Le démon sur la ville

This is not one of Claudette Colbert's more famous films, though it deserves more attention. It's an excellent retelling of the Salem Witch Trials and does a reasonably good job of explaining both how the hysteria began and the evil attitudes of those in charge that allowed for the hangings. Both Colbert and co-star Fred MacMurray do a great job with the excellent and intelligently written script. The movie would be a good film to explain the hysteria to kids but is entertaining enough that most should enjoy the film. In fact, apart from people with VERY SHORT attention-spans, I can't see how anyone could not enjoy the film.

Solid 30's costume melodrama, certainly an artistic equal to director Frank Lloyd's more famous "Mutiny on the Bounty". Excellent acting from Colbert and, surprisingly, MacMurray (but then he's great in "Double Indemnity" too). Sterling Holloway is wonderful as the spurned suitor, and Madame Sul-Te-Wan is great as the VooDoo Woman. An excellent introduction to the Witch-Hunting syndrome that is suitable to show to young children. Witch-Hunting still occurs today in politics, religion, workplace, school and sometimes even in the family, and this film could be a tool for inciting discussion.

In 1692 Salem, a devious child's lies about a slave's involvement in witchcraft sends an entire community into an uproar. Costume drama starring Claudette Colbert and Fred MacMurray isn't stuffy, though neither is it a vivid depiction of contagious hysteria. Worked on by three writers (Walter Ferris, Durward Grimstead, and Bradley King), the story elements are rather interesting (especially coming out of Hollywood in 1937), though to anyone who has since read Arthur Miller's "The Crucible", the hoked-up melodrama on display here won't be tolerated for very long. Biggest problem with the picture may lie in the casting: Colbert and MacMurray are an ill-matched pair of lovers hindered by the witch-hunt, MacMurray being far too contemporary a presence for these surroundings. *1/2 from ****

If you haven't seen Maid of Salem, then you haven't seen a good motion picture. Simple as that.

It's not because the story has never been done before-- stories about witches have been done countless times by Hollywood over the years. Nor is it going to challenge the average viewer very much-- though it does cause one to stop and consider what happens when a community of people act like an angry mob and try to cling to superstitious beliefs that defy logic.

Rather, it is because of the powerful performance at the center of this film. Claudette Colbert, as the title character, infuses the story with heart and conviction. Check out the courtroom scene near the end of this picture to see what I mean.

The only real drawback is that Fred MacMurray seems slightly miscast here, and the film may have been stronger with Fredric March or someone else in the male lead. But Colbert and MacMurray's chemistry more than makes up for any deficiency.

It is a very chilling account of a woman denied her own basic rights and suspected of the worst in human nature. Don't miss it.

The film takes place in the village of Salem, Massachusetts during the famous witch trials of 1692. I have just seen Bonita Granville in a comedy from 1937 ("It's love I'm After") in which she plays an annoying brat of a child. Here she goes a step further and turns evil! She starts the ball rolling as she accuses a black servant Madame Sul-Te-Wan (Tituba) of being a witch in revenge for having a book that she had stolen from her strict father about witchcraft confiscated. Hysteria takes over and so-called witches are hung. Set against this, we have a romance being played out between Claudette Colbert (Barbara) and Fred MacMurray (Roger) who puts on a dodgy Irish accent. We soon have the finger of accusation pointed at Colbert...

It is staggering that this situation was allowed to develop. And all because of religious intolerance. It is also mind-blowing to think that all of this is also partly down to adults believing children. Even today, children are given precedence over adults in everything we do - entertainment at fetes is usually centred around children's activities (nothing for adults to do), pubs put up bouncy castles so they can be child-friendly (how about having no children and being adult-friendly), schools no longer have any discipline over kids and are not allowed to hit them anymore and police can't do anything but soak it up if a kid taunts them. We need to develop a society that looks after its adults first. Then, when children grow up, they can have the respect due them.

We must avoid the path where society adopts a child's word as sacrosanct. We are already allowing laws whereby they can change their gender at a very young age. What a load of nonsense. We are only a step away from the Salem Witch Trials part 2. "Children should be seen not heard" - that was the oft used quote when I was younger. Quite right.