funny? I know Benchley was some kind of comedy star of his day. I don't really get it. It's complaining about the movie going experience as it gets played in the movie theaters. I guess that could work if done well. First, I don't like this couple. I don't care about their movie going experience. The kid is almost funny. I can see the attempt, but the result is no laughs.
*** (out of 4)
Oscar-nominated Robert Benchley short has a couple (Benchley, Betty Ross Clarke) going to the movie where all sorts of trouble starts. Benchley has to put up with losing his tickets, sitting behind a tale man and then getting lost while trying to find an exit. This comedy doesn't feature too many laughs but it's still highly entertaining just because it's fun seeing someone else go through various trouble that could happen at a movie theater. Benchley's style of comedy does aim for laugh-out-loud moments but instead just mild smiles seeing stuff that I'm sure we've all gone through and it's rather funny how this film, now seventy-two-years old, is still relevant today. I've seen quite a few of Benchley's shorts but I've read that none of them could compare to his comic writing but as of this date I've yet to read anything from him.
Trying to quietly spend A NIGHT AT THE MOVIES isn't so simple for hapless Robert Benchley.
Nominated for the Best One-Reel Short Subject Academy Award, this was one of a series of little films to feature the gentle humor of Robert Benchley (1889-1945). Watching him deal with the unexpected difficulties of simply enjoying a movie elicits much quiet amusement.
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Often overlooked or neglected today, the one and two-reel short subjects were useful to the Studios as important training grounds for new or burgeoning talents, both in front & behind the camera. The dynamics for creating a successful short subject was completely different from that of a feature length film, something akin to writing a topnotch short story rather than a novel. Economical to produce in terms of both budget & schedule and capable of portraying a wide range of material, short subjects were the perfect complement to the Studios' feature films.
Le saviez-vous
- AnecdotesJust after Robert Benchley buys his tickets from the cashier (Gwen Lee), he walks past a poster advertising My Dear Miss Aldrich (1937), which features Lee.
- Citations
[first lines]
Husband: Well, now, let's see - at the, uh, Mirdaline, there is "The Third Glove"; it says it's the best show in town.
Wife: Oh, I've seen that - but I don't mind seeing it again if you haven't.
Husband: No, no; there's no sense in sitting through it a second time. Well, others - uh, showing "Souls on a Tandem".
Wife: What's the picture with it?
Husband: Uh, "The Case of the Missing Milkman".
Wife: Hmm. We can miss that. But I hear "Souls on a Tandem" is good.
Husband: Yes, it is - I saw it last week. I'd just as soon see it again, though.
Wife: Oh, no, no; there's no use your sitting through it a second time.
- Versions alternativesAn alternate version exists where Robert Benchley literally walks in front of the opening titles and addresses the audience.
- ConnexionsFeatured in La grande parade du rire (1964)
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Détails
- Durée10 minutes
- Couleur
- Rapport de forme
- 1.37 : 1